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Lara Kramer is a Canadian choreographer, dancer, and artist of mixed Oji-Cree and settler heritage. [1] She is known for her work delving into themes of Indigenous identity, trauma, and resilience. She currently lives and works in Montreal. [2]
Enrique Chagoya is a Mexican-born American painter, printmaker, and educator. The subject of his artwork is the changing nature of culture. He frequently uses shocking imagery, irony, and Mesoamerican icons to convey his point in his artwork. Chagoya teaches at Stanford University, in the department of Art and Art History. He lives in San Francisco.
Dana Claxton is a Hunkpapa Lakota filmmaker, photographer, and performance artist. Her work looks at stereotypes, historical context, and gender studies of Indigenous peoples of the Americas, specifically those of the First Nations. In 2007, she was awarded an Eiteljorg Fellowship for Native American Fine Art.
Native American feminism or Native feminism is, at its root, understanding how gender plays an important role in indigenous communities both historically and in modern-day. As well, Native American feminism deconstructs the racial and broader stereotypes of indigenous peoples, gender, sexuality, while also focusing on decolonization and breaking down the patriarchy and pro-capitalist ideology. As a branch of the broader Indigenous feminism, it similarly prioritizes decolonization, indigenous sovereignty, and the empowerment of indigenous women and girls in the context of Native American and First Nations cultural values and priorities, rather than white, mainstream ones. A central and urgent issue for Native feminists is the Missing and murdered Indigenous women crisis.
Nicholas Galanin is a Tlingit and Unangax̂ multi-disciplinary artist and musician from Alaska. His work often explores a dialogue of change and identity between Native and non-Native communities.
Spiderwoman Theater is an Indigenous women's performance troupe that blends traditional art forms with Western theater. Named after Spider Grandmother from Hopi mythology, it is the longest running Indigenous theatre company in the United States.
Indigenous feminism is an intersectional theory and practice of feminism that focuses on decolonization, Indigenous sovereignty, and human rights for Indigenous women and their families. The focus is to empower Indigenous women in the context of Indigenous cultural values and priorities, rather than mainstream, white, patriarchal ones. In this cultural perspective, it can be compared to womanism in the African-American communities.
Rafael Esparza is an American performance artist who lives and works in Los Angeles. His work includes performances affecting his physical well-being and installations constructed from adobe bricks. Esparza often works with collaborators, including members of his family.
Michèle Taïna Audette is a Canadian politician and activist. She served as president of Femmes autochtones du Québec from 1998 to 2004 and again from 2010 to 2012. She was also the president of Native Women's Association of Canada from 2012 to 2014. From 2004 through 2008, she served as Associate Deputy Minister at the Ministry of Relations with Citizens and Immigration of the Quebec government, where she was in charge of the Secretariat for Women.
Jessica Sabogal is a queer Colombian-American muralist and stencil spray paint artist who is currently active in the Bay Area. She's best known for her "Women Are Perfect! " visual campaign which she created as an artist in residence in 2014 at the Galeria de la Raza, and she is currently active in the "We The People" public art campaign created in collaboration with Shepard Fairey.
Pig Girl, first produced in November 2013 and then published in November 2015, is a play by Colleen Murphy that draws upon the events of the 2007 Pickton case surrounding the murders of Indigenous women by Port Coquitlam pig farmer Robert Pickton. The play tells the stories of the fictionalized characters Dying Girl, Killer, Sister, and Police Officer in order to illuminate the Canadian issue of missing and murdered Indigenous women. Pig Girl was awarded both a Carol Bolt Award and a Governor General's Award.
Adrienne J. Keene is a Native American academic, writer, and activist. A member of the Cherokee Nation, she is the founder of Native Appropriations, a blog on contemporary Indigenous issues analyzing the way that Indigenous peoples are represented in popular culture, covering issues of cultural appropriation in fashion and music and stereotyping in film and other media. She is also an assistant professor of American Studies and Ethnic Studies at Brown University, where her research focuses on educational outcomes for Native students.
