Krishna Nee Begane Baro is a famous classical song in Kannada language. It is composed in Raga Yamunakalyani by Vyasatirtha. The Tala is Misra chapu. [1] [2] [3]
Vyasaraya Tirtha or Vyasatirtha (1460–1539) (also known as Vyasaraja, Vyasaraayaru), a Haridasa, was born at Bannur in the Mysore District of Karnataka state. He is regarded as one of the foremost dialecticians in the history of Indian philosophy. He belonged to the Dvaita school of Madhvacharya. He along with Jayatirtha, helped in systematizing Dvaita into an established school of Vedic thought. Vyasatirtha's genius lay in his clear understanding and exposition of all his opposing schools of thought, for which even his opponents admired him. He was a master at debate and dialogue in logic and philosophy. [4]
Krishna Nee Begane Baro
Begane Baro Mukhavanne Toro
Krishna Nee Begane Baro
Kalalanduge Gejje, Neelada Bavuli
Neelavarnane Natyavanaduta Baro
Krishna Nee Begane Baro
Udualli Udigejje, Beralalli Ungura
Koralalli Haakida Vaijayantiya Maale
Krishna Née Begane Baro
Kasi Pitambara, Kaiyalli Kolalu
Pusida Shreegandha Mayyolagamagama!
Krishna Nee Begane Baro
Tayige Bayalli Jagavannu Thorida
Jagadoddharaka Namma Udupi Shri Krishna.....
Krishna Nee Begane Baro [5]
ಕೃಷ್ಣ ನೀ ಬೇಗನೇ ಬಾರೋ ||ಪ||
ಬೇಗನೆ ಬಾರೋ ನೀ ಮುಖವನ್ನು ತೋರೋ ||ಅ.ಪ||
ಕಾಲಾಲಂದುಗೆ ಗೆಜ್ಜೆ ನೀಲದ ಭಾವುಲಿ
ನೀಲವರ್ಣನೆ ನಾಟ್ಯವಾಡುತ ಬಾರೋ ||1||
ಉಡಿಯಲ್ಲಿ ಉಡುಗೆಜ್ಜೆ ಬೆರಳಲ್ಲಿ ಉಂಗುರ
ಕೊರಳಲ್ಲಿ ಹಾಕಿದ ವೈಜಯಂತಿಮಾಲೆ ||2||
ಕಾಶೀ ಪೀತಾಂಬರ ಕೈಯಲ್ಲಿ ಕೊಳಲು
ಪೂಸಿದ ಶ್ರೀ ಗಂಧ ಮೈಯೊಳು ಘಮಘಮ ||3||
ತಾಯಿಗೆ ಬಾಯಲ್ಲಿ ಜಗವನ್ನು ತೋರಿದ
ಜಗದೋದ್ಧಾರಕ ನಮ್ಮ ಉಡುಪಿ ಶ್ರೀ ಕೃಷ್ಣ ||4|| [6]
Purandara Dasa was a legendary Composer, Singer and a Haridasa philosopher from present-day Karnataka, India. He was a follower of Madhvacharya's Dvaita philosophy. He was one of the chief founding proponents of Carnatic music. In honor of his significant contributions to Carnatic music, he is widely referred to as the Pitamaha of Carnatic music. According to a legend, he is considered as an incarnation of Saint Narada.
Dasa Sahitya is the literature of bhakti movement composed by devotees in honor of Lord Vishnu or one of his Avatars. Dasa is literally servant in Kannada and sahitya is literature. Haridasas were preachers of bhakti to Lord Vishnu or one of his avatars. The bhakti literature of these Haridasas is collectively referred to as Dasa Sahitya. It is in the Kannada language. Dasas are Dvaita scholars and poets.
Dhīraśankarābharaṇaṃ, commonly known as Śankarābharaṇaṃ, is a rāga in Carnatic music. It is the 29th Melakarta rāga in the 72 Melakarta rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as "Sarva Gamaka Maaṇika Rakti Rāgaṃ".
Vyāsatīrtha, also called Vyasaraja or Chandrikacharya, was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the patron saint of the Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an amplified spread of Dvaita across the subcontinent. Three of his polemically themed doxographical works Nyayamruta, Tatparya Chandrika and Tarka Tandava documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His Nyayamruta caused a significant stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through his text, Advaitasiddhi. He is considered as an amsha of Prahlada in the Madhva Parampara.
