La Mano Cornuda | ||||
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Studio album by | ||||
Released | March 15, 1994 | |||
Recorded | Egg Studios, Seattle, Washington in November 1993 | |||
Genre | Rock | |||
Label | Sub Pop [1] | |||
Producer | Conrad Uno [2] | |||
Supersuckers chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
The Encyclopedia of Popular Music | [4] |
La Mano Cornuda is the second studio album by the American rock and roll band Supersuckers. [5] [6] It was released on March 1, 1994, on Sub Pop. The title is Spanish for the horned hand , a reference to the hand sign often seen at rock and roll shows. [7]
The Encyclopedia of Popular Music deemed the album "hard rocking songs about hard drinking hard men." [4] Trouser Press wrote that "Conrad Uno’s production doesn’t raise [Jack] Endino’s blinding gleam, but the effect is salutary, allowing the band to indulge its naturally wanton slop-rock instincts to great hairy effect." [2] Eric Davidson, author of We Never Learn: The Gunk Punk Undergut, 1988-2001, considered it perhaps the band's "best all-around record." [8]
Sub Pop is a record label founded in 1986 by Bruce Pavitt and Jonathan Poneman. Sub Pop achieved fame in the early 1990s for signing Seattle bands such as Nirvana, Soundgarden, and Mudhoney, central players in the grunge movement. They are often credited with helping popularize grunge music. The label's roster includes Fleet Foxes, Beach House, The Postal Service, Sleater-Kinney, Flight of the Conchords, Foals, Blitzen Trapper, Father John Misty, clipping., Shabazz Palaces, Weyes Blood, Guerilla Toss, Bully, Low, METZ, Rolling Blackouts Coastal Fever, TV Priest and The Shins. In 1995, the owners of Sub Pop sold a 49% stake of the label to the Warner Music Group.
Mudhoney is an American rock band formed in Seattle, Washington, in 1988, following the demise of Green River. Its members are singer and rhythm guitarist Mark Arm, lead guitarist Steve Turner, bassist Guy Maddison and drummer Dan Peters. Original bassist Matt Lukin left the band in 1999.
Every Good Boy Deserves Fudge is the second studio album by the grunge band Mudhoney. It was recorded in 1991, at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop. The album shipped 50,000 copies on its original release. It is credited with helping to keep Sub Pop in business.
Fastbacks were a Seattle, Washington, punk rock band. Formed in 1979 by songwriter/guitarist Kurt Bloch, and friends Lulu Gargiulo and Kim Warnick, they disbanded in 2001. Their sound mixed a generally punk rock approach to vocals and sound textures with poppy tunes and strong musicianship.
Hype! (1996) is a documentary directed by Doug Pray about the popularity of grunge rock in the early to mid-1990s United States. It incorporates interviews and rare concert footage to trace the development of the grunge scene from its early beginning in neighborhood basements to its emergence as an explosive pop culture phenomenon. Hype! attempts to dispel some of the myths of the genre promulgated by media hype by depicting the grunge subculture from the point of view of people who were active in the scene. The film generally portrays this mythos in a satirical way while acknowledging that it was media hype that helped propel some of these obscure bands to fame.
Blood Guts & Pussy is a 1990 album by the Dwarves. It was their first album for Sub Pop, and the album's sleeve was the subject of controversy, receiving protests from feminists. Dwarves frontman Blag The Ripper asserts that the Blood Guts & Pussy classic "Drug Store" is one of his favourite songs to play live, and that it is frequently requested during live sets.
The Supersuckers are an American rock band, formed in 1988, whose music ranges from alternative rock to country rock to cowpunk. AllMusic describes the band as "the bastard sons of Foghat, AC/DC, and ZZ Top after being weaned on punk rock, unafraid of massive guitar riffs, outsized personalities, or pledging allegiance to sex, weed, and Satan with a wink and a nudge."
The Evil Powers of Rock 'n' Roll is a studio album by the American rock and roll band Supersuckers. It was released on October 19, 1999, on Koch Records.
Must've Been High is the fourth studio album and the first cowpunk album by the American rock and roll band Supersuckers. It was released on March 25, 1997, via Sub Pop.
The Sacrilicious Sounds of the Supersuckers is the third studio album by the American rock band Supersuckers. It was released on August 8, 1995, on Sub Pop.
The Songs All Sound the Same is a singles collection by American rock and roll band Supersuckers. It was originally released in 1992 on eMpTy Records. This album led ultimately to the signing of the band with Sub Pop. It was remastered and released on the Mid-Fi label with three bonus tracks, new artwork, and liner notes by Eddie Spaghetti in 2001.
Dry as a Bone is the second and final EP by the American rock band Green River. It was released in June 1987 through Sub Pop Records.
Jack Endino is an American producer and musician based in Seattle, Washington. Long associated with Seattle label Sub Pop and the grunge movement, Endino worked on seminal albums from bands including Mudhoney, Soundgarden and Nirvana. He was also the guitarist for Seattle band Skin Yard, which was active between 1985 and 1992. Endino currently manages a studio in Seattle called Soundhouse Recording.
"Touch Me I'm Sick" is a song by the American alternative rock band Mudhoney. It was recorded in April 1988 at Seattle's Reciprocal Recording studio with producer Jack Endino. "Touch Me I'm Sick" was released as Mudhoney's debut single by independent record label Sub Pop on August 1, 1988. The song's lyrics, which feature dark humor, are a sarcastic take on issues such as disease and violent sex.
The Fluid was an American rock band from Denver which formed in 1985, disbanded in 1993, but reconvened in 2008. The group cited the Rolling Stones and MC5 as inspirations for their sound, and was the first group based outside the Pacific Northwest to sign with influential Seattle label Sub Pop.
Jack Endino is an influential audio engineer and musician particularly associated with Seattle label Sub Pop and the grunge movement.
ZIPGUN are an American punk rock band from Seattle, Washington, United States, primarily active from 1991 to 1994. The original founding members were: guitarist Neil Rogers, singer Robb Clarke, bassist Mark Wooten and drummer Dan Cunneen.
Nunbait were an Australian punk rock band formed in 1989. They joined the thriving inner-city music scene in the late 1980s and early 1990s that featured artists such as The Cosmic Psychos, Frenzal Rhomb, and Kiss My Poodles Donkey, as well as Tumbleweed, The Meanies and Nitocris. Nunbait were leaders in the second wave of punk inspired bands that followed the Black Eye Records groups, such as Thug, Lubricated Goat and Box the Jesuit.
Empty Bottles, Broken Hearts is the second studio album by punk rock band Murder City Devils. It was recorded, mixed and produced by Jack Endino, and released in 1998 on Sub Pop.
Teen Angels was an American grunge rock band. It was formed by singer Kelly Canary and another former member of the band Dickless, drummer Lisa Smith, along with Julie Ransweiler. Nalini Cheriel (Adickdid) was also a member at one point. They released two EPs on Scooch Pooch, and then a single and an album (Daddy) on Sub Pop.