External links
- "Late Editions" at HBO.com
- "Late Editions" at IMDb
| "Late Editions" | |
|---|---|
| The Wire episode | |
| Episode no. | Season 5 Episode 9 |
| Directed by | Joe Chappelle |
| Story by | David Simon George Pelecanos |
| Teleplay by | George Pelecanos |
| Original air date | March 2, 2008 |
| Running time | 60 minutes |
"Late Editions" is the ninth episode of the fifth season of the HBO original series The Wire , the penultimate episode of the series. The episode was written by George Pelecanos from a story by David Simon and George Pelecanos and was directed by Joe Chappelle. [1] It aired on March 2, 2008. [2]
In a meeting with Snoop and Levy, O-Dog reluctantly agrees to take the charge for Snoop and Partlow. Levy tells O-Dog he might have to do a short stretch but assures him that he will be well-compensated. At the Baltimore Sun , Gus enlists an old colleague, Robert Ruby, to do fact-checking on Templeton's articles.
Garrick and Dozerman are watching the warehouse at the docks while Partlow is inspecting a shipment and then they see Cheese and his crew arrive. Rawls and Daniels express their frustration to Steintorf, who tells them to continue manipulating the crime statistics. While Freamon tells Daniels about the sting on Marlo, Sydnor calls to tell him they caught Monk "riding dirty." In the resulting raid, the narcotics shipment is seized while Marlo, Partlow, and Cheese are arrested. After Mayor Carcetti gives a rousing speech about the raid, Alma attempts to interview Daniels, who is still upset because of the fabricated remarks Templeton attributed to him in the Sun. As Marlo and his crew sit in jail, a comment by Monk about Omar causes Marlo to go into an angry tirade. The crew debates whether Michael was the snitch. McNulty becomes depressed at the situation he has put himself in with his serial killer hoax. Templeton continues to get praise for his fabricated stories, which he learns might give him a shot at a Pulitzer Prize. Gus scratches the quote Alma received from Daniels and his suspicion of Templeton flares up once again.
Colvin and his wife proudly watch Namond deliver a speech about AIDS at a youth debate event. Mayor Carcetti appears and tries to apologize for not supporting the Hamsterdam project, failing to mention how his budget cuts terminated Colvin and Parenti's pilot program. Carcetti is frozen out by the bitter Colvin. McNulty works the serial killer case with little enthusiasm and is ordered by Landsman to go to the scene of another homeless man's death. After questioning Templeton, Gus goes to the Walter Reed Army Medical Center to investigate Templeton's writing regarding Terry, the homeless Iraq War veteran. He meets a patient who verifies that Terry served, and that he was not involved in a firefight on the day Templeton had claimed. Bubbles continues talking with Fletcher, and takes him to a Narcotics Anonymous meeting where he finally opens up about Sherrod's death (without mentioning his own involvement, however).
Freamon meets Senator Davis and manages to get information on Levy's corrupt dealings. Marlo talks with Levy and comes to the conclusion that no one on his crew snitched because everyone who knows about the clock messages is locked up and charged. Greggs approaches Carver, who indicates that he has made peace with his decision to bring police brutality charges against Colicchio. Carver's words convince her to go to Daniels with her knowledge about McNulty's conduct. Daniels and Pearlman visit evidence control and realize that the tapped phone that was supposed to be the "serial killer's" actually belonged to Marlo.
Snoop tells Michael that with everyone locked up, she needs him for some "serious business" and tells him that there is no need for him to bring his gun because she has a "clean one" for him on location. Realizing he's the target, Michael follows Partlow's advice and catches Snoop at the hit's location beforehand. He takes the clean gun stashed there and kills Snoop with it on the way to the supposed hit. Michael goes home to find Duquan watching a TV show about a serial killer who only kills serial killers and asks him to pack up. He, Dukie and Bug pack and drive to his aunt's house in Howard County. Michael walks Bug to the door with a shoebox full of cash. Back in Baltimore, Michael tells Dukie that it would be too dangerous for them to stay together. At Dukie's request, he drives him to the squalid area where the junk man lives among homeless people and junkies. Dukie recalls the day when they "threw the piss-balloons at the terrace boys", but Michael responds that he does not remember. Dukie hesitates when he sees a man injecting heroin and turns back to Michael but he has already left.
Deserve got nuthin' to do with it.
— Snoop, inLate Editions
As the series winds down, many of its principal players will be fired, honored, arrested, acquitted, or killed. A central tenet of the series is that the ethics of the characters dictate these fates much less than the uncontrollable machinations of the 21st-century city. This is also a direct quote from 1992's Unforgiven .
