Related Research Articles
Anne of Denmark was the wife of King James VI and I. She was Queen of Scotland from their marriage on 20 August 1589 and Queen of England and Ireland from the union of the Scottish and English crowns on 24 March 1603 until her death in 1619.
Katherine Howard, Countess of Suffolk was an English court office holder who served as lady-in-waiting to the queen consort of England, Anne of Denmark.
The Masque of Blackness was an early Jacobean era masque, first performed at the Stuart Court in the Banqueting Hall of Whitehall Palace on Twelfth Night, 6 January 1605. It was written by Ben Jonson at the request of Anne of Denmark, the queen consort of King James I, who wished the masquers to be disguised as Africans. Anne was one of the performers in the masque along with her court ladies, all of whom appeared in blackface makeup. In a ceremony earlier on the day, Prince Charles, Anne's second son was given the title of Duke of York.
Lucy Russell, Countess of Bedford was a major aristocratic patron of the arts and literature in the Elizabethan and Jacobean eras, the primary non-royal performer in contemporary court masques, a letter-writer, and a poet. She was an adventurer (shareholder) in the Somers Isles Company, investing in Bermuda, where Harrington Sound is named after her.
The Masque of Beauty was a courtly masque written by Ben Jonson, and performed in London's Whitehall Palace on 10 January 1608. It inaugurated the refurbished banquesting hall of the palace. It was a sequel to the preceding Masque of Blackness, which had been performed three years earlier, on 6 January 1605. In The Masque of Beauty, the "daughters of Niger" of the earlier piece were shown cleansed of the black pigment they had worn on the prior occasion.
The Vision of the Twelve Goddesses was an early Jacobean-era masque, written by Samuel Daniel and performed in the Great Hall of Hampton Court Palace on the evening of Sunday, 8 January 1604. One of the earliest of the Stuart Court masques, staged when the new dynasty had been in power less than a year and was closely engaged in peace negotiations with Spain, The Vision of the Twelve Goddesses stood as a precedent and a pattern for the many masques that followed during the next four decades.
Lady Audrey Walsingham was an English courtier. She served as Lady of the Bedchamber to queen Elizabeth I of England, and then as Mistress of the Robes to Anne of Denmark from 1603 until 1619.
Anne Newdigate was a gentlewoman and letter writer. Many of her letters have survived including those concerning her scandalous sister Mary Fitton which help to explain whether Mary was Shakespeare's "Dark Lady".
The masque at the baptism of Prince Henry was a celebration at the christening of Prince Henry at Stirling Castle, written by the Scottish poet William Fowler and Patrick Leslie, 1st Lord Lindores.
Sir James Sandilands was a courtier to King James VI and I and captain of Blackness Castle
Arnold Lulls was a Flemish goldsmith and jeweller in London. He served the court and made several pieces intended as diplomatic gifts.
Giovanni Carlo Scaramelli (1550-1608) was a Venetian diplomat based in London at the end of the reign of Elizabeth I and the beginning of the reign of James VI and I.
Anne Keilway was an English courtier.
The Masque of Indian and China Knights was performed at Hampton Court in Richmond, England on 1 January 1604. The masque was not published, and no text survives. It was described in a letter written by Dudley Carleton. The historian Leeds Barroll prefers the title, Masque of the Orient Knights.
The wedding of Elizabeth Stuart (1596–1662), daughter of James VI and I, and Frederick V of the Palatinate (1596–1632) was celebrated in London in February 1613. There were fireworks, masques, tournaments, and a mock-sea battle or naumachia. Preparations involved the construction of a "Marriage room", a hall adjacent to the 1607 Banqueting House at Whitehall Palace. The events were described in various contemporary pamphlets and letters.
Running at the ring, riding at the ring or tilting at the ring is an equestrian tournament activity originally practiced at European royal courts and likely derived from other lance games like quintain. It gained new popularity at Natural Chimneys near Mount Solon, Virginia, possibly as early as the 1820s, and since 1962, has been the state sport of Maryland. A similar contest, the corrida de sortija, is held in Argentina where it is considered a gaucho sport derived from the Spanish tradition of medieval tournaments.
John Tunstall or Tonstal was a servant and gentleman-usher to Anne of Denmark, wife of James VI and I in England, and Henrietta Maria, wife of Charles I.
Anne of Denmark (1574–1619) was the wife of James VI and I, King of Scotland, and King of England after the Union of Crowns. In 1617, she was depicted in a painting by Paul van Somer with an African servant holding her horse at Oatlands Palace. There are archival records of Africans or people of African descent, often called "Moors" or "Moirs", in her service. One of the first publications to mention Anne of Denmark's "Moir" servant in Scotland was edited by James Thomson Gibson-Craig in 1828.
Christopher Shawe or Shaw was an English embroiderer and textile artist who worked on masque costume for Anne of Denmark. He was a member of the Worshipful Company of Broderers.
A number of people of African origin were recorded as servants at the Royal Court of Scotland during the 16th-century, forming a notable African presence at the Scottish royal court. The accounts include gifts of clothing. The American scholar Kim F. Hall has characterised these people as "dehumanised alien curiosities", and their histories, roles at court, and their relationships with communities, are the subject of continuing research and debate.
References
- ↑ Jacqueline Eales, Women in early modern England, 1500-1700.
- ↑ Elizabeth Ferszt, Transatlantic dame school?: Anne Bradstreet’s early poems as pedagogy.
- ↑ "Archived copy" (PDF). Archived from the original (PDF) on 14 June 2011. Retrieved 3 June 2010.
{{cite web}}: CS1 maint: archived copy as title (link) - ↑ Eva Griffith, A Jacobean Company and its Playhouse: The Queen's Servants at the Red Bull Theatre (Cambridge, 2013), p. 159.
- ↑ Hiller, Geoffrey G. (1970). "Drayton's Muses Elizium: 'A New Way over Parnassus'". The Review of English Studies. 21 (81): 1–13. doi:10.1093/res/XXI.81.1. JSTOR 513709.
- ↑ Vivienne Larminie, Wealth, Kinship, and Culture: The 17th-Century Newdigates of Arbury (Woodbridge: Boydell, 1995), p. 120.
- ↑ Kenneth Charlton, Women, Religion and Education in Early Modern England (Routledge, 1999), p. 137: Roy Strong, The British Portrait, 1660-1960 (1999), p. 43.
- ↑ Review of English Studies, (1970) XXI (84), pp. 472-473.
- ↑ Clare McManus, Women on the Renaissance stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590-1619 (Manchester, 2002), pp. 180, 182.
- ↑ Clare McManus, Women on the Renaissance stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590-1619 (Manchester, 2002), pp. 188–196.
- ↑ John Nichols, Progresses of James I, iii, (London, 1828), p. 284.
- ↑ Anna Whitelock, 'Reconsidering the Political Role of Anna of Denmark', Helen Matheson-Pollock, Joanne Paul, Catherine Fletcher, Queenship and Counsel in Early Modern Europe (Palgrave Macmillan, 2018), p. 249.
 | This London school or sixth form college related article is a stub. You can help Wikipedia by expanding it. |