| La cifra | |
|---|---|
| Dramma giocoso by Antonio Salieri | |
 Title page of the libretto | |
| Librettist | Lorenzo Da Ponte |
| Language | Italian |
| Premiere | 9 December 1789 Vienna |
La cifra is an opera by Antonio Salieri in two acts, set to an Italian libretto by Lorenzo Da Ponte.
The work, a dramma giocoso, is set in Scotland, and was written for Adriana Ferrarese del Bene, the first Fiordiligi in Mozart's Così fan tutte . [1]
The opera was first performed in Vienna on 9 December 1789. This was followed by a production in Dresden on 13 October 1790. It went on to receive several productions both in Germany and Austria between 1789 and 1805. [2]
La cifra received a recent performance in Cologne in June 2006, in a production conducted by Martin Haselböck and directed by Christian Stückl. [3] In August 2018, Dell’Arte Opera Ensemble performed La Cifra at La Mama as part of that summer's Mozart and Salieri Festival. It was the opera's North American premiere, conducted by Catherine O'Shaughnessy and directed by Bea Goodwin
| Cast | Voice type | Premiere, 9 December 1789 (Conductor: - ) |
|---|---|---|
| Eurilla | soprano | Adriana Ferrarese del Bene |
| Lisotta, the daughter of Rusticone | soprano | Bettina Colombati |
| Milord Fideling | tenor | Francesco Bussani |
| Sandrino, the future groom of Lisotta | bass | Paolo Mandini |
| Rusticone, mayor and hotel owner | bass | Francesco Benucci |
| Leandro, friend of Milord Fideling | tenor | Girolamo Cruciati |
Fideling, a Scottish lord, is seeking a lost noblewoman with whom he had fallen in love. Lisotta, the daughter of the town's mayor, is betrothed to Sandrino, but is in love with Fideling and believes herself to be the woman he is searching for. Eurilla also loves Fideling but despairs because she is a mere shepherdess. In Act II, before her true identity is revealed, she sings 'Alfin son sola ... Sola e mesta' (In the end I am alone... Alone and sad). It finally emerges that Eurilla is in fact the daughter of a nobleman. She and Fideling are reunited and all ends happily in the finale. [4]
There is no known studio recording of the complete opera, However, The Salieri Album, (Cecilia Bartoli with the Orchestra of the Age of Enlightenment, conducted by Ádám Fischer, Decca 475 100–2) has two excerpts:
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