Kristin G. Congdon is an American artist, writer and a Professor Emerita of Philosophy and Humanities at the University of Central Florida. [1] [2] In her work she focuses on folk art, art education, art history, and feminism. [3] [4] [5] She is the founding director of the Cultural Heritage Alliance at the University of Central Florida (UCF), which supports research into folk arts and folk arts education. [2] [6] [7] She has written or contributed to over a dozen books on folk arts and is on the Editorial Board of the journal Artizein: Arts and Teaching Journal. [1] She has also been on many other journal boards, including the International Journal of Education in the Art, Visual Culture and Gender, and Visual Arts Education. Most importantly ,she has been the Senior Editor of Studies in Art Education and the Senior Editor of the Journal of Research in Art Education. She has toured with her art in Florida.
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Congdon received her Ph.D. from the University of Oregon in Art Education. [8] She has contributed to several books and publications. She contributed several essays about Día de los Muertos to the book Of Corpse: Death and Humor in Folklore and Popular Culture by Peter Narvaez. [9] Congdon co-wrote the book Happy Clouds, Happy Trees about Bob Ross, which was reviewed favorably by the Washington Post . [10] Congdon contributed to the book Cassadaga: The South's Oldest Spiritualist Community. [11] She has spoken and written about feminism in art education and other topics related to women in art. [12] [13]
Congdon and Tina Bucuvalas spent five years creating a traveling exhibition which is based on the book Just Above the Water: Florida Folk Art and toured with it in museums all over Florida, including at the St. Petersburg Museum of History. [14]
Congdon is a Professor Emerita at the University of Central Florida. [11]
The art world comprises everyone involved in producing, commissioning, presenting, preserving, promoting, chronicling, criticizing, buying and selling fine art. It is recognized that there are many art worlds, defined either by location or alternative definitions of fine art. Some may use the singular art world to refer only to the elite level of globalized fine art. The art world(s) are continually changing in response both to the creativity of those that create art and in response to social change.
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made.
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Paquet congo are Haitian spiritual objects made by vodou priests and priestesses during ceremonies. Their name comes from the ancient Kongo Kingdom in Africa, where similar objects called nikisi wambi are found.
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