Nalanda was a renowned Buddhist mahavihara in ancient and medieval Magadha, eastern India. Widely considered to be among the greatest centers of learning in the ancient world, it was located near the city of Rajagriha, roughly 90 kilometres (56 mi) southeast of Pataliputra. Operating from 427 CE until the 13th century, Nalanda played a vital role in promoting the patronage of arts and academics during the 5th and 6th century CE, a period that has since been described as the "Golden Age of India" by scholars.
Sarnath is a place located 10 kilometres northeast of Varanasi, near the confluence of the Ganges and the Varuna rivers in Uttar Pradesh, India.
Chandragupta II, also known by his title Vikramaditya, as well as Chandragupta Vikramaditya, was the third ruler of the Gupta Empire in India. Modern scholars generally identify him with King Chandra of the Delhi iron pillar inscription.
Sanchi Stupa is a Buddhist complex, famous for its Great Stupa, on a hilltop at Sanchi Town in Raisen District of the State of Madhya Pradesh, India. It is located, about 23 kilometers from Raisen town, district headquarter and 46 kilometres (29 mi) north-east of Bhopal, capital of Madhya Pradesh.
Kumaragupta I was an emperor of the Gupta Empire of Ancient India. A son of the Gupta emperor Chandragupta II and Queen Dhruvadevi. He seems to have maintained control of his inherited territory, which extended from Gujarat in the west to Bengal region in the east.
The Western Satraps, or Western Kshatrapas were Indo-Scythian (Saka) rulers of the western and central parts of India, between 35 and 415 CE. The Western Satraps were contemporaneous with the Kushans who ruled the northern part of the Indian subcontinent, and were possibly vassals of the Kushans. They were also contemporaneous with the Satavahana (Andhra) who ruled in Central India. They are called "Western Satraps" in modern historiography in order to differentiate them from the "Northern Satraps", who ruled in Punjab and Mathura until the 2nd century CE.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Sarnath Museum is the oldest site museum of the Archaeological Survey of India. It houses the findings and excavations at the archaeological site of Sarnath, by the Archaeological Survey of India. Sarnath is located near Varanasi, in the state of Uttar Pradesh. The museum has 6,832 sculptures and artefacts.
Budhagupta was a Gupta emperor and the successor of Kumaragupta II. He was the son of Purugupta and was succeeded by Narasimhagupta.
Amarāvati Stupa is a ruined Buddhist stūpa at the village of Amaravathi, Palnadu district, Andhra Pradesh, India, probably built in phases between the third century BCE and about 250 CE. It was enlarged and new sculptures replaced the earlier ones, beginning in about 50 CE. The site is under the protection of the Archaeological Survey of India, and includes the stūpa itself and the Archaeological Museum.
The Northern Satraps, or sometimes Satraps of Mathura, or Northern Sakas, are a dynasty of Indo-Scythian ("Saka") rulers who held sway over the area of Punjab and Mathura after the decline of the Indo-Greeks, from the end of the 1st century BCE to the 2nd century CE. They are called "Northern Satraps" in modern historiography to differentiate them from the "Western Satraps", who ruled in Sindh, Gujarat and Malwa at roughly the same time and until the 4th century CE. They are thought to have replaced the last of the Indo-Greek kings in the Punjab region, as well as the Mitra dynasty and the Datta dynasty of local Indian rulers in Mathura.
The Bala Bodhisattva is an ancient Indian statue of a Bodhisattva, found in 1904–1905 by German archaeologist F.O. Oertel (1862–1942) in Sarnath, India. The statue has been decisive in matching the reign of Kanishka with contemporary sculptural style, especially the type of similar sculptures from Mathura, as its bears a dated inscription in his name. This statue is in all probability a product of the art of Mathura, which was then transported to the Ganges region.
The Art of Mathura refers to a particular school of Indian art, almost entirely surviving in the form of sculpture, starting in the 2nd century BCE, which centered on the city of Mathura, in central northern India, during a period in which Buddhism, Jainism together with Hinduism flourished in India. Mathura "was the first artistic center to produce devotional icons for all the three faiths", and the pre-eminent center of religious artistic expression in India at least until the Gupta period, and was influential throughout the sub-continent.
The Gupta era is a historical calendar era that begins from c. 318–319 CE. It was used by the Gupta emperors, as well as their vassals and their successors in present-day northern India and Nepal. It is identical to the Vallabhi era, which was used in the Saurashtra region of western India, although regional differences lead to a slightly different calculation for the conversion of Vallabhi era years to Common Era (CE).
Gupta art is the art of the Gupta Empire, which ruled most of northern India, with its peak between about 300 and 480 CE, surviving in much reduced form until c. 550. The Gupta period is generally regarded as a classic peak and golden age of North Indian art for all the major religious groups. Gupta art is characterized by its "Classical decorum", in contrast to the subsequent Indian medieval art, which "subordinated the figure to the larger religious purpose".
Kushan art, the art of the Kushan Empire in northern India, flourished between the 1st and the 4th century CE. It blended the traditions of the Greco-Buddhist art of Gandhara, influenced by Hellenistic artistic canons, and the more Indian art of Mathura. Kushan art follows the Hellenistic art of the Greco-Bactrian Kingdom as well as Indo-Greek art which had been flourishing between the 3rd century BCE and 1st century CE in Bactria and northwestern India, and the succeeding Indo-Scythian art. Before invading northern and central India and establishing themselves as a full-fledged empire, the Kushans had migrated from northwestern China and occupied for more than a century these Central Asian lands, where they are thought to have assimilated remnants of Greek populations, Greek culture, and Greek art, as well as the languages and scripts which they used in their coins and inscriptions: Greek and Bactrian, which they used together with the Indian Brahmi script.
The Brussels Buddha is a famous Buddha statue from the Greco-Buddhist art of Gandhara. It is named after the first collection to which it belonged, the Claude de Marteau collection in Brussels, Belgium, although it is now in a private collection in Japan, belonging to the Agonshū sect of Buddhism. The Brussels Buddha belongs to the category of the "Seated Buddha triads", which can be seen contemporaneously in the Greco-Buddhist art of Gandhara and in the art of Mathura in the early Kushan period. The precise location where the statue was discovered is unknown, but it was acquired in Peshawar, and it is thought to have been excavated in Sahri Bahlol due to its similarity with a statue from the same location, now in the Peshawar Museum.
The Buddha statue of Vasudeva I is a fragment of a statue of the Buddha, belonging to the art of Mathura, and bearing an inscription in the name of the Kushan Empire emperor Vasudeva I.
The Buddha Preaching his First Sermon is a stone sculpture of the 5th-century CE showing Gautama Buddha in the "teaching posture" or dharmachakra pravartana mudrā. The relief is 5' 3" tall, and was excavated at Sarnath, India by F. O. Oertel during the 1904–1905 excavation season of the Archaeological Survey of India (ASI); it was found in an area to the south of the Dhamek Stupa.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.
Ku-ma-ra-gu-pta) [2] Kramaditya was an emperor of the Gupta Empire. An image of Gautama Buddha at Sarnath notes that he succeeded Purugupta who was most likely his father. [3] He was succeeded by Budhagupta. [4] 
Buddha, standing under a chatra umbrella, inscribed: "Gift of Abhayamira in 154 GE" (474 CE) in the reign of Kumaragupta II. Sarnath Museum. [7]
Buddha, standing, inscribed: "Gift of Abhayamira in 154 GE" 474 CE in the reign of Kumaragupta II. Sarnath Museum. [8]
Inscription of the Buddha statue dated in Gupta Era 154 in the reign of Kumaragupta, with English translation. [9]
