L'Immortelle | |
---|---|
Directed by | Alain Robbe-Grillet |
Written by | Alain Robbe-Grillet |
Starring | Françoise Brion Jacques Doniol-Valcroze |
Cinematography | Maurice Barry |
Edited by | Bob Wade |
Music by | Georges Delerue Michel Fano Tahsin Kavalcioglu |
Release date |
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Running time | 101 minutes |
Countries | France Italy Turkey |
Language | French |
L'Immortelle is a 1963 international co-produced drama film [1] directed by Alain Robbe-Grillet, his first feature after the worldwide success of Last Year at Marienbad which he wrote. Entered into the 13th Berlin International Film Festival, [2] it also won the Prix Louis Delluc.
Set in Istanbul, it tells the story of a withdrawn man falling hopelessly in love with an attractive and sexy woman who will not reveal her identity. While the two speak French to each other, the other characters mostly speak unsubtitled Turkish. Using a non-linear structure, intercut with memories and fantasies, neither the characters nor the viewers can be sure of what is portrayed and must reach their own understanding.
Having taken a job in Istanbul, a melancholy Frenchman rents a flat overlooking the Bosphorus. He sets out to explore the city but, as he speaks only French, cannot communicate. He meets a beautiful and mysterious woman in a white convertible who speaks French as well as Turkish and is prepared to show him around. She is also ready to start a discreet affair. While they take in the sights of the city, often in deserted ruins and graveyards, they tend to be shadowed by sinister-looking men with one or more ferocious dogs. Then the woman disappears, and the Frenchman's obsession with her grows. Hunting for her all over, he finds the locals unhelpful, until he sees her one night in a crowded street. She rushes him away in her car, only to crash it as she tries to avoid one of the shadowing dogs. The Frenchman is scarcely harmed, but the woman is dead. Still obsessed with her memory, he starts a new quest to find out who she was, one possibility being a high-class prostitute. Once her car has been repaired, he buys it and crashes it on the same road, dying as well.
Alain Robbe-Grillet, who was one of the most successful screenwriters of the French New Wave, longed to direct a feature film, but no offers of backing were forthcoming. At length, a Belgian producer agreed to let him direct a film from his own screenplay, on condition that the film be shot in Turkey, using "blocked funds" (profits from an earlier film that could not be taken out of the country) owed to Cocinor, the French production company. Robbe-Grillet accepted this, and in his first feature film as a director, created a dreamlike, erotic fantasy.
Robbe-Grillet wrote a very detailed plan for the shooting, and wanted it followed in every detail. Both Françoise Brion and Jacques Doniol-Valcroze were friends of the director; though he had written the scenario with other actors in mind, he decided on them instead. [3]
From the date of its release until 2014, the film was never legally available on DVD in the English-speaking world, and circulated only in bootlegs, and in 35mm prints from the French Cultural Ministry, which loaned the film to museums and colleges from time to time. Thus, the film was almost impossible to see. However, in January 2014, the British Film Institute announced the DVD and Blu-ray release of the film, along with five other Robbe-Grillet features, as part of the box set Alain Robbe-Grillet: Six Films 1964-1974, scheduled to be released in the UK on 23 June 2014. Some of the individual titles were released in the US by Redemption in February 2014. L'Immortelle and the other films were also included in the French DVD box set Alain Robbe-Grillet - Récits cinématographiques, released in France in 2013.
Dino de Laurentiis acquired the Italian distribution rights after production, and officially, in the film's credits, L'Immortelle is listed as a French/Italian co-production, although it was shot entirely in and around Istanbul, with a mostly Turkish crew.
L'Année dernière à Marienbad is a 1961 French-Italian Left Bank film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet. Set in a palace in a park that has been converted into a luxury hotel, it stars Delphine Seyrig and Giorgio Albertazzi as a woman and a man who may have met the year before and may have contemplated or started an affair, with Sacha Pitoëff as a second man who may be the woman's husband. The characters are unnamed.
Alain Robbe-Grillet was a French writer and filmmaker. He was one of the figures most associated with the Nouveau Roman trend of the 1960s, along with Nathalie Sarraute, Michel Butor and Claude Simon. Alain Robbe-Grillet was elected a member of the Académie française on 25 March 2004, succeeding Maurice Rheims at seat No. 32. He was married to Catherine Robbe-Grillet.
Catherine Robbe-Grillet is a French writer, dominatrix, photographer, theatre and film actress of Armenian descent who has published sadomasochistic writings under the pseudonyms Jean de Berg and Jeanne de Berg.
