A ladder match is a type of match in professional wrestling, most commonly one in which an item (usually a title belt) is hung above the ring, and the winner is the contestant who climbs a ladder and retrieves the item. [1] The ladder itself becomes a key feature of the match, as wrestlers will use the ladder as a weapon to strike the opponent(s), as a launching pad for acrobatic attacks, and frequently these matches include impressive falls from the top of the ladder. [1] There have been a few matches in which the hung item must be used in a special manner in order to win the match, such as striking the opponent with the item (see Bam Bam Bigelow vs. Scott Hall taser match, where one must strike the opponent with the taser, regardless of who retrieved the taser first).
Ladder matches are often used as a finale to storylines and it is more common to have symbolic briefcases (usually "containing" a contract for a future championship match) or championship belts hung above the ring. Ladder matches and their variants (such as TLC matches and Full Metal Mayhem) are often used in feuds that involve a dispute over possession of an item (such as a stolen title belt or the "paperwork" for the contractual services of a manager). Ladder matches are almost always fought under no disqualification rules.
Ladder matches are perceived as having greater level of realism than other types of wrestling performances, with some scholars arguing that the use of ladders serves to buttress the performances underlying themes of achievable masculinity.
The ladder match could have been invented by either Dan Kroffat of the Stampede Wrestling organization out of Calgary, Alberta, Canada or British wrestler Kendo Nagasaki. In September 1972, Stampede Wrestling held the first ever ladder match between Dan Kroffat and Tor Kamata, where the object to be grabbed was a wad of money. [2] In a match aired in 1987 but recorded in December 1986, Kendo Nagasaki competed in a "disco challenge" ladder match against Clive Myers on the popular World of Sport . The aim of this match was to retrieve a gold coloured disco record suspended above the ring. [3]
In July 1983, Stampede Wrestling held a ladder match in which Bret Hart faced off against Bad News Allen. Hart went on to join the World Wrestling Federation in 1984, and, in the early 1990s, suggested this type of match to promoter Vince McMahon, years before the gimmick achieved its eventual popularity.
The first ever ladder match in the WWF, in which Hart defeated Shawn Michaels to retain the WWF Intercontinental Title, was held in Portland, ME on July 21, 1992. The match was taped for Coliseum Video and included on the 1993 VHS release "Smack 'Em Whack 'Em", but never aired on television and remained widely unseen until its inclusion on the 2007 The Ladder Match DVD and among the bonus material on the 2011 DVD and Blu-ray collection WWE's Greatest Rivalries: Shawn Michaels vs. Bret Hart. The two performers tell interviewer Jim Ross how the match was planned along with an intended ladder rematch that never materialized.
From the perspective of thing theory, the ladder serves as a storytelling actant, serving as a bridge between the actors and the action. [4] Moreover, the ladder serves as the wrestlers' inanimate opponent, facilitating a "man versus machine" narrative conflict and providing a demonic structure. [5] Such a narrative structure imbues a modicum literary realism into the performances, highlighting the underlying athleticism in the theatric performance. [6]
Sharon Mazer, a sociologist, opines that ladder matches, such as that performed at WrestleMania X, serve to placate the castration anxiety of fans, commenting that, although wrestling is permeated with homoerotic pageantry, the use of a ladder adds realism by ensuring only one performer avoids the metaphoric emasculation of defeat. [7]
Many types of wrestling matches, sometimes called "concept" or "gimmick matches" in the jargon of the business, are performed in professional wrestling. Some gimmick matches are more common than others and are often used to advance or conclude a storyline. Throughout professional wrestling's decades-long history, some gimmick matches have spawned many variations of the core concept.
A tables, ladders, and chairs match, often abbreviated as TLC, is a type of professional wrestling match that originated within the World Wrestling Federation.
