Giannina e Bernardone | |
---|---|
Dramma giocoso by Domenico Cimarosa | |
The composer | |
Librettist | Filippo Livigni |
Language | Italian |
Premiere | 1781 Teatro San Samuele, Venice |
Giannina e Bernardone is a dramma giocoso in two acts by composer Domenico Cimarosa with an Italian libretto by Filippo Livigni. The opera premiered in the autumn of 1781 at the Teatro San Samuele in Venice. A portion of the work was performed again in 1786 in Venice in the form of an intermezzo entitled Il villano geloso.
Dramma giocoso is a genre of opera common in the mid-18th century. The term is a contraction of dramma giocoso per musica and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice. A dramma giocoso characteristically used a grand buffo scene as a dramatic climax at the end of an act. Goldoni's texts always consisted of two long acts with extended finales, followed by a short third act. Composers Baldassare Galuppi, Niccolò Piccinni, and Joseph Haydn set Goldoni's texts to music.
Domenico Cimarosa was an Italian composer of the Neapolitan school. He wrote more than eighty operas, the best known of which is Il matrimonio segreto (1792); most of his operas are comedies. He also wrote instrumental works and church music.
Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theater. Such a "work" is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor.
Role | Voice type | Premiere cast, Autumn 1781 (Conductor: - ) |
---|---|---|
Giannina | soprano | |
Masino | tenor | |
Bernardone | bass | |
Lauretta | soprano | |
il capitano Francone | tenor | |
Don Orlando | bass | |
Donna Aurora | mezzo-soprano | |
friends, servants, soldiers, the military band, neighbors |
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Teatro San Samuele was an opera house and theatre located at the Rio del Duca, between Campo San Samuele and Campo Santo Stefano, in Venice. One of several important theatres built in that city by the Grimani family, the theatre opened in 1656 and operated continuously until a fire destroyed the theatre in 1747. A new structure was built and opened in 1748, but financial difficulties forced the theatre to close and be sold in 1770. The theatre remained active until 1807 when it was shut down by Napoleonic decree. It reopened in 1815 and was later acquired by impresario Giuseppe Camploy in 1819. In 1853 the theatre was renamed the Teatro Camploy. Upon Camploy's death in 1889, the theatre was bequeathed to the City of Verona. The Venice City Council in turn bought the theatre and demolished it in 1894.
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