Lazarus (Shameless)

Last updated

"Lazarus"
Shameless episode
Episode no.Season 4
Episode 12
Directed by Mark Mylod
Written by John Wells
Cinematography byKevin McKnight
Editing byJohn M. Valerio
Original release dateApril 6, 2014 (2014-04-06)
Running time57 minutes
Guest appearances
Episode chronology
← Previous
"Emily"		Next →
"Milk of the Gods"
Shameless season 4
List of episodes

"Lazarus" is the twelfth episode and season finale of the fourth season of the American television comedy drama Shameless , an adaptation of the British series of the same name. It is the 48th overall episode of the series and was written by series developer John Wells and directed by executive producer Mark Mylod. It originally aired on Showtime on April 6, 2014.

Contents

The series is set on the South Side of Chicago, Illinois, and depicts the poor, dysfunctional family of Frank Gallagher, a neglectful single father of six: Fiona, Phillip, Ian, Debbie, Carl, and Liam. He spends his days drunk, high, or in search of money, while his children need to learn to take care of themselves. In the episode, Frank discovers the side effects of his surgery, while Mickey worries for Ian's safety.

According to Nielsen Media Research, the episode was seen by an estimated 1.93 million household viewers and gained a 0.9 ratings share among adults aged 18–49. The episode received critical acclaim, who praised the performances (particularly Macy and Rossum), writing and emotional tone. For the episode, William H. Macy received a nomination for Outstanding Lead Actor in a Comedy Series at the 66th Primetime Emmy Awards.

Plot

Frank (William H. Macy) awakens, recovered from his post-operative delirium. The doctor reveals that he will experience many side effects due to the transplant, and Frank is disappointed to learn that he cannot drink alcohol. Meanwhile, Sheila (Joan Cusack) clashes with Sammi (Emily Bergl) over their treatment of Frank, and warns Sammi she will have to leave her house due to the lack of space.

Svetlana (Isidora Goreshter) and Mickey (Noel Fisher) come to an understanding about their child and how to raise him; Svetlana is also willing to let Ian (Cameron Monaghan) be a part of Mickey's life if Mickey agrees to help take care of their baby. Mickey is worried when he finds Ian in a depressed state, unwilling to leave his bed nor answer to him. Fiona struggles to fit into prison and is also forced to take drug tests. Later, she is surprised when she is allowed to leave, and Gail (Regina King) picks her up. Gail reveals that she was released due to over-crowding, and that the level of severity in her crime compared to the other inmates is the reason why she was chosen to leave. She also gets Fiona a job as a waitress at the Golden House Restaurant, a diner managed by Charlie Peters (Jeffrey Dean Morgan), who will accompany her to her Narcotics Anonymous meetings.

Sheila visits the reservation to formally adopt Roger's children, but is shocked to discover that her petition has been denied; their great-grandfather will ultimately take care of the children. Carl (Ethan Cutkosky) grows attached to Bonnie (Morgan Lily), but she reiterates she does not want him to fall in love with her. Later, Carl is saddened to discover that she and her family have left. Following an initiation at Amanda's sorority, Lip (Jeremy Allen White) and Mandy (Emma Greenwell) run into each other at a restaurant, and Lip considers if he wasted an opportunity with her. Fiona returns home and tearfully reunites with Debbie (Emma Kenney) and Carl, who urge her to check up on Ian. After noticing Ian's depressed state, Fiona concludes that he may be bipolar like Monica. She wants to get him checked into a hospital, but Mickey refuses and states he will take care of him. Later, Fiona reunites with Lip and apologizes for her actions, having accepted that she cannot blame her decisions on her poor upbringing.

At the hospital, Sammi discovers that Sheila is preventing her from visiting Frank and initiates a fight with her. During this, Carl sneaks in and decides to get Frank checked out. They reach the edge of Lake Michigan; Frank drinks some alcohol and emotionally proclaims he is still alive. He then shares the bottle with Carl as they stare at the lake. That night, a car pulls up in front of the Gallagher house, and a woman (Dichen Lachman) asks the man if he wants to enter. The man, revealed to be Jimmy (Justin Chatwin), decides to wait before driving off.

Production

The episode was written by John Wells. JohnWellsHWoFJan2012 (cropped).jpg
The episode was written by John Wells.