WrestleMania X was the 10th annual WrestleMania professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on March 20, 1994, at Madison Square Garden in New York, New York. The central focus of the pay-per-view was the WWF Championship, which was defended in two matches. Due to Lex Luger and Bret Hart being named the co-winners of the 1994 Royal Rumble match, both challenged champion Yokozuna. Luger was first but was disqualified for pushing the referee. Hart faced Yokozuna later in the evening and won the championship by pinning Yokozuna. This led to a lengthy worked feud between Bret and his brother Owen, who had defeated Bret in the opening match of the pay-per-view.
WrestleMania X-Seven was the 17th annual WrestleMania professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation (WWF). It took place on April 1, 2001, at the Reliant Astrodome in Houston, Texas. It was the first WrestleMania held in the state of Texas. Twelve matches were contested at the event, including one broadcast exclusively on the Sunday Night Heat pre-show.
WrestleMania XI was the 11th annual WrestleMania professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on April 2, 1995, at the Hartford Civic Center in Hartford, Connecticut. Seven matches were contested at the event.
The 1994 SummerSlam was the seventh annual SummerSlam professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on August 29, 1994, at the United Center in Chicago, Illinois, which had opened eleven days earlier. Eight matches were contested at the event, including one dark match held before the live broadcast.
The 1995 SummerSlam was the eighth annual SummerSlam professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on August 27, 1995, at the Pittsburgh Civic Arena in Pittsburgh, Pennsylvania. A total of nine matches were contested at the event.
The 1995 Royal Rumble was the eighth annual Royal Rumble professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on January 22, 1995, in the USF Sun Dome in Tampa, Florida. The event featured five matches on its card. As has been customary since 1993, the Royal Rumble match winner received a world championship match at that year's WrestleMania. For the 1995 event, the winner received a match for the WWF World Heavyweight Championship at WrestleMania XI.
The 1994 Royal Rumble was the seventh annual Royal Rumble professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on Saturday, January 22, 1994, at the Providence Civic Center in Providence, Rhode Island—the second and final Royal Rumble held on a Saturday until the 2022 event. Six matches were contested at the event, including one dark match.
The 1993 Royal Rumble was the sixth annual Royal Rumble professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation. It took place on January 24, 1993, at the ARCO Arena in Sacramento, California. It centered on the Royal Rumble match, a modified battle royal in which participants enter at timed intervals instead of all beginning in the ring at the same time.
Daniel Kroffat is a Canadian retired professional wrestler. He is best known for his appearances with Stampede Wrestling in the 1960s and 1970s, where he invented the ladder match.
The 2009 SummerSlam was the 22nd annual SummerSlam professional wrestling pay-per-view (PPV) event produced by World Wrestling Entertainment (WWE). It was held for wrestlers from the promotion's Raw, SmackDown, and ECW brand divisions. The event took place on August 23, 2009, at Staples Center in Los Angeles, California and was the first of six consecutive SummerSlam events to take place at the arena. It was the last SummerSlam to include the ECW brand.
The 2009 TLC: Tables, Ladders & Chairs was the inaugural TLC: Tables, Ladders & Chairs professional wrestling pay-per-view (PPV) event produced by World Wrestling Entertainment (WWE). It was held for wrestlers from the promotion's Raw, SmackDown, and ECW brand divisions. The event took place on December 13, 2009, at the AT&T Center in San Antonio, Texas. It replaced WWE's previously annual December PPV, Armageddon. It was the only TLC event to feature the ECW brand, as it was disbanded in February 2010.
WWE TLC: Tables, Ladders & Chairs was a professional wrestling event produced by WWE, a Connecticut-based promotion. It was broadcast live and available only through pay-per-view (PPV) and the WWE Network. The event was established in 2009, replacing Armageddon in the December slot of WWE's pay-per-view calendar. In 2017, the event was moved to October, but returned to December in 2018. An event was scheduled for 2021, but it was canceled in favor of a New Year's Day event called Day 1. The concept of the TLC event was based on the primary matches of the card each containing a stipulation using tables, ladders, and/or chairs as legal weapons, with the main event generally contested as a Tables, Ladders, and Chairs match.
