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George Balanchine was a Georgian-American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its Artistic Director for more than 35 years. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music.
Boléro is a one-movement orchestral piece by the French composer Maurice Ravel (1875–1937). Originally composed as a ballet commissioned by Russian actress and dancer Ida Rubinstein, the piece, which premiered in 1928, is Ravel's most famous composition.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer who had died fighting in World War I. Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.
Ib Andersen is a Danish ballet dancer, choreographer, and painter. Admired as both a dancer and a choreographer, he is an artist who is comfortable engaging with both the classical and contemporary aesthetic of modern-day ballet.
Menuet antique is a piece for solo piano composed by Maurice Ravel. The original piano version was written in 1895 and orchestrated by the composer in 1929. Ravel wrote the piece to pay tribute to Emmanuel Chabrier, who had welcomed his early works and helped to establish his musical reputation.
La valse, poème chorégraphique pour orchestre, is a work written by Maurice Ravel between February 1919 and 1920; it was first performed on 12 December 1920 in Paris. It was conceived as a ballet but is now more often heard as a concert work.
John Taras was an American ballet master, repetiteur, and choreographer.
Symphony in Three Movements is a neoclassical ballet choreographed by George Balanchine to the music of the same name by Stravinsky. The ballet was made for the New York City Ballet Stravinsky Festival in 1972, a tribute to the composer following his death. The ballet premiered on June 18, 1972, at the New York State Theater.
Susan Coxe Hendl was an American ballet dancer and répétiteur. She danced with the New York City Ballet between 1963 and 1983, then staged and coached works by George Balanchine and Jerome Robbins for both NYCB and other companies.
Mozartiana is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, Mozartiana. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work.
The Four Temperaments or Theme and Four Variations is an orchestral work and ballet by Paul Hindemith. Although it was originally conceived as a ballet for Léonide Massine, the score was ultimately completed as a commission for George Balanchine, who subsequently choreographed it as a neoclassical ballet based on the theory of the four temperaments.
Vienna Waltzes is a ballet choreographed by George Balanchine to music by Johann Strauss II, Franz Lehár and Richard Strauss, made as a tribute to Austria. It premiered on June 23, 1977 at the New York State Theater, performed by the New York City Ballet, and was an immediate success among the public.
Ivesiana is a ballet choreographed by George Balanchine to compositions by Charles Ives. The ballet premiered on September 14, 1954, four months after Ives's death, at the City Center of Music and Drama, performed by the New York City Ballet. Balanchine made several changes to the ballet since, including adding and removing sections of the ballet, and the final version of Ivesiana consists of Central Park in the Dark, The Unanswered Question, In the Inn and In the Night.
Sonatine is a ballet choreographed by George Balanchine to Ravel's eponymous music. The ballet was made for the New York City Ballet's Ravel Festival, which celebrated the centenary of Ravel, and premiered on May 15, 1975, at the New York State Theater, following a preview performance the previous day. The ballet was originated by Violette Verdy and Jean-Pierre Bonnefoux.
Paul Boos is an American dancer, ballet master, archivist, and répétiteur. He danced with New York City Ballet from 1977 until 1990 before becoming a guest teacher for the Royal Danish Ballet. In addition to teaching internationally, he is part of a select group of répétiteurs sanctioned by the Balanchine Trust to set the ballets of George Balanchine. Having previously served as Project Associate since 2016, in 2021, Boos was appointed to Director of the Video Archives for the George Balanchine Foundation.
Movements for Piano and Orchestra is a neoclassical ballet choreographed by George Balanchine to Stravinsky's score of the same name. The ballet premiered on April 9, 1963, at City Center of Music and Drama, performed by the New York City Ballet. Though the two lead roles were created for Diana Adams and Jacques d'Amboise, seventeen-year-old Suzanne Farrell danced the female lead at the premiere due to Adams' pregnancy. Starting in 1966, Movements and Monumentum pro Gesualdo (1960) are performed together.
Duo Concertant is a ballet choreographed by George Balanchine to Stravinsky's score of the same name. The ballet was created for New York City Ballet's Stravinsky Festival, a tribute to the composer a year after his death, and premiered on June 22, 1972, at the New York State Theater, danced by Kay Mazzo and Peter Martins.
La Valse is a ballet choreographed by George Balanchine to Maurice Ravel's Valses Nobles et Sentimentales and La Valse. It premiered on February 20, 1951, at the City Center of Music and Drama, performed by the New York City Ballet. The ballet depicts dancers waltzing in a ballroom, during which a woman becomes attracted to a figure of death, and ultimately dies.
References
- 1 2 3 4 Buckle, Richard (1988). George Balanchine: Ballet Master : a Biography. ISBN 9780241121801.
- ↑ Macaulay, Alastair (January 19, 2008). "Four Distinct Dream Worlds, Sharing the Same Language of Classical Ballet". New York Times.
- 1 2 3 Balanchine, George; Mason, Francis (1977). Balanchine's Complete Stories of the Great Ballets. ISBN 9780385113816.
- 1 2 3 4 5 Reynolds, Nancy (1977). Repertory in Review: 40 Years of the New York City Ballet. ISBN 9780803773684.
- 1 2 Kisselgoff, Anna (March 11, 1975). "City Ballet Plans 14 Works for Ravel Fete". New York Times.
- ↑ Dunning, Jennifer (June 11, 2004). "Ballet Review; A New Generation Marches to the Balanchine Drumbeat". New York Times.
- ↑ Barnes, Clive (November 22, 1975). "Ballet: Simple and Dense". New York Times.