The episode was written by series developer John Wells and directed by executive producer Mark Mylod. It was Wells' ninth writing credit, and Mylod's 11th directing credit. [1]

The episode's tag scene revealed the return of Jimmy Lishman, portrayed by Justin Chatwin, who was implied to have been killed off in the third season; Emmy Rossum and John Wells had both previously confirmed in a Television Academy panel that Jimmy's character was deceased. [2] In an interview with The Hollywood Reporter, Chatwin revealed that the idea was developed by Wells and spoke of his character's return: "I guess there had been a lot of rallying from Emmy and the cast to bring back my character because [they] felt like something was missing — maybe some heart — that they felt our relationship brought out in the story. And I think there had been a rally from some fans who liked that character [too] and so John asked me, "How do you feel about this?" When he [explained the end of season four] to me, I got chills that just ran down my spine." [3] The producers had Chatwin stay in a hotel during the filming of the finale in order to keep his return a secret from the main cast. During the live airing of the episode, numerous cast members expressed surprise over the character's return on Twitter, including Emmy Rossum, Steve Howey, Shanola Hampton, Emma Kenney and Emily Bergl. [4] In an interview with Variety, Rossum expressed delight over Chatwin's return, stating "I was really happy about that because I had really campaigned hard to bring him back. I didn't feel like we had closed up that storyline well. So I'm very excited that he's back." [5]

Reception

Viewers

In its original American broadcast, "Lazarus" was seen by an estimated 1.93 million household viewers with a 0.9 in the 18–49 demographics. This means that 0.9 percent of all households with televisions watched the episode. [6] This was a 9% increase in viewership from the previous episode, which was seen by an estimated 1.76 million household viewers with a 0.8 in the 18–49 demographics. [7]

Critical reviews

"Lazarus" received critical acclaim. Alan Sepinwall of HitFix commended the dramatic elements of the episode, writing "So, no, not a ton of laughs in this season of Shameless. Just a lot of wonderful performances, patient character arcs and indelible moments. Call it a comedy, call it a drama, call it whatever; it's great, and this was probably my favorite season yet." Sepinwall spoke positively of the performances, particularly William H. Macy and Emma Kenney; speaking of the latter, Sepinwall wrote "Debbie's tears at seeing her big sister in the kitchen making breakfast were amazingly raw and real." [8]

Carlo Sobral of Paste gave the episode a 8.8 out of 10 rating and wrote "When season four began, my expectations were lower than previous seasons. The way certain plotlines were headed, I didn't think I'd enjoy this season as much, but I was proven wrong. Credit to all those involved in the show, as this season of Shameless ends on a high note. I can't believe shows like this are allowed to make you wait more than half a year between seasons." [9] Rosie Narasaki of Hollywood.com was mixed over Jimmy's return: "I was never a huge fan of Justin Chatwin's, and honestly wasn't too bothered that he was gone, especially since he had such an outlandish offing." Despite the ending, Narasaki was highly positive towards the rest of the episode, writing "After a fantastic season, Shameless delivers a (mostly) fantastic finale." [10]

David Crow of Den of Geek gave the episode a 3 star rating out of 5 and wrote, "Season 4 might be the most uneven season of Shameless, but it feels like the most honest one. And that makes it more than a worthy collection for what is the best blend of comedy and drama on any current medium. We'll drink with Frank to that in sun, rain, or snow." Crow commended the performances, particularly Rossum, Kenney, and Macy; Crow also praised the conflict between Sheila and Sammi's characters, calling the storyline "comedy gold." [11] Leigh Raines of TV Fanatic gave the episode a perfect 5 star rating out of 5, praising Fiona and Mickey's storylines, and concluding "I thought this episode was a great way to wrap up what has been an emotional season and it also left us wanting more for Shameless season 5." [12]

In a more negative review, Joshua Alston of The A.V. Club gave the episode a "B–" grade. Alston praised the hopeful tone of Fiona and Ian's storylines, but was critical over the handling of Frank's story arc: "After three seasons of watching Frank leech off his family, and one season of watching him deal with the cumulative effect of his choices, it was a bit disappointing to see the reset button pressed and know it likely means a season five full of "Frank put something up his butt" jokes." Alston also panned the episode's tag scene, criticizing the decision to reintroduce Jimmy: "Honestly, it just sucks. It's unbelievably cheap, and it's heartbreaking to be left with that moment following a season in which Shameless largely outgrew the puerile instincts that defined its early years. [...] I can think of few maneuvers more immature than "The character who died off-screen is actually alive."" [13]

Accolades

William H. Macy submitted the episode to support his nomination for Outstanding Lead Actor in a Comedy Series at the 66th Primetime Emmy Awards. [14] He would lose to Jim Parsons for The Big Bang Theory . [15]

Related Research Articles

"Frank the Plank" is the second episode of the first season of the American television comedy drama Shameless, an adaptation of the British series of the same name. The episode was written by executive producer Paul Abbott and series developer John Wells, and directed by Wells. It originally aired on Showtime on January 16, 2011.