Penny Dreadful is a 2006 American horror film directed by Richard Brandes and written by Diane Doniol-Valcroze, Arthur K. Flam, and Richard Brandes. The story is from Diane Doniol-Valcroze and Arthur K. Flam. The film centers on a young woman, Penny, who has a phobia of cars and ends up stalked by a maniac hitchhiker preying on her fear. The film takes place almost entirely in a car, one-location. In 2016, the film was listed in the top ten horror films of 2006 by 411mania.
Anicée Alvina, also known as Anicée Schahmaneche (b. Anicée Shahmanesh or Anicee Schahmane was a French singer and actress.
François Weyergans was a Belgian writer and director. His father, Franz Weyergans, was a Belgian and also a writer, while his mother was from Avignon in France. François Weyergans was elected to the Académie française on 26 March 2009, taking the 32nd seat which became vacant with the death of Alain Robbe-Grillet in 2008.
Trans-Europ-Express is a 1966 experimental film written and directed by Alain Robbe-Grillet and starring Jean-Louis Trintignant and Marie-France Pisier. The title refers to the Trans Europ Express, at the time an international rail network in Europe. A frame story shows a creative team devising a film plot during a train journey to Antwerp, intercut with a film-within-the-film about a novice cocaine smuggler and a prostitute that enacts their outline imperfectly.
Françoise Brion is a French film actress. She has appeared in 75 films since 1957. She starred in the 1963 film L'Immortelle, which was entered into the 13th Berlin International Film Festival. She was married to Jacques Doniol-Valcroze.
Jacques Doniol-Valcroze was a French actor, critic, screenwriter, and director. In 1951, Doniol-Valcroze was a co-founder of the renowned film magazine Cahiers du cinéma, along with André Bazin and Joseph-Marie Lo Duca. The magazine was initially edited by Doniol-Valcroze between 1951-1957. As critic, he championed numerous filmmakers including Orson Welles, Howard Hawks, and Nicholas Ray. In 1955, then 23-year-old François Truffaut made a short film in Doniol-Valcroze's apartment, Une Visite. Jacques's daughter Florence played a minor part in it.
Gradiva is a novel by Wilhelm Jensen, first published in instalments from June 1 to July 20, 1902 in the Viennese newspaper "Neue Freie Presse". It was inspired by a Roman bas-relief of the same name and became the basis for Sigmund Freud's famous 1907 study Delusion and Dream in Jensen's Gradiva. Freud owned a copy of this bas-relief, which he had joyfully beheld in the Vatican Museums in 1907; it can be found on the wall of his study in 20 Maresfield Gardens, London – now the Freud Museum.
The Man Who Lies is a 1968 French-Czechoslovak drama art film directed by Alain Robbe-Grillet. It was entered into the 18th Berlin International Film Festival, where Jean-Louis Trintignant won the Silver Bear for Best Actor award.
Eden and After is a 1970 French-Czechoslovak drama art film directed by Alain Robbe-Grillet. It was entered into the 20th Berlin International Film Festival.
Successive Slidings of Pleasure is a 1974 French art film directed by Alain Robbe-Grillet.
La Belle captive is a 1983 French avant-garde film directed by Alain Robbe-Grillet. A playful mystery, the film combines elements of erotic allure and supernatural horror with a pulp fiction plot. Suffused with visual surrealism, it often explicitly evokes the works of René Magritte.
Playing with Fire is a 1975 French-Italian comedy-drama film written and directed by Alain Robbe-Grillet and starring Jean-Louis Trintignant.
And Satan Calls the Turns is a 1962 French film directed by Grisha Dabat and starring Catherine Deneuve.
L’eau à la bouche is a 1960 French film directed by Jacques Doniol-Valcroze and starring Françoise Brion, Bernadette Lafont and Alexandra Stewart.
Portuguese Vacation is a 1963 French-Portuguese drama film directed by Pierre Kast and starring Françoise Arnoul, Michel Auclair and Jean-Pierre Aumont.
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Michel Fano is a French musician, composer, writer, filmmaker, and sound designer. He developed the concept of continuum sonore to describe the potential for a film's soundtrack to interact with its visual content. During the early 1950s, he was part of a generation of composers associated with the Darmstadt School, and was a lifelong friend of Pierre Boulez. From 1962 until 1975, he regularly collaborated with Alain Robbe-Grillet on cinematic projects, creating partitions sonores for five of Robbe-Grillet's films.