Learning Through Art is an educational program of the Solomon R. Guggenheim Museum. LTA pairs practicing artists with participating public elementary school classrooms throughout the five boroughs of New York City. These resident artists spend one day a week for a period of 10 or 20 weeks working with classroom instructors to create and execute an art curriculum for the students that ties in with current Guggenheim exhibitions and supports the core curriculum learning inside of the classroom. Participating classrooms visit the Guggenheim multiple times throughout the duration of their program, and student artwork is shown in a culminating exhibition at the Guggenheim Museum in their annual A Year With Children showcase.
In 1970, in response to the cutting of art and music programs in New York City public schools, Natalie K. Lieberman started a program called Learning to Read Through the Arts. Later becoming a Guggenheim trustee, in 1994 the program was merged with the Guggenheim Foundation. In its first 35 years, LTA has worked with hundreds of resident artists to serve approximately 138,500 New York City schoolchildren in dozens of public schools.
At the core of the LTA philosophy is the belief that artwork can, and, in today's image-saturated culture, should, be taught to be read much like a traditional text. Teaching students to talk about art the way they would talk about text gives them a forum to practice critical-thinking skills and become active participants in a work, be that work visual or text based. Unlike text, however, works of art provide a highly accessible way for students to practice these necessary reading skills without having to worry about stumbling over a difficult word, flip through pages to find a quote, or struggle with decoding written text.
Additionally, it may be easier to find visual artworks open to a wide array of interpretation - thus lending themselves to be contoured more easily towards a specific teaching point (es: mood) while at the same time inviting more varied discussion from students. This is because we as a culture have grown familiar with abstract art, abstract expressionism and surrealism for example, whereas we remain extremely uncomfortable with literature that approaches abstraction.
Critical-thinking skills are developed through open-ended questions and conversations between instructor and student. This practice is called Inquiry. Questions such as: "What do you notice about this painting? What can we guess about this place? Compare this place to your own neighborhood. How is it similar? How is it different?" [1] are similar to the kinds of conversations that would take place around text in the classroom. Students are asked to back up their interpretations of the artwork with explanations of details in the piece that lead them to their conclusion; multiple interpretations of the work are encouraged by discussion facilitators, such as "Does everyone agree? Are there any other ideas?" Through inquiry, students not only develop visual literacy skills that transfer to textual literacies, but an important groundwork is laid in the grammar and value of group discussion.
In 2006, results of a three-year study confirmed fundamental literacy skills were developed through participation in inquiry with art. The study, Teaching Literacy Through Art, was administered by the LTA program, conducted by Randi Korn & Associates, and funded by the U.S. Department of Education. The study examined groups of third graders at P.S. 148 in Queens, and P.S. 86 in the Bronx. Along with classroom discussion of texts and visual documents, for the purposes of this study students were asked to discuss the painting The Artist and His Mother by Arshile Gorky (1926), and an excerpt from Cynthia Kabohata's 2004 book Kira-Kira. The study found that the third grade students who participated in the LTA program and had ample practice talking critically about works of art using inquiry, used more words to express themselves and demonstrated higher achievement in six categories of literacy and critical-thinking skills than their peers who had no experience with inquiry and visual documents. Categories of improved literacy skills were: thorough description, extended focus, hypothesizing, evidential reasoning, providing multiple interpretations, and building schema. [2]
A teaching method is a set of principles and methods used by teachers to enable student learning. These strategies are determined partly by the subject matter to be taught, partly by the relative expertise of the learners, and partly by constraints caused by the learning environment. For a particular teaching method to be appropriate and efficient it has to take into account the learner, the nature of the subject matter, and the type of learning it is supposed to bring about.
Social constructivism is a sociological theory of knowledge according to which human development is socially situated, and knowledge is constructed through interaction with others. Like social constructionism, social constructivism states that people work together to actively construct artifacts. But while social constructivism focuses on cognition, social constructionism focuses on the making of social reality.
An electronic portfolio is a collection of electronic evidence assembled and managed by a user, usually but not only on the Web.
Student-centered learning, also known as learner-centered education, broadly encompasses methods of teaching that shift the focus of instruction from the teacher to the student. In original usage, student-centered learning aims to develop learner autonomy and independence by putting responsibility for the learning path in the hands of students by imparting to them skills, and the basis on how to learn a specific subject and schemata required to measure up to the specific performance requirement. Student-centered instruction focuses on skills and practices that enable lifelong learning and independent problem-solving. Student-centered learning theory and practice are based on the constructivist learning theory that emphasizes the learner's critical role in constructing meaning from new information and prior experience.
Philosophy for Children, sometimes abbreviated to P4C, is a movement that aims to teach reasoning and argumentative skills to children. There are also related methods sometimes called "Philosophy for Young People" or "Philosophy for Kids". Often the hope is that this will be a key influential move towards a more democratic form of democracy. However, there is also a long tradition within higher education of developing alternative methods for teaching philosophy both in schools and colleges.
Historical thinking is a set of critical literacy skills for evaluating and analyzing primary source documents to construct a meaningful account of the past. Sometimes called historical reasoning skills, historical thinking skills are frequently described in contrast to historical content knowledge such as names, dates, and places. This dichotomous presentation is often misinterpreted as a claim for the superiority of one form of knowing over the other. The distinction is generally made to underscore the importance of developing thinking skills that can be applied when individuals encounter any historical content. History educators have varying perspectives about the extent they should emphasize facts about the past, moral lessons, connections to current events, or historical thinking skills and different belief about what historical thinking involves.