"Pilot" is the series premiere of the American television comedy drama Shameless, an adaptation of the British series of the same name. The episode was written by executive producer Paul Abbott and series developer John Wells, and directed by Mark Mylod. It originally aired on Showtime on January 9, 2011.

<i>Shameless</i> season 1 Season of television series

The first season of Shameless, an American comedy-drama television series based on the British series of the same name by Paul Abbott, premiered on January 9, 2011, at Sunday 10:00 p.m. EST on the Showtime television network. Executive producers are John Wells, Paul Abbott and Andrew Stearn, with producer Michael Hissrich. The season concluded after 12 episodes on March 27, 2011. The show's season premiere was watched by 982,000 viewers, making it the network's biggest turnout for a series premier since Dead Like Me in 2003. The episode airing January 30, "Casey Casden", received 1.45 million total viewers, making Shameless the best performing first-year drama on Showtime. The season finale scored 1.16 million viewers.

"But at Last Came a Knock" is the ninth episode of the first season of the American television comedy drama Shameless, an adaptation of the British series of the same name. The episode was written by consulting producer Alex Borstein, and directed by co-executive producer Mark Mylod. It originally aired on Showtime on March 6, 2011.

"Father Frank, Full of Grace" is the twelfth episode and season finale of the first season of the American television comedy drama Shameless, an adaptation of the British series of the same name. The episode was written by series developer John Wells, and directed by co-executive producer Mark Mylod. It originally aired on Showtime on March 27, 2011.

"There's the Rub" is the fifth episode of the fourth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 41st overall episode of the series and was written by co-executive producer Davey Holmes and directed by David Nutter. It originally aired on Showtime on February 9, 2014.

"Hope Springs Paternal" is the eighth episode of the fourth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 44th overall episode of the series and was written by producer Sheila Callaghan and directed by Mimi Leder. It originally aired on Showtime on March 9, 2014.

"The Legend of Bonnie and Carl" is the ninth episode of the fourth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 45th overall episode of the series and was written by supervising producer Etan Frankel and directed by executive producer Mark Mylod. It originally aired on Showtime on March 16, 2014.

"Liver, I Hardly Know Her" is the tenth episode of the fourth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 46th overall episode of the series and was written by co-executive producer Davey Holmes and directed by Christopher Chulack. It originally aired on Showtime on March 23, 2014.

"Emily" is the eleventh episode of the fourth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 47th overall episode of the series and was written by executive producer Nancy M. Pimental and directed by Anthony Hemingway. It originally aired on Showtime on March 30, 2014.

"Milk of the Gods" is the first episode of the fifth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 49th overall episode of the series and was written by executive producer Nancy M. Pimental and directed by executive producer Christopher Chulack. It originally aired on Showtime on January 11, 2015.

"A Night to Remem... Wait, What?" is the fourth episode of the fifth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 52nd overall episode of the series and was written by executive producer Davey Holmes and directed by Richie Keen. It originally aired on Showtime on February 1, 2015.

"Rite of Passage" is the fifth episode of the fifth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 53rd overall episode of the series and was written by co-executive producer Etan Frankel and directed by Alex Graves. It originally aired on Showtime on February 8, 2015.

"Tell Me You Fucking Need Me" is the seventh episode of the fifth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 55th overall episode of the series and was written by executive producer Nancy M. Pimental and directed by main cast member William H. Macy. It originally aired on Showtime on March 1, 2015.

"Love Songs (In the Key of Gallagher)" is the twelfth episode and season finale of the fifth season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 60th overall episode of the series and was written by series developer John Wells and directed by executive producer Christopher Chulack. It originally aired on Showtime on April 5, 2015.

"May I Trim Your Hedges?" is the third episode of the third season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 27th overall episode of the series and was written by co-executive producer Krista Vernoff, and directed by Steve Shill. It originally aired on Showtime on January 27, 2013.

