LKJ in Dub | ||||
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Studio album by | ||||
Released | 1980 (UK) | |||
Genre | Dub reggae | |||
Length | 30:01 | |||
Label | Island | |||
Producer | Dennis Bovell [1] | |||
Linton Kwesi Johnson chronology | ||||
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LKJ in Dub is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on Island Records. [2] It was produced by Dennis Bovell (credited as Blackbeard). It contains dub versions of tracks from the two previous LKJ albums, Forces of Victory and Bass Culture . [3]
Review scores | |
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Source | Rating |
AllMusic | [4] |
The Encyclopedia of Popular Music | [3] |
The Rolling Stone Album Guide | [5] |
Spin Alternative Record Guide | 5/10 [6] |
Trouser Press called the album "an interesting and successful example of dub technique." [2] The New York Times compared the album to Bovell's recent I Wah Dub, calling LKJ in Dub "a less gimmicky, more emotionally satisfying piece of work." [7] The Boston Globe wrote that "there are some nice grooves here, but with no voice to sing, no soloing instruments, not even a stray Frippertronic to hang onto, it's hard to recommend this album." [8]
All tracks written by Linton Kwesi Johnson
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section, the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
Linton Kwesi Johnson OD, also known as LKJ, is a Jamaica-born, British-based dub poet and activist. In 2002 he became the second living poet, and the only black one, to be published in the Penguin Modern Classics series. His performance poetry involves the recitation of his own verse in Jamaican patois over dub-reggae, usually written in collaboration with reggae producer/artist Dennis Bovell.
Dub poetry is a form of performance poetry of Jamaican origin, which evolved out of dub music in Kingston, Jamaica, in the 1970s, as well as in London, England, and Toronto, Canada, cities which have large populations of Caribbean immigrants. The term "Dub Poetry" was coined by Dub artist Linton Kwesi Johnson in 1976, and further popularized by artist Oku Onoura, which consists of spoken word over reggae rhythms, originally found on the backing or "version" side of a 12 or 7 inch vinyl record.
Michael Smith, usually referred to as Mikey Smith, was a Jamaican dub poet. Along with Linton Kwesi Johnson, and Mutabaruka, he was one of the best-known dub poets. In 1978, Smith represented Jamaica at the 11th World Festival of Youth and Students in Cuba. His album Mi Cyaan Believe It includes his poem of the same title. He had left-anarchist leanings and Rastafarian sympathies, and was allegedly murdered by political opponents associated with the right-wing Jamaica Labour Party (JLP) after he had heckled the Jamaican Minister of Culture at a political rally on 17 August 1983.
Dennis Bovell is a Barbados-born reggae guitarist, bass player and record producer, based in England. He was a member of a progressive rock group called Stonehenge, who later changed name and became the British reggae band Matumbi, and released dub-reggae records under his own name as well as the pseudonym Blackbeard. He is most widely known for his decades-spanning collaborations with Linton Kwesi Johnson.
Bass Culture is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson, released in 1980 on the Island Records label. It was produced by Linton Kwesi Johnson and Dennis Bovell. Bovell, Lloyd "Jah Bunny" Donaldson and Webster Johnson were members of Matumbi.
Forces of Victory is the debut solo album by Jamaican dub poet Linton Kwesi Johnson. It was released in 1979 on Island Records.
Making History is an album by the Jamaica-born, British-based dub poet Linton Kwesi Johnson. It was released in 1984 on Island Records. It was produced by Dennis Bovell.
The Fittest of the Fittest is an album by the reggae musician Burning Spear, released in 1983.
Farover is an album by the Jamaican reggae singer and musician Burning Spear, released in 1982.
Dick Cuthell is a British musician and record producer. He plays flugelhorn, cornet, and trumpet, amongst a range of other brass instruments, including tenor horn and valve trombone. Cuthell is best known for his work with The Specials and Rico Rodriguez. He also collaborated with bands such as Madness, Eurythmics, Fun Boy Three, XTC, Level 42 and The Pogues. In addition to a range of horns, Cuthell also plays bass, keyboards and percussion and is a composer and arranger.
Dread Beat an' Blood is the debut album by British reggae band Poet and the Roots released in 1978 on the Front Line label. It was produced by Vivian Weathers and Linton Kwesi Johnson. The "Poet" is dub poet Johnson and "the Roots" are Dennis Bovell, Lloyd "Jah Bunny" Donaldson, Desmond Craig, Winston Curniffe, Everald Forrest, Floyd Lawson, John Varnom, Lila Weathers and Vivian Weathers. Vivian Weathers and Winston Curniffe were school friends of Johnson's. They all attended Tulse Hill Secondary School. Most of the tracks are based on poems that first appeared in Johnson's 1975 book of poetry Dread Beat an' Blood.
Proverbial Reggae was the second album by Jamaican Roots Reggae band The Gladiators, recorded and released in 1978 on Virgin Records' Front Line imprint.
Matumbi were one of the top British reggae bands of the 1970s and early 1980s, and are best known as the first successful band of guitarist and record producer Dennis Bovell. Empire Road a British television series, made by the BBC in 1978 and ran until 1979 opening theme song was recorded by the band and was released as a single in 1978.
A Cappella Live is an album by Jamaican dub poet Linton Kwesi Johnson released in 1996 on the LKJ Records label. LKJ performs all the tracks, recorded at various venues in 1993 and 1994, without any accompaniment.
Escape Artist is an album by Garland Jeffreys, released in 1981 by Epic Records. The album originally included the EP Escapades. The cover photography is by Anton Corbijn.
John Ogetti Kpiaye is a reggae session and live guitarist. He was a member of The Cats who had a No. 48 UK hit with "Swan Lake", and Matumbi, who had a No. 35 hit with "Point of View ".
Brain Damage is the third studio album by Barbadian-British reggae musician Dennis Bovell, released in 1981 by Fontana Records. His first solo album under his own name, following two dub albums released as Blackbeard, it was Bovell's first recording at his South London-based Studio 80. Having begun to feel that reggae had not progressed as much as he would have liked, he conceived Brain Damage as an attempt to fuse the genre with numerous rhythmic styles from Europe, America, Africa and the Caribbean to highlight the genre's flexibility. The musician intended not to explore the international rhythms in a standard way but to take them to what he perceived as musical extremes. The direction was also inspired by the wide array of people in his audience.
Tings an' Times is an album by the Jamaican dub poet Linton Kwesi Johnson, released in 1991. It was Johnson's first album in six years. Tings an' Times also served as the title of a book of Johnson's poetry.
More Time is an album by the Jamaican-British musician Linton Kwesi Johnson. It was released in 1998 through Johnson's LKJ Records. "Liesense fi Kill", about police brutality, was released as a single. Johnson supported the album with an international tour. The lyrics to many songs were reproduced in Johnson's book of poetry Mi Revalueshanary Fren.