Kambhoji or Kambodhi is a popular Raga in Carnatic Music. It is classified as a derived raga from 28th Melakartha, Harikambhoji, and has existed since the 7th century.
Jon Borthwick Higgins, also known in India as Higgins Bhagavatar, was an American musician, scholar, and teacher known principally for his rare skill as a non-Indian in the field of Carnatic music.
The Haridasa Bhakti Sahitya devotional movement (sampradaya) originated in Karnataka, India, after Madhvacharya, and spread to eastern states such as Bengal and Assam of medieval India. Over a span of nearly six centuries, several saints and mystics helped shape the culture, philosophy and art of South India in general and Karnataka in particular by exerting considerable spiritual influence over the masses and kingdoms that ruled South India.
K. J. Yesudas is a multilingual singer, singing Indian classical music, devotional, light music, and film songs. His commercially published recordings span multiple genres.
Vidyabhushana (1952-) is a vocalist from Karnataka. He sings devotional songs, chiefly Haridasa compositions, and carnatic classical music. He has many albums to his credit, mainly devotional songs in Kannada, Tulu and has given concerts all over the world. His first album was titled "Dasara Padagalu" and the 100th titled "Tanu Ninnadu Jivana Ninnadu". Performing for more than 40 years, he has traveled to many countries including a tour across the United States in 1999., He was honoured with the title of Sangeetha Vidya Nidhi in 1994. He was also honoured the Doctorate by Hampi University.
Mohanam is a rāga in Carnatic music. It is an audava rāga. It is usually described as a janya rāga of Harikamboji. However, alternate opinions suggest that Mechakalyani may be a more appropriate classification based on the lakshana of the raga.
Kāpi is a popular rāga in Carnatic music, the classical music of South India. Kāpi is a janya rāgam of Kharaharapriya with a meandering vakra scale. Typically performed at slow and medium speeds, it is capable of inducing moods of devotion, pathos and sadness in the listeners. Kāpi is different from the Hindustani raag and thaat Kafi. The equivalent raag in Hindustani is Pilu.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music. The Hindustani rāga is a pentatonic scale, as is the Carnatic scale categorized as Audava-Audava resulting in 5 notes in the Arohanam and 5 in the Avarohanam.
Mohanakalyani is a rāgam in Carnatic music. It is a janya rāgam from the 65th melakarta scale Mechakalyani. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the Melakarta raga scale Kalyani. This ragam can be considered as a Prati Madhyamam equivalent of Bilahari, the janya of 29th Melakartha Dheerashankarabharanam. The equivalent of Mohanakalyani in Hindustani music is Bhoop Kalyan or Shuddha Kalyan. Bhoop Kalyan belongs to the Kalyan thaat of Hindustani music. Similar to Mohanakalyani, Bhoop Kalyan is a combination of Bhoop and Kalyan. This rāgam is believed to be invented by Swati Tirunal Maharaja.
Bilahari is a rāgam in Carnatic music. It is a janya rāgam from the 29th melakarta scale Sankarabharanam. It is a janya scale, as it does not have all the seven swaras in the ascending scale. It is a combination of the pentatonic scale Mohanam and the sampurna raga scale Sankarabharanam.
Krishna Nee Late Aagi Baaro is a 2010 Indian Kannada language, a comedy film directed by actor Mohan Shankar. Besides Mohan, the film stars Ramesh Aravind, Neethu and Nidhi Subbaiah in pivotal roles. The music is composed by the flautist Pravin Godkhindi.
Krishna Nee Begane Baro is a 1986 Indian Kannada-language film, directed by H. R. Bhargava and produced by Amrutha Singh, Anuradha Singh and Dushyanth Singh. The film stars Vishnuvardhan, Bhavya, Kim and Mukhyamantri Chandru. The film has musical score by Bappi Lahiri. The movie was a remake of the 1983 Hindi movie Souten whose Telugu remake Thene Manasulu was directed by the producer of this movie - Rajendra Singh Babu.
Yamunakalyani is the janya raga of Mechakalyani, the 65th Melakarta ragam. It brings out Bhakthi, Sringara, Gambheera and Shantha rasas.