"A Long Way From Home" is the seventh episode of the third season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 31st overall episode of the series and was written by producer Etan Frankel, and directed by Mimi Leder. It originally aired on Showtime on March 3, 2013.

"Frank the Plumber" is the ninth episode of the third season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 33rd overall episode of the series and was written by co-executive producer Krista Vernoff, and directed by executive producer Mark Mylod. It originally aired on Showtime on March 17, 2013.

"Order Room Service" is the eleventh episode of the third season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 35th overall episode of the series and was written by co-producer Sheila Callaghan, and directed by Sanaa Hamri. It originally aired on Showtime on March 31, 2013.

"Survival of the Fittest" is the twelfth episode and season finale of the third season of the American television comedy drama Shameless, an adaptation of the British series of the same name. It is the 36th overall episode of the series and was written by producer Etan Frankel and co-executive producer Nancy M. Pimental, and directed by executive producer Mark Mylod. It originally aired on Showtime on April 7, 2013.

References

  1. ↑ "Shameless - WGA Directory". Writers Guild of America West . Archived from the original on June 1, 2024. Retrieved June 20, 2024.
  2. ↑ Moynihan, Rob (June 5, 2013). "Justin Chatwin Departs Shameless: The Story Behind Jimmy's Death". TV Guide . Retrieved June 21, 2024.
  3. ↑ Turchiano, Danielle (March 1, 2015). "'Shameless' Postmortem: Justin Chatwin Breaks Down His Future With the Showtime Dramedy". The Hollywood Reporter . Retrieved June 21, 2024.
  4. ↑ Snetiker, Marc (April 7, 2014). "'Shameless' shocker: Cast tweets reactions to surprise [spoiler]". Entertainment Weekly . Retrieved June 21, 2024.
  5. ↑ Wagmeister, Elizabeth (January 11, 2015). "'Shameless': Emmy Rossum Teases Justin Chatwin's Return & New Love Interest". Variety . Retrieved June 21, 2024.
  6. ↑ Kondolojy, Amanda (April 8, 2014). "Sunday Cable Ratings: 'Game of Thrones' Wins Night + 'The Real Housewives of Atlanta', 'Silicon Valley', 'Married to Medicine' & More". TV by the Numbers. Archived from the original on April 8, 2014. Retrieved June 20, 2024.
  7. ↑ Bibel, Sara (March 25, 2014). "Sunday Cable Ratings: 'The Walking Dead' Wins Night, 'Talking Dead', 'Real Housewives of Atlanta', 'Shameless', 'Naked and Afraid' & More". TV by the Numbers. Archived from the original on April 4, 2014. Retrieved June 20, 2024.
  8. ↑ Sepinwall, Alan (April 7, 2014). "Season finale review: 'Shameless' – 'Lazarus': The tribe has spoken". HitFix . Archived from the original on August 28, 2022. Retrieved June 20, 2024.
  9. ↑ Sobral, Carlo (April 7, 2014). "Shameless: "Lazarus" (Episode 4.12)". Paste . Archived from the original on June 25, 2022. Retrieved June 20, 2024.
  10. ↑ Narasaki, Rosie (April 7, 2014). "'Shameless' Season Finale Recap: Fiona Goes Down a Good Road, Frank Goes Down a Bad One". Hollywood.com . Archived from the original on October 30, 2020. Retrieved June 20, 2024.
  11. ↑ Crow, David (April 7, 2014). "Shameless: Lazarus Review, Season Finale". Den of Geek . Archived from the original on June 20, 2024. Retrieved June 20, 2024.
  12. ↑ Raines, Leigh (April 6, 2014). "Shameless Review: I'm Still Here". TV Fanatic. Archived from the original on February 6, 2023. Retrieved June 19, 2024.
  13. ↑ Alston, Joshua (April 7, 2014). "Shameless: "Lazarus"". The A.V. Club . Archived from the original on August 18, 2022. Retrieved June 20, 2024.
  14. ↑ "Emmys 2014: Complete List of Episode Submissions". Gold Derby. March 7, 2016. Archived from the original on April 21, 2021. Retrieved June 20, 2024.
  15. ↑ Goldberg, Lesley (August 25, 2014). "Emmys: Jim Parsons Wins Lead Actor in a Comedy Series". The Hollywood Reporter . Archived from the original on August 5, 2023. Retrieved June 20, 2024.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.