Krauts with Attitude

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Krauts with Attitude
Krauts.jpg
Compilation album by various artists
Released 1991
Genre Hip hop

Krauts with Attitude was released in 1991 under the Bombastic label. The album was compiled by DJs Michael Reinboth and Katmando. It features 15 different acts; three rapped in German, eleven in English, and one in French. This release was the first compilation of German hip-hop, and essentially helped create a hip-hop scene in Germany. [1]

Germany Federal parliamentary republic in central-western Europe

Germany, officially the Federal Republic of Germany, is a country in Central and Western Europe, lying between the Baltic and North Seas to the north, and the Alps to the south. It borders Denmark to the north, Poland and the Czech Republic to the east, Austria and Switzerland to the south, France to the southwest, and Luxembourg, Belgium and the Netherlands to the west.

Contents

Background

The album was controversial for its language and disrespect towards authority. The title of the album refers to Niggaz with Attitude (N.W.A.), a hip-hop group from California, and the word "kraut," which is derogatory slang for German people. N.W.A. is widely considered a seminal gangsta rap group. Their lyrics are controversial, and Krauts with Attitude provided a German counterpart to the American rap scene. The Krauts record was influential to future German artists who wanted to make it in German hip-hop. [1]

N.W.A was an American hip hop group from Los Angeles County, California. They were among the earliest and most significant popularizers and controversial figures of the gangsta rap subgenre, and are widely considered one of the greatest and most influential groups in the history of hip hop music.

California State of the United States of America

California is a state in the Pacific Region of the United States. With 39.6 million residents, California is the most populous U.S. state and the third-largest by area. The state capital is Sacramento. The Greater Los Angeles Area and the San Francisco Bay Area are the nation's second and fifth most populous urban regions, with 18.7 million and 9.7 million residents respectively. Los Angeles is California's most populous city, and the country's second most populous, after New York City. California also has the nation's most populous county, Los Angeles County, and its largest county by area, San Bernardino County. The City and County of San Francisco is both the country's second-most densely populated major city after New York City and the fifth-most densely populated county, behind only four of the five New York City boroughs.

Kraut is a German word recorded in English from 1918 onwards as a derogatory term for a German, particularly a German soldier during World War I and World War II. Its earlier meaning in English was as a synonym for sauerkraut, a traditional Central and Eastern European food.

The album cover was designed in the colors of the nation’s flag (black, red, and gold), a move that was mimicked by the Turkish hip hop group Cartel. [2] The group supported this underlying nationalism with the linernotes reading "Now is the time to oppose somehow the self confidence of the English and the American." [1] Their 1991 compilation of German Hip-Hop was seen as a nationalistic movement excluding the Turkish community and the immigrants of Germany.

Cartel is a 1995 Turkish hip hop group that received attention and popularity in both Turkey and Germany. They were famous for pioneering the use of traditional Turkish music instruments in hip hop music. Cartel was the first Turkish-language project to get off the ground and often credited as the group that ignited "Oriental hip hop".

See also

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References

  1. 1 2 3 Elflein, Dietmar. "From Krauts with Attitudes to Turks with Attitudes: Some Aspects of Hip-Hop History in Germany." Popular Music, Vol. 17, No. 3. (Oct., 1998), pp. 255-265.
  2. Brown, Timothy S. “‘Keeping it Real’ in a Different ‘Hood: (African-) Americanization and Hip-hop in Germany.” In The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. by Dipannita Basu and Sidney J. Lemelle, 137-50. London; A