"The Death of the Author" is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the essay emphasizes the primacy of each individual reader's interpretation of the work over any "definitive" meaning intended by the author, a process in which subtle or unnoticed characteristics may be drawn out for new insight. The essay's first English-language publication was in the American journal Aspen, no. 5–6 in 1967; the French debut was in the magazine Manteia, no. 5 (1968). The essay later appeared in an anthology of Barthes' essays, Image-Music-Text (1977), a book that also included his "From Work to Text".
Visual arts education is the area of learning that is based upon the kind of art that one can see, visual arts—drawing, painting, sculpture, printmaking, and design in jewelry, pottery, weaving, fabrics, etc. and design applied to more practical fields such as commercial graphics and home furnishings. Contemporary topics include photography, video, film, design, and computer art. Art education may focus on students creating art, on learning to criticize or appreciate art, or some combination of the two.
Critical literacy is the ability to find embedded discrimination in media. This is done by analyzing the messages promoting prejudiced power relationships found naturally in media and written material that go unnoticed otherwise by reading beyond the author's words and examining the manner in which the author has conveyed their ideas about society's norms to determine whether these ideas contain racial or gender inequality.
Composition studies is the professional field of writing, research, and instruction, focusing especially on writing at the college level in the United States.
Arts integration differs from traditional education by its inclusion of both the arts discipline and a traditional subject as part of learning The goal of arts integration is to increase knowledge of a general subject area while concurrently fostering a greater understanding and appreciation of the fine and performing arts. The John F. Kennedy Center for the Performing Arts defines arts integration as "an approach to teaching in which students construct and demonstrate understanding through an art form. Students engage in a creative process which connects an art form and another subject and meets evolving objectives in both."
Inquiry-based learning is a form of active learning that starts by posing questions, problems or scenarios. It contrasts with traditional education, which generally relies on the teacher presenting facts and their knowledge about the subject. Inquiry-based learning is often assisted by a facilitator rather than a lecturer. Inquirers will identify and research issues and questions to develop knowledge or solutions. Inquiry-based learning includes problem-based learning, and is generally used in small-scale investigations and projects, as well as research. The inquiry-based instruction is principally very closely related to the development and practice of thinking and problem-solving skills.
Socratic questioning is an educational method named after Socrates that focuses on discovering answers by asking questions of students. According to Plato, Socrates believed that "the disciplined practice of thoughtful questioning enables the scholar/student to examine ideas and be able to determine the validity of those ideas". Plato explains how, in this method of teaching, the teacher assumes an ignorant mindset in order to compel the student to assume the highest level of knowledge. Thus, a student is expected to develop the ability to acknowledge contradictions, recreate inaccurate or unfinished ideas, and critically determine necessary thought.
Reciprocal teaching is a powerful instructional method designed to foster reading comprehension through collaborative dialogue between educators and students. Rooted in the work of Annemarie Palincsar, this approach aims to empower students with specific reading strategies, such as Questioning, Clarifying, Summarizing, and Predicting, to actively construct meaning from text.
Donna Alvermann is an American educator and researcher in the field of Language and Literacy Education whose work focuses on adolescent literacy in and out of school, inclusive of new media and digital literacies. Her most recent research interest involves developing historical-autobiographical methods for uncovering silences in scholarly writing that mask more than they disclose. She is the Omer Clyde and Elizabeth Parr Aderhold Professor in Education in the Mary Frances Early College of Education at the University of Georgia (UGA). She is also a UGA-appointed Distinguished Research Professor in the Department of Language and Literacy Education.
Visual literacy in education develops a student's visual literacy – their ability to comprehend, make meaning of, and communicate through visual means, usually in the form of images or multimedia.
A dialogue journal is an ongoing written interaction between two people to exchange experiences, ideas, knowledge or reflections. It is used most often in education as a means of sustained written interaction between students and teachers at all education levels. It can be used to promote second language learning and learning in all areas.
Feminist pedagogy is a pedagogical framework grounded in feminist theory. It embraces a set of epistemological theories, teaching strategies, approaches to content, classroom practices, and teacher-student relationships. Feminist pedagogy, along with other kinds of progressive and critical pedagogy, considers knowledge to be socially constructed.
Critical understanding is a term used commonly in education to define a mode of thinking, described as, ‘an essential tool for participating in democratic processes, at whatever level.’ It is a defensible position reached through the examination of ideas, issues or sources. It is achieved through reflecting upon, analysing and evaluating different ideas and positions, and is demonstrated through an ability to express informed responses and independent thought. Critical understanding develops through analytical and independent thought and is considered an increasingly important element of the education process as students progress to higher and further education. However it is not an easy concept to communicate for it is not a passive thing we do; it is about active engagement.
Object literacy is a relatively new term that has grown out of object-based learning (OBL), a fundamental approach to teaching the practice of museum and library work. The increasing availability of digital images and texts makes objects more accessible than ever. There is an increasing interest in the physicality of the object or text, and a growing understanding of the need to understand objects and texts in the fullest, most comprehensive context.