The Guggenheim UBS MAP Global Art Initiative was a five-year program, supported by Swiss bank UBS in which the Solomon R. Guggenheim Foundation identified and works with artists, curators and educators from South and Southeast Asia, Latin America, and the Middle East and North Africa to expand its reach in the international art world. For each of the three phases of the project, the museum invited one curator from the chosen region to the Solomon R Guggenheim Museum in New York City for a two-year curatorial residency, where they worked with a team of Guggenheim staff to identify new artworks that reflect the range of talents in their parts of the world. The resident curators organized international touring exhibitions that highlight these artworks and help organize educational activities. [1] [2] The Foundation acquired these artworks for its permanent collection and included them as the focus of exhibitions that open at the museum in New York and subsequently traveled to two other cultural institutions or other venues around the world. The Foundation supplemented the exhibitions with a series of public and online programs, and supported cross-cultural exchange and collaboration between staff members of the institutions hosting the exhibitions. [3] [4] [5] UBS reportedly contributied more than $40 million to the project to pay for its activities and the art acquisitions. [6] Foundation director Richard Armstrong commented: "We are hoping to challenge our Western-centric view of art history." [1]
The first exhibition, No Country: