La Passion selon Sade

Last updated
La Passion selon Sade
Opera by Sylvano Bussotti
Berberian and Bussotti.jpg
Cathy Berberian, the vocal soloist, and Bussotti
TranslationPassion, according to Sade
LibrettistSylvano Bussotti
LanguageItalian
Based on Marquis de Sade's novels Justine and Juliette
Premiere
5 September 1965 (1965-09-05)
Teatro Biondo, Palermo

La Passion selon Sade (The Passion according to Sade) [1] is an opera by Sylvano Bussotti who also wrote the libretto, and was the set designer and director. The subtitle is "mistero da camera", describing it as a chamber mystery play. It was Bussotti's first work for the stage. The opera premiered in 1965 in Palermo with soprano Cathy Berberian, who portrayed the titular characters from two novels by the Marquis de Sade, Justine and Juliette . It has been regarded as experimental musical theatre in several respects.

Contents

History

The Italian composer Sylvano Bussotti was inspired for his stage work La Passion selon Sade by Sonnet II, a poem by Louise Labé from the 16th century, [2] a "contemplation of love caught between the polar opposites of joy and despair" [1] and Marquis de Sade's novels Justine and Juliette , [2] in which "hope of a virtuous life is abandoned for the destructive pursuit of pleasure". [1] The opera also references Bussotti's autobiography. [2]

Bussotti planned the composition from 1964. He then met the recorder player Michael Vetter with whom he collaborated on a piece RARA, a duet for recorder and a mime which he would later include in the opera. [3] He composed La Passion mostly in 1965, with revisions after a preview then until 1966. He subtitled it (in French) as "mystère de chambre avec Tableaux vivants précédé de Solo, avec un couple de Rara et suivi d'une autre Phrase à trois" (chamber mystery with tableaux vivants preceded by solo, with a couple of Rara and followed by another Phrase à trois). [2] [4]

It premiered on 5 September 1965 in a preview at Palermo's Teatro Biondo, directed by the composer in a set designed by him, with soprano Cathy Berberian [5] and conducted by Romano Amidei. [4] The performance was part of the festival New Music Week ("Settimane Internazionali Nuova Musica"). [1] The title, alluding to the Passion of Jesus combined with the writer Sade, caused a scandal, and when the opera was first performed in France, on 7 December 1966 at the Odéon, it had to be changed to La Passion selon x. [2] [6] The first complete performance was given at the Royal Dramatic Theatre in Stockholm on 1 November 1968. [1] It was published by Ricordi. [4]

A revival was given in 2017 by the Théâtre Bernadette Lafont in Nîmes, directed by Antoine Gindt and conducted by Léo Warynski, with soprano Raquel Camarinha and the Ensemble Multilatérale. [5]

Composition

Bussotti scored the work for mezzo-soprano and an ensemble of nine instruments: flute, oboe, oboe d'amore, horn, percussion, two pianos (also celesta, harmonium), organ, and cello. [5] The work is structured in scenes without a coherent narrative, with the characters and instruments expressing meanings for the viewer to interpret. [1] The score is often in graphic notation, [3] including visual arts, which leaves the players with some freedom to perform. [1] The duration is about 1¼ hours. [4] The mezzo performs the roles of both Sade protagonists, Justine and Juliette, and the instrumentalists are also expected to act and sing. [3] RARA functions as an interlude between two action scenes. It can be played individually in concert. [3]

The opera has been described as "perhaps the most daring, experimental and innovative of Sylvano Bussotti's compositions". [5]

Related Research Articles

<span class="mw-page-title-main">Étienne Aignan</span>

Étienne Aignan was a French translator, political writer, librettist and playwright. In 1814 he was made a member of the Académie française, succeeding Bernardin de Saint-Pierre in Seat 27. He died on 21 June 1824 aged 51 years old.

<span class="mw-page-title-main">Sylvano Bussotti</span> Italian composer (1931–2021)

Sylvano Bussotti was an Italian composer of contemporary classical music, also a painter, set and costume designer, opera director and manager, writer and academic teacher. His compositions employ graphic notation, which has often created special problems of interpretation. He was known as a composer for the stage. His first opera was La Passion selon Sade, premiered in Palermo in 1965. Later operas and ballets were premiered at the Teatro Comunale di Firenze, Teatro Lirico di Milano, Teatro Regio di Torino and Piccola Scala di Milano, among others. He was artistic director of La Fenice in Venice, the Puccini Festival and the music section of the Venice Biennale. He taught internationally, for a decade at the Fiesole School of Music. He is regarded as a leading composer of Italy's avantgarde, and a Renaissance man with many talents who combined the arts expressively.