The 2010 TLC: Tables, Ladders & Chairs was the second annual TLC: Tables, Ladders & Chairs professional wrestling pay-per-view (PPV) event produced by World Wrestling Entertainment (WWE). It was held for wrestlers from the promotion's Raw and SmackDown brand divisions. The event took place on December 19, 2010, at the Toyota Center in Houston, Texas. It was the last TLC held under the first brand split, which ended in August 2011, but was reinstated in July 2016.
The 2011 TLC: Tables, Ladders & Chairs was the third annual TLC: Tables, Ladders & Chairs professional wrestling pay-per-view (PPV) event produced by WWE. It took place on December 18, 2011, at the 1st Mariner Arena in Baltimore, Maryland. It was the first TLC held following the discontinuation of the first brand extension in August.
The 2013 TLC: Tables, Ladders & Chairs was the fifth annual TLC: Tables, Ladders & Chairs professional wrestling pay-per-view (PPV) event produced by WWE. It took place on December 15, 2013, at the Toyota Center in Houston, Texas. It was the last TLC to air exclusively via PPV, as in 2014, the events also became available on WWE's online streaming service, the WWE Network, which launched in February that year.
The 2014 TLC: Tables, Ladders & Chairs was the sixth annual TLC: Tables, Ladders & Chairs professional wrestling pay-per-view (PPV) and livestreaming event produced by WWE. It took place on December 14, 2014, at the Quicken Loans Arena in Cleveland, Ohio, and was the first TLC event to livestream on the WWE Network, which launched in February. It was the only event in the series to have the "stairs" annotation added to the title.
The Stu Hart 50th Anniversary Show was a professional wrestling supercard produced by the Hart family that took place on December 15, 1995 at the Stampede Corral in Calgary, Alberta. Held in honor of Stu Hart, the event featured Stampede Wrestling alumni as well as talent from World Championship Wrestling and the World Wrestling Federation. It was the first event to feature an interpromotional "dream match" during the Monday Night War-era. The proceeds from the event were donated to the Calgary Quest Children's Society. Nine professional wrestling matches, two of which for championships, were featured on the card.
The 2016 TLC: Tables, Ladders & Chairs was the eighth annual TLC: Tables, Ladders & Chairs professional wrestling pay-per-view (PPV) and livestreaming event produced by WWE. It was held exclusively for wrestlers from the promotion's SmackDown brand division. The event took place on December 4, 2016, at the American Airlines Center in Dallas, Texas.
The ladder match between Shawn Michaels and Razor Ramon is a hard-core fan's dream. The men are apparently evenly matched, displaying a high degree of athletic and performative prowess as they work each other over. When the aluminum ladder enters the ring, it is used both as a weapon and as an instrument for prolonging the suspense. Michaels, in particular, climbs multiple times to its top and from there slams himself and the ladder against Ramon's body. Ramon also uses the ladder to hit Michaels, and both men repeatedly take turns exposing themselves to danger by climbing almost to the top as the other knocks him down. The match climaxes when Ramon reaches the belts just as Michaels swings the ladder out from under him. Ramon crashes to the mat, the victor and new Intercontinental Champion. The arena twinkles with thousands of camera flashes, and the crowd roars its triumph as the visibly exhausted victor raises the championship belt over his head.
What is the difference between Michaels and Ramon? It seems that, in the end, only the question of who wins and how distinguishes one manly man from the other. Both wrestlers swagger, strut and show, boast and bully. Both get down to all-out wrestling, hitting and being hit, climbing and falling, apparently struggling to the limits of their endurance regardless of the wear and tear on their bodies. The very ambiguity of the presentation of the differences between these two men as men ironically problematizes the signs by which men are to be recognized. Perhaps the "real" man in the end is the one who proves his masculinity by winning, and the not-so-real, not-so-manly man is the loser in an arena where masculinity is as contested as are belts and titles. What a wrestler risks in the wrestling performance is perhaps not so much injury, but emasculation.