Lalita Iyer | |
---|---|
Occupation | Author, journalist, columnist |
Language | English |
Notable works | I'm Pregnant, Not Terminally Ill, You Idiot! The Whole Shebang: Sticky Bits of Being a Woman Sridevi: Queen of Hearts |
Lalita Iyer is an Indian author, journalist, and columnist based in Mumbai, India. She has written several books, including I'm Pregnant, Not Terminally Ill, You Idiot!, The Whole Shebang: Sticky Bits of Being a Woman, and Sridevi: Queen of Hearts . She has also written children's literature and is the author of the blogs Chickwit and Mommygolightly.
She graduated from the Institute of Chemical Technology, Mumbai (formerly, UDCT Mumbai), with an M.Pharm in Medicinal and Natural Products (pharmacognosy).[ citation needed ] By 2019, she completed a post-graduate diploma in Dance Movement Therapy from the Tata Institute of Social Sciences. [1]
Iyer began her career as a pharmacist. [2] Her work as a journalist includes writing about parenting as a columnist for the Indian Express , working as a Deputy Editor at the Hindustan Times , [3] and serving as Managing Editor of Filmfare magazine. [4] She also authored two blogs. Chickwit began as a column in the Hindustan Times[ citation needed ] and Mommygolightly related to motherhood. [5] [6] [7] She has also been an educator at the Sahyadri School in Pune and the Akshara School in Mumbai. [8]
Her first book, I’m Pregnant, Not Terminally Ill, You Idiot! (2013) [2] and The Whole Shebang: Sticky Bits of Being a Woman (2017), both offer advice based on her personal experience. [4] [9] Her biography of Sridevi, titled Sridevi: Queen of Hearts, was released in 2018. [10] She has also written two books for children: The Boy Who Swallowed a Nail and Other Stories (2016) and Thatha's Pumpkin (2020).
In 2018, she wrote a post for the "Happily Unmarried" awareness campaign on social media by the Majlis Legal Centre, describing an overview of her career, dating, marriage, and single motherhood. [11]
Shriya Mohan writes for The Hindustan Times that the book "feels like a gush of fresh air inside a vacuum of Indian books on pregnancy" and "Iyer tells you the inside stuff nobody is willing to reveal, shocking you, making you laugh and preparing you for the tough battles ahead — the pregnancy fellowship programme, the birth mutiny, work bitches, the myth of the hands-on-daddy, boob wars and the total loss of privacy, the sisterhood of over competitive mommies, and most important of all, how to keep your head above water amidst all this madness." [4] In The Indian Express , Lehar Kala writes, "Read I'm Pregnant, Not Terminally Ill, You Idiot! for a lark, as long as you remember that focusing entirely on pregnancy and birth still doesn't prepare you for the arrival of the infant, which is when the real work begins." [5] In The Hindu , Julie Merin Varughese describes the book as "a laugh-fest that bailed me out of some particularly turbulent times in my own pregnancy." [12]
In ThePrint , Sabah K writes, "Setting off on a conversational tone, the book makes the reader see themselves through the life journey of the author (and society's constructs of "womanhood") – as she navigates periods, work, friendships, sex, marriage and motherhood", and "the chapters on friendships, finance, and sex make for good standalone reads, with their lucid and honest advice and pointers that hit home." [9] Neha Bhatt writes in Scroll.in , "Having struck out on her own decades ago, gone job-hopping every few years, dating both kinds of men – shampoos and conditioners (read the book to find out what that means!) – finding "the one" later than most others around her and then losing him to find herself while making solo parenting work, gives her story many layers with rough edges, never really treading the conventional line." [13] According to Julie Merin Varughese in The Hindu , "it seems a little counter-productive to hear a strong, modern woman like Iyer go on and on about breasts and waist and a** even though her point finally may be that she has made peace with her body issues." [12]
According to Latha Venkatraman of The Deccan Herald , this biography of Indian actress Sridevi "gently tracks Sridevi’s journey through her film career in a journalistic way, basically encapsulating the events in the actor's life as they unfolded." [14] In Firstpost , Gautam Chintamani writes, "Iyer does bring out the socio-political scenario both within the country as well as the industry that helped in creating the aura surrounding Sridevi" and "There is definitely more to Sridevi both professionally as well as personally than what met the eye, and even though Iyer more than hints at that, the latter more than the former, one wished the book scratched a little more." [15] Lamat R Hasan, writing for The Hindustan Times , states, "Iyer's done a good job, but someone needs to take off from here as Sridevi deserves a richer tribute, one that helps understand the iconic Miss Hawa Hawai's pan-India appeal, one that decodes the real Sridevi, the scars of a childhood denied, of body shaming, and the obsession to stay fit and beautiful well after she had stepped into her 50s." [16]
Kareena Kapoor Khan is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses.
Mahasweta Devi was an Indian writer in Bengali and an activist. Her notable literary works include Hajar Churashir Maa, Rudali, and Aranyer Adhikar. She was a leftist who worked for the rights and empowerment of the tribal people of West Bengal, Bihar, Madhya Pradesh and Chhattisgarh states of India. She was honoured with various literary awards such as the Sahitya Akademi Award, Jnanpith Award and Ramon Magsaysay Award along with India's civilian awards Padma Shri and Padma Vibhushan.
Sridevi Kapoor, known mononymously as Sridevi, was an Indian actress who worked in Telugu, Tamil, Hindi, Malayalam, and Kannada language films. Cited as the "first female superstar" of Indian cinema, she was the recipient of various accolades, including a National Film Award, four Filmfare Awards, two Tamil Nadu State Film Awards, a Kerala State Film Award, and a Nandi Award. Sridevi's career spanned over 50 years in a wide range of genres. She was known for her reticent and introverted off-screen personality, but headstrong and outspoken on-screen persona, often playing strong-willed women. In 2013, Sridevi was honoured with the Padma Shri, the country's fourth highest civilian honour.
Smita Patil was an Indian film and theatre actress who primarily worked in Hindi and Marathi films. Regarded among the finest and greatest actresses in the history of Indian cinema, Patil appeared in over 80 films, in a career that spanned over a decade. Patil was the recipient of two National Film Awards, a Filmfare Award, a Maharashtra State Film Award and two Filmfare Awards Marathi. In 1985, she received the Padma Shri, India's fourth-highest civilian honour.
The queen of hearts is a playing card in the standard 52-card deck.
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Chandni (Moonlight) is a 1989 Indian Hindi-language romantic musical drama film directed and co-produced by Yash Chopra from a story written by Kamna Chandra with a screenplay by Umesh Kalbagh, Arun Kaul, and Sagar Sarhadi. The film stars Sridevi in the title role of Chandni Mathur, a young effervescent woman torn between two suitors played by Rishi Kapoor and Vinod Khanna. Waheeda Rehman, Anupam Kher, Sushma Seth, Mita Vashisht, and Manohar Singh feature in supporting roles.
Natasha Hassanandani, professionally known as Anita Hassanandani, is an Indian actress who predominantly works in Hindi television serials.
Julie is a 1975 Indian Hindi-language romantic drama film directed by K. S. Sethumadhavan and written by Chakrapani. The film stars Lakshmi in the title role. It also stars Vikram Makandar, Nadira, Rita Bhaduri, Om Prakash, Utpal Dutt and Sridevi, in her first significant Hindi role. The film was a critical and commercial success. It is a remake of a Malayalam film Chattakari (1974), which also starred Lakshmi as the lead making her Malayalam and Hindi film debuts in both versions respectively. She would star in yet another remake, the Telugu film Miss Julie Prema Katha (1975). She did not act in the Kannada remake, Julie, released in 2006, which had Ramya in the title role as Julie and Dino Morea as the leading man. She also declined the role of Julie's mother in the Malayalam remake titled Chattakari (2012), stating that she wanted the audiences to remember her as the young and beautiful Julie; the title role went to Shamna Kasim. Actress Urvashi portrayed the role of Julie in its Tamil remake Oh Maane Maane (1984).
Naan Adimai Illai is a 1986 Indian Tamil-language romantic drama film produced and directed by Dwarakish. The film stars Rajinikanth and Sridevi. A remake of the Hindi film Pyar Jhukta Nahin (1985), this was the last Tamil film for Sridevi in 1980s who then concentrated on her Bollywood career, though she would later return to Tamil cinema in the 2010s. Naan Adimai Illai ran for 75 days in all major cities and was a box office failure.
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English Vinglish is a 2012 Indian Hindi-language comedy-drama film written and directed by Gauri Shinde. The film stars Sridevi as Shashi Godbole, a small entrepreneur who makes snacks and sweets. Shashi enrolls in an English-speaking course to stop her husband and daughter mocking her lack of English skills and gains self-respect in the process. Shashi was written by Shinde, inspired by her mother. The film marked Sridevi's return to film acting after a 15-year hiatus post Judaai (1997); it also features Adil Hussain, French actor Mehdi Nebbou, and Priya Anand. Amitabh Bachchan makes a cameo appearance in the film's Hindi version, whereas Ajith Kumar replaced him the same portions of the film which was reshot for the Tamil-dubbed version.
Tohfa (transl. Gift) is a 1984 Indian Hindi-language melodrama comedy film produced by D. Ramanaidu under the Suresh Productions banner and directed by K. Raghavendra Rao. It stars Jeetendra, Jaya Prada and Sridevi. The film was a massive box office success, grossing ₹13 crore and becoming the highest-grossing Indian film of 1984.
Indian actress Sridevi (1963–2018) debuted as a child in the 1967 Tamil film Kandhan Karunai at the age of four, and began playing lead roles as a child in M. A. Thirumugam’s 1969 mythological Tamil film Thunaivan. Her first role as an on-screen adult came in 1976 at the age of 13, in the Tamil film Moondru Mudichu. She then starred in 16 Vayathinile (1977) which proved to be a major breakthrough for Sridevi. Following this, she appeared in the critically acclaimed thriller Sigappu Rojakkal (1978) and the satirical drama Varumayin Niram Sivappu (1980), establishing herself as a leading female star in South Indian Cinema. Subsequently, she played a woman who suffers from Amnesia in the critically and commercially successful classic Moondram Pirai (1982). She also achieved success by starring as a female lead in the successful dramas Padaharella Vayasu (1978), Meendum Kokila (1981), Premabhishekam (1981), Vazhvey Maayam (1982) and Aakhari Poratam (1988).
Babu is a 1971 Indian Tamil-language film directed by A. C. Tirulokchandar. The film stars Sivaji Ganesan, Vijayasri, Sowcar Janaki, and Vennira Aadai Nirmala. It is a remake of the Malayalam film Odayil Ninnu, which itself was based on P. Kesavadev's novel of the same name. Ganesan played a rickshaw puller who adopts landlord's daughter. The film became a blockbuster at the box office, running for over 100 days in theatres.
Mom is a 2017 Indian Hindi-language crime thriller film directed by Ravi Udyawar, with a screenplay by Girish Kohli. The film stars Sridevi as a vigilante who sets out to avenge her stepdaughter after she is sexually assaulted at a party. The film co-stars Nawazuddin Siddiqui, Akshaye Khanna, and Pakistani actors Sajal Aly and Adnan Siddiqui. The music of the film was composed and produced by A. R. Rahman.
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Sridevi: Queen of Hearts is an unofficial biography of Sridevi by Lalita Iyer.