<span class="mw-page-title-main">Pascal Dusapin</span> French composer

Pascal Georges Dusapin is a French composer. His music is marked by its microtonality, tension, and energy.

<span class="mw-page-title-main">Cathy Berberian</span> American mezzo-soprano and composer (1925–1983)

Catherine Anahid Berberian was an American mezzo-soprano and composer based in Italy. She worked closely with many contemporary avant-garde music composers, including Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp zu Eulenburg and others. As a recital curator, she presented several vocal genres in a classical context, including arrangements of songs by The Beatles by Louis Andriessen as well as folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and Morsicat(h)y (1969), a composition for the keyboard based on Morse code.

<span class="mw-page-title-main">Paul Armand Silvestre</span>

Paul Armand Silvestre was a 19th-century French poet and conteur born in Paris.

Henri Léon Marie-Thérèse Pousseur was a Belgian classical composer, teacher, and music theorist.

<span class="mw-page-title-main">Péter Eötvös</span> Hungarian composer, conductor and teacher

Péter Eötvös is a Hungarian composer, conductor and teacher.

<span class="mw-page-title-main">Mauro Maur</span> Italian trumpeter and composer (born 1958)

Mauro Maur, OMRI is an Italian trumpeter and composer. He has collaborated alongside musicians such as Placido Domingo, Uto Ughi, Riccardo Muti, Leonard Bernstein, Seiji Ozawa, and Pierre Boulez.

Nicholas Isherwood is a Franco-American bass singer, who specialises in contemporary and baroque music. Notable roles include "Lucifer" in the world premieres of Stockhausen’s Montag, Dienstag, and Freitag from Licht at La Scala and the Leipzig Opera, and in Donnerstag aus Licht at Covent Garden.

Liza Lim is an Australian composer. Lim writes concert music as well as music theatre and has collaborated with artists on a number of installation and video projects. Her work reflects her interests in Asian ritual culture, the aesthetics of Aboriginal art and shows the influence of non-Western music performance practice.

Francesco Filidei is an Italian concert organist and composer. A student of Salvatore Sciarrino, he has performed internationally. As a composer, he has collaborated with singer-songwriter Claire Diterzi and written operas premiered in Porto and Paris. His music has been performed by notable contemporary music ensembles. His Japanese wife, Noriko Baba, is also a composer.

<span class="mw-page-title-main">Fabrizio De Rossi Re</span> Italian composer and librettist

Fabrizio De Rossi Re is an Italian composer and librettist. He composes operas, symphonic, choral and chamber music, and performs as a pianist.

<span class="mw-page-title-main">Luciano Berio</span> Italian composer (1925–2003)

Luciano Berio was an Italian composer noted for his experimental work, and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition.

Marilyn: Scenes from the '50s in two acts, is an opera by Lorenzo Ferrero set to a bilingual libretto by Floriana Bossi and the composer. The text consists of a collection of fragments taken from original political, social and cultural documents and has two different linguistic levels: English for the sung parts, and the language of the country in which the performance takes place for the spoken parts.

Jean-Pierre Grenier was a French actor, theatre director and screenwriter.

<span class="mw-page-title-main">Berthe Kal</span> French soprano and music educator

Berthe Dyck Kaleka called Kal was a 20th-century French soprano and music educator.

<span class="mw-page-title-main">Philippe Boivin</span> French contemporary composer

Philippe Boivin is a French contemporary composer.

Raquel Camarinha is a Portuguese operatic soprano. In 2011, she received the first prize at the Luísa Todi National Singing Competition.

Sarah Defrise is a Belgian soprano born in Brussels, Belgium.

Jean-Maurice Bourges, distinguished musical critic, translator and composer who came early to Paris to study composition under Auguste Barbereau. He became joint-editor for Revue et gazette musicale de Paris from 1839, which acquired an excellent reputation in great measure owing to him.

References

  1. 1 2 3 4 5 6 7 "La Passion selon Sade, opera by S. Bussotti". veniceoperatickets.com. Retrieved 22 September 2021.
  2. 1 2 3 4 5 Fearn, Raymond (2014). The "Avant-garde" theatre: Sylvano Bussotti. Italian Opera Since 1945. Routledge. pp. 101–108. ISBN   978-1-13-441918-0.
  3. 1 2 3 4 O'Kelly, Eve (1990). Graphic Scores. The Recorder Today. Cambridge University Press. pp. 72–73. ISBN   978-0-52-136681-6.
  4. 1 2 3 4 "Sylvano Bussotti: La Passion selon Sade" (work details) (in French and English). IRCAM.
  5. 1 2 3 4 "Bussotti: Passion selon Sade". Ricordi. 13 February 2017. Retrieved 22 September 2021.
  6. "Sylvano Bussotti (biography, works, resources)" (in French and English). IRCAM.