The Pelican Lake Indian Residential School—also known as Pelican Falls Indian Residential School and Sioux Lookout Indian Residential School—was a Canadian Indian Residential School in Sioux Lookout, Ontario, that operated from 1929 through 1969. While it was in operation, the school took Ojibway and Cree students from both Treaty Three and Treaty Nine territories in northern Ontario and eastern Manitoba. A former student of the school reported that students experienced physical, psychological, and sexual abuse while attending.
Violence against women in the United States is the use of domestic abuse, murder, sex-trafficking, rape and assault against women in the United States. It has been recognized as a public health concern. Culture in the United States has led towards the trivialization of violence towards women, with media in the United States possibly contributing to making women-directed violence appear unimportant to the public.
Nanibah "Nani" Chacon is a Diné and Chicana painter, muralist, and art educator. Her work has been installed at the IAIA Museum of Contemporary Native Arts in Santa Fe, the Navajo Nation Museum in Window Rock, the ISEA International Arts and Technology Symposium, Old Town Lansing, and in the "Que Chola" Exhibition at the National Hispanic Cultural Center in Albuquerque, among other venues.
The epidemic of missing and murdered Indigenous women (MMIW) is not exclusive to any region of the United States, but some states have a higher number of cases. Utah ranked 8th in the United States for the number of missing and murdered Indigenous women. The state's capital, Salt Lake City, was the city with the 9th highest number of cases of MMIW.
Santee Smith Tekaronhiáhkhwa is a Canadian Kahnyen’kehàka (Mohawk) multidisciplinary artist, dancer, designer, producer, and choreographer of the Turtle Clan from Six Nations of the Grand River. She has used her voice and research to create dance works representing Indigenous identities. She is an advocate for Indigenous performances and is one of Canada's most dominating dance artists. Santee Smith has amassed many awards throughout her career and in 2019, she was appointed Chancellor of McMaster University in Hamilton, Ontario, Canada.
Luzene Hill is a Native American multimedia artist and citizen of the Eastern Band of Cherokee Indians. She combines performance with installation to reflect on violence against women, using lyrical abstraction to approach difficult topics. She is best known for her 2011-2015 work Retracing the Trace, an installation reflecting on the prevalence and pain of sexual assault through the lens of Hill's own experience. Her works primarily explore themes of the trauma and shame produced by various types of violence enacted against women and indigenous cultures and the transformative healing powers of art. Beyond the United States, Hill's art has exhibited internationally in Canada, Russia, Japan, and the United Kingdom.
Muriel Miguel is a Native American director, choreographer, playwright, actor and educator. She is of Kuna and Rappahannock ancestry and was born and grew up in Brooklyn, New York. In 1976, Miguel founded the Spiderwoman Theater with her sisters, Gloria Miguel and Lisa Mayo. The Spiderwoman Theater was the first Native American women's theater troupe to gain international recognition, and remains the longest continuous running Native American female performance group. Miguel has directed nearly all of the Spiderwoman Theater's shows since their debut in 1976, and currently serves as its artistic director.
Jaime Black is of Anishinaabe and Finnish descent. This Canadian multidisciplinary artist-activist is focused on First Nations and Indigenous representation and identity. She identifies as Métis, an ethnic group native to the three Prairie Provinces as well as parts of Ontario, British Columbia, and the Northwest Territories of Canada and the Northern United States, which traces descent to both Indigenous North Americans and Western European settlers. Black is best known for her art installation The REDress Project that she created as a response to the Missing and Murdered Indigenous Women (MMIW) crisis in Canada as well as the United States. A 2014 report by the Royal Canadian Mounted Police found that more than 1,000 Indigenous women were murdered over the span of 30 years from 1980 to 2012. However, some Indigenous advocacy groups dispute these reports arguing that the number is much greater than the government has acknowledged.
Gisela Charfauros McDaniel is an American visual artist of Indigenous Chamorro descent, working primarily with oil painting. McDaniel was born in Bellevue, Nebraska. She has lived in Detroit.