Giuseppe Gazzaniga was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers.
Pasquale Anfossi was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.
Giuseppe Farinelli was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso, La contadina bizzarra and Ginevra degli Almieri. More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
Le donne rivali is an intermezzo in two acts by composer Domenico Cimarosa with an Italian libretto by a now unknown poet. It is speculated that Giuseppe Petrosellini may have been the author of the libretto. The opera premiered at the Teatro Valle in Rome during Carnival in 1780. The original choreography was created by Alberto Cavos, the original costumes by Antonio Dian, and the original scenery by Domenico Fossati. In accordance with Papal law on theatre in Rome, the premiere cast was all-male.
Marcello Bernardini was an Italian composer and librettist. Little is known of him, save that he wrote 37 operas in his career. His father was most likely the composer Rinaldo di Capua.
Giacomo Domenico Mario Antonio Pasquale Giuseppe Tritto was an Italian composer, known primarily for his 54 operas. He was born in Altamura, and studied in Naples; among his teachers were Nicola Fago, Girolamo Abos, and Pasquale Cafaro. Amongst his pupils were the young Vincenzo Bellini around 1821, plus Ferdinando Orlandi. He died in Naples.
Ferdinando Orlandi, also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music, but was particularly known for his operas, not all of which have survived. He was born and died in Parma.
L'Italiana in Londra is one of eight comic operas, termed intermezzi, which Domenico Cimarosa wrote between 1777 and 1784 for the Teatro Valle, a handsome neo-classical Roman theatre built in 1726, which still stands today.
Le stravaganze del conte is the first opera by Italian composer Domenico Cimarosa. The comic opera was first performed at the Teatro de' Fiorentini at Naples in 1772.
Giuseppe Petrosellini was an Italian poet and prolific librettist working primarily in the dramma giocoso and opera buffa genres.
Il ritorno di Don Calandrino, also known as Armidoro e Laurina, is an intermezzo in two acts by Domenico Cimarosa to an Italian libretto presumably written by Giuseppe Petrosellini.
Gennaro Antonio Federico was a Neapolitan poet and opera librettist. He is best remembered for his collaborations with G. B. Pergolesi including La serva padrona.
The Teatro Nuovo is a theatre located on Via Montecalvario in the Quartieri Spagnoli district of Naples. The original theatre was an opera house designed by Domenico Antonio Vaccaro. Completed in 1724, it was also known as the Teatro Nuovo sopra Toledo and the Teatro Nuovo de Montecalvario. The theatre specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday. These included fifteen of Cimarosa's operas and seven of Donizetti's. The present theatre is the third to have been erected on the site following its destruction by fire in 1861 and again in 1935.
Antonio Orefice was an Italian opera composer active in Naples. His Patrò Calienno de la Costa was the first opera buffa in Neapolitan dialect to be performed on a public stage.
Giunio Bruto is a 1781 opera seria in two acts by Domenico Cimarosa to a libretto by Eschilo Acanzio.
Artemisia is the last opera of Domenico Cimarosa. The libretto, in three acts, is by Count Giovanni Battista Colloredo. Cimarosa died on 11 January 1801 before writing the music to Act III; the first performance, given at the Teatro La Fenice in Venice on 17 January 1801, also included interpolations by other hands in the first two acts.