Lester mentions to Leander that they will "need a Title 3" before being able to use the evidence found on Marlo's crew phones. This refers to the Title III of The Omnibus Crime Control and Safe Streets Act of 1968 (Wiretap Act), [3] whereby for example, agents need to indicate on the Title 3 affidavit probable cause ("PC"). [4] PC has been mentioned throughout the series.
Lester also mentions to Daniels he needs an "S.-and-s. warrant", that is, a search and seizure warrant, requested by the "S.A.O." (State Attorney Office). [5]
When Gus tells Steve he needs to get into Walter Reed, Steve reminds him that as a journalist, after the "Post" unveiled a scandal there in 2007, he may not be welcome.
Although credited, Michael Kenneth Williams, who plays Omar Little, does not appear in this episode.
"Back Burners" is the seventh episode of the third season of the HBO original series The Wire. The episode was written by Joy Lusco from a story by David Simon & Joy Lusco and was directed by Tim Van Patten. It originally aired on November 7, 2004.
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"Refugees" is the fourth episode of the fourth season of the HBO original series The Wire. Written by Dennis Lehane from a story by Ed Burns & Dennis Lehane, and directed by Jim McKay, it originally aired on October 1, 2006.
"Alliances" is the fifth episode of the fourth season of the HBO original series The Wire. Written by Ed Burns with a story by David Simon & Ed Burns, and directed by David Platt, it originally aired on October 8, 2006.
"Corner Boys" is the eighth episode of the fourth season of the HBO original series The Wire. Written by Richard Price from a story by Ed Burns & Richard Price, and directed by Agnieszka Holland, it originally aired on November 5, 2006.
"Know Your Place" is the ninth episode of the fourth season of the HBO original series The Wire. Written by Kia Corthron from a story by Ed Burns & Kia Corthron, and directed by Alex Zakrzewski, it originally aired on November 12, 2006.
"Misgivings" is the tenth episode of the fourth season of the HBO original series The Wire. Written by Eric Overmyer from a story by Ed Burns & Overmyer, and directed by Ernest Dickerson, it originally aired on November 19, 2006.
"A New Day" is the 11th episode of the fourth season of the HBO original series The Wire. Written by Ed Burns from a story by David Simon & Ed Burns, and directed by Brad Anderson, it originally aired on November 26, 2006.
"That's Got His Own" is the 12th episode of the fourth season of the HBO original series The Wire. Written by George Pelecanos from a story by Ed Burns & George Pelecanos, and directed by Joe Chappelle, it originally aired on December 3, 2006.
"Final Grades" is the 13th and last episode of the fourth season of the HBO original series The Wire. Written by David Simon from a story by David Simon & Ed Burns and directed by Ernest Dickerson, it originally aired on December 10, 2006. With a running time of 78 minutes, it is the second longest episode of the whole series and received critical acclaim.
"Home Rooms" is the third episode of the fourth season of the HBO original series The Wire. Written by Richard Price from a story by Ed Burns & Richard Price, and directed by Seith Mann, it originally aired on September 24, 2006.
"More with Less" is the first episode of the fifth season of the HBO original series The Wire. The episode was written by David Simon from a story by David Simon & Ed Burns and was directed by Joe Chappelle. It originally aired on January 6, 2008.
"Unconfirmed Reports" is the second episode of the fifth season of the HBO original series The Wire. The episode was written by William F. Zorzi from a story by David Simon & William F. Zorzi and was directed by Ernest Dickerson. It originally aired on 13 January 2008.
"Not for Attribution" is the third episode of the fifth season of the HBO original series The Wire. The episode was written by Chris Collins from a story by David Simon & Chris Collins and was directed by Joy Kecken and Scott Kecken. It aired on January 20, 2008.
"React Quotes" is the fifth episode of the fifth season of the HBO original series The Wire. The episode was written by David Mills from a story by David Simon & David Mills and was directed by Agnieszka Holland. It first aired on February 3, 2008.
"The Dickensian Aspect" is the sixth episode of the fifth season of the HBO series The Wire. The episode was written by Ed Burns and was directed by Seith Mann. It aired on February 10, 2008.
"Clarifications" is the eighth episode of the fifth season of the HBO original series The Wire. The episode was written by Dennis Lehane from a story by David Simon and Dennis Lehane and was directed by Anthony Hemingway. It aired on February 24, 2008.
"-30-" is the series finale of the HBO original series The Wire. It is the tenth episode of the fifth season, and the 60th episode overall. Written by series creator/executive producer David Simon (teleplay/story) and co-executive producer Ed Burns (story), and directed by Clark Johnson, who also directed the pilot episode and stars on the show, it originally aired on HBO on March 9, 2008. This episode is the longest-running episode of the series, with a runtime of 93 minutes. The episode's writers were nominated for the Primetime Emmy Award for Outstanding Writing for a Drama Series.
