Le canal en Flandre par temps triste | |
---|---|
![]() | |
Artist | Théo van Rysselberghe |
Year | 1894 [1] |
Medium | Oil on canvas [1] |
Dimensions | 60 [1] cm× 80 cm(23¾ in× 31½ in) |
Location | Private collection, Unknown |
Le canal en Flandre par temps triste is an oil on canvas painting by Belgian painter Théo van Rysselberghe, created in 1894. [1]
It was sold in June 2011 to an unknown buyer for nearly four million dollars. [2]
The painting features two lines of trees by a Flemish canal. The channel in the painting has been associated with the extant canal running between Bruges and Damme. The trees in the lefthand line are receding rhythmically to the background (the movement of the trees in the righthand line is barely perceivable). The receding trees are tilted in the direction opposite to where the perspective plunges. [2]
As in most of his pointillist oeuvre, Van Rysselberghe here combined the dappling colors applied in small dots of pointillism to (short) brushstrokes, which he used to paint the grass. Van Rysselberghe's attention to details is evident here, and his mastery in pointillism and choice of color makes this painting's surface vibrate and sparkle. [2]
The painting was sold to an unknown buyer on June 31, 2011 at Christie's in London, for GBP 2,617,250 (about $3,916,000 in 2020). [2]
Pointillism is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Henri-Edmond Cross, born Henri-Edmond-Joseph Delacroix, was a French painter and printmaker. He is most acclaimed as a master of Neo-Impressionism and he played an important role in shaping the second phase of that movement. He was a significant influence on Henri Matisse and many other artists. His work was instrumental in the development of Fauvism.
Théophile "Théo" van Rysselberghe was a Belgian neo-impressionist painter, who played a pivotal role in the European art scene at the turn of the twentieth century.
Jean-François Portaels or Jan Portaels was a Belgian painter of genre scenes, biblical stories, landscapes, portraits and orientalist subjects. He was also a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels. He is regarded as the founder of the Belgian Orientalist school. He was praised in his time as the premier painter of 'everyday elegance and feminine grace'. Through his art, teaching and his leadership of the Académie Royale in Brussels he exerted an important influence on the next generation of Belgian artists, including his pupil Théo van Rysselberghe.
Les XX was a group of twenty Belgian painters, designers and sculptors, formed in 1883 by the Brussels lawyer, publisher, and entrepreneur Octave Maus. For ten years, they held an annual exhibition of their art; each year 20 other international artists were also invited to participate in their exhibition. Painters invited include Camille Pissarro, Claude Monet, Georges Seurat, Paul Gauguin, Paul Cézanne (1890), and Vincent van Gogh.
Vincent Van Gogh was displayed at the 1890 Les XX exhibition—an invitation-only show exclusively for members—in Brussels, Belgium. This served to demonstrate the recognition Van Gogh received from his avant-garde peers during his life. The choices of his works and their arrangements illustrated his thinking about his years of work in Provence.
La Libre Esthétique was an artistic society founded in 1893 in Brussels, Belgium to continue the efforts of the artists' group Les XX dissolved the same year. To reduce conflicts between artists invited or excluded, artists were no longer admitted to the society, thus all exhibitors were now invited.
Rodolphe Paul Marie Wytsman was a Belgian Impressionist painter. He trained at the Académie Royale des Beaux-Arts in Brussels, and was one of the founding members of Les XX, a group of avant-garde Belgian artists.
Darío de Regoyos y Valdés was a Spanish painter. He was notable for contributing to "the renewal of modern Spanish painting". A student of Carlos de Haes at the Real Academia de Bellas Artes de San Fernando in 1878, he later studied at the Académie Royale des Beaux-Arts in Brussels. He traveled extensively in the 1880s, accompanied by his friend, the painter Adolfo Guiard. He was a member of the art group L'Essor and a founding member of Les XX with the Belgian avant-garde scene. During these experiences he gained a significant influence from Impressionist and Neo-Impressionist painters.
Émile Sacré (1844–1882) was a Belgian painter, after whom the Prix Émile Sacré was named.
Events in the year 1894 in Belgium.
Jean-Joseph Delvin was a Belgian painter who specialized in scenes with animals.
Gustave Louis Jaulmes was an eclectic French artist who followed the neoclassical trend in the Art Deco movement. He created monumental frescoes, paintings, posters, illustrations, cartoons for tapestries and carpets and decorations for objects such as enamels, sets of plates and furniture.
Portrait of Irma Sèthe is an oil on canvas painting by the Belgian neo-impressionist painter Théo van Rysselberghe. The work is a portrait, painted in pointillist style, of Irma Sèthe, one of the heiress of a musical Brussels family close to the painter, playing the violin. The work is now in the private collection of the Musée du Petit Palais in Geneva.
Barques de pêche–Méditerranée is an oil-on-canvas painting by Belgian painter Théo van Rysselberghe. Painted in 1892, it depicts a fleet of sailboats off the southern coast of France. Van Rysselberghe's pointillist technique is well expressed in this work, whose wooden liner was painted with dots of contrasting hues serving to amplify the color harmonies in the canvas. The painting was realized by Van Rysselberghe during a two-month sailing excursion in le Midi with his close friends Paul Signac, and it offers visual representation of that sailing journey.
The Lecture of Emile Verhaeren is an oil on canvas painting by Belgian painter Théo van Rysselberghe. Painted 1903, it is currently house at the Museum of Fine Arts in Ghent.
L'Escaut en amont d'Anvers, le soir or An Evening is an oil on canvas painting by Belgian painter Théo van Rysselberghe. Painted in 1892, the painting is considered a very good example of Van Rysselberghe's pointillist technique, which, by the time he painted this oeuvre, had been completely absorbed and adjusted by the Belgian artist.
Omer Coppens (1864–1926) was a Belgian impressionist and orientalist painter, ceramic artist, and bookbinder.
Octave van Rysselberghe was a Belgian architect of the Art Nouveau period. He is one of the representatives of the architectural renewal that characterized the end of the 19th century, with Victor Horta, Paul Hankar and Henry Van de Velde.
Charles Mertens, Karel Jozef Mertens or Karel Mertens was a Belgian draughtsman, painter, muralist, etcher and illustrator. He is known for his portraits, landscapes and genre scenes. He painted many scenes with fishermen and fishing boats.