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The Lapidary Museum is a lapidarium-museum in Avignon, France. It has housed the classical Greek, Etruscan, Roman and Gallo-Roman sculptures and objects of the Calvet Museum since the 1980s. They are both run by the Fondation Calvet. As well as exhibiting the museum's core collections, it also mounts summer temporary exhibitions (e.g. "La diffusion des cultes égyptiens et alexandrins dans le monde romain à L'Égypte copte et l'Égypte musulmane" and "Le laraire d'Esprit Calvet"), conferences and networking events, particularly for scholars. [1]
The museum is based at 27 rue de la République in a 17th-century building, previously the chapel of the city's Jesuit College. It was begun in 1616, initially to plans by Étienne Martelange and then by François de Royers de la Valfenière from 1620 onwards. de la Valfenière raised the walls as far as the nave's main cornice. [2] The building was made a monument historique on 21 June 1928 [3]
As well as Etruria, classical Greece and Rome and the Gallo-Roman era, the collections cover Gallic and Early Christian art. [4] The highlight of the prehistoric collections is the 'Lauris-Puyvert Stela' in ologenic limestone. [5] The Greek, Roman, Etruscan and Gallic objects include vases and lamps as well as bas-reliefs and statues, along with a number of Etruscan funerary monuments.
Athena Parthenos is a lost massive chryselephantine sculpture of the Greek goddess Athena, made by Phidias and his assistants and housed in the Parthenon in Athens; this statue was designed as its focal point. Parthenos 'maiden, virgin' was an epithet of Athena. There have been many replicas and works inspired by the statue, in both ancient and modern times. Athena was the Greek goddess of war and wisdom.
Vanth is a chthonic figure in Etruscan mythology shown in a variety of forms of funerary art, such as in tomb paintings and on sarcophagi.
A draped garment is a garment that is made of an entire piece of cloth; pieces are not cut away as in a fitted garment. It can be held to the body by means of draping, knotting, fixing with pins, fibulae, clasps, sashes or belts, tying, or friction and gravity alone. Many draped garments are one-piece garments.
A peplos is a body-length garment established as typical attire for women in ancient Greece by 500 BC. It was a long, tubular cloth with the top edge folded down about halfway, so that what was the top of the tube was now draped below the waist, and the bottom of the tube was at the ankle. The garment was then gathered about the waist and the folded top edge pinned over the shoulders. The folded-down top of the tube provided the appearance of a second piece of clothing.
The strigil is a tool for the cleansing of the body by scraping off dirt, perspiration, and oil that was applied before bathing in Ancient Greek and Roman cultures. In these cultures the strigil was primarily used by men, specifically male athletes; however, in Etruscan culture there is evidence of strigils being used by both sexes. The standard design is a curved blade with a handle, all of which is made of metal.
Tarquinia, formerly Corneto, is an old city in the province of Viterbo, Lazio, Italy known chiefly for its ancient Etruscan tombs in the widespread necropoleis or cemeteries which it overlies, for which it was awarded UNESCO World Heritage status.
Verism is the artistic preference of contemporary everyday subject matter instead of the heroic or legendary in art and literature; it is a form of realism. The word comes from Latin verus (true).
Vetulonia, formerly called Vetulonium, was an ancient town of Etruria, Italy, the site of which is probably occupied by the modern village of Vetulonia, which up to 1887 bore the name of Colonnata and Colonna di Buriano: the site is currently a frazione of the comune of Castiglione della Pescaia, with some 400 inhabitants.
A chiton is a form of tunic that fastens at the shoulder, worn by men and women of Ancient Greece and Rome. There are two forms of chiton. One is the Doric chiton and the later Ionic chiton. According to Herodotus, popular legend was that Athenian women began to wear the chiton as opposed to the peplos after several women stabbed a messenger to death with the bronze pins characteristic of that garment.
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.
The Sarcophagus of the Spouses is considered one of the great masterpieces of Etruscan art. It is a late sixth-century BC Etruscan anthropoid sarcophagus from Caere, and is in the National Etruscan Museum of Villa Giulia, Rome. It is 1.14 m high by 1.9 m wide, and is made of terracotta which was once brightly painted. It depicts a married couple reclining at a banquet together in the afterlife, and was found in 19th-century excavations at the necropolis of Cerveteri. The portrayal of a married couple sharing a banqueting couch is distinctly an Etruscan style; in contrast, Greek vases depicting banquet scenes reflect the custom that only men attended dinner parties.
The Venus Genetrix is a sculptural type which shows the Roman goddess Venus in her aspect of Genetrix, as she was honoured by the Julio-Claudian dynasty of Rome, which claimed her as their ancestor. Contemporary references identify the sculptor as a Greek named Arcesilaus. The statue was set up in Julius Caesar's new forum, probably as the cult statue in the cella of his temple of Venus Genetrix. Through this historical chance, a Roman designation is applied to an iconological type of Aphrodite that originated among the Greeks.
The preservation of fabric fibers and leathers allows for insights into the attire of ancient societies. The clothing used in the ancient world reflects the technologies that these peoples mastered. In many cultures, clothing indicated the social status of various members of society.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The National Archaeological Museum of Florence is an archaeological museum in Florence, Italy. It is located at 1 piazza Santissima Annunziata, in the Palazzo della Crocetta.
The Antonino Salinas Regional Archeological Museum is a museum in Palermo, Italy. It possesses one of the richest collections of Punic and Ancient Greek art in Italy, as well as many items related to the history of Sicily. Formerly the property of the Oratory of Saint Philip Neri, the museum is named after Antonino Salinas, a famous archaeologist and numismatist from Palermo who had served as its director from 1873 until his death in 1914, upon which he left it his major private collection. It is part of the Olivella monumental complex, which includes the Church of St. Ignatius and the adjoining Oratory.
The clothing of the people in Biblical times was made from wool, linen, animal skins, and perhaps silk. Most events in the Old and New Testament take place in ancient Israel, and thus most Biblical clothing is ancient Hebrew clothing. They wore underwear and cloth skirts.
The Sokhumi stela is a piece of ancient Greek art—a marble gravestone (stela), depicting a woman and two children—found in 1953 underwater in the Black Sea near Sukhumi in Abkhazia/Georgia. It is now on display at the Sukhumi State Museum.
The Calvet Museum is the main museum in Avignon. Since the 1980s the collection has been split between two buildings, with the fine arts housed in an 18th-century hôtel particulier and a separate Lapidary Museum in the former chapel of the city's Jesuit college on rue de la République. It is one of the museums run by the Fondation Calvet.
Roman Republican art is the artistic production that took place in Roman territory during the period of the Republic, conventionally from 509 BC to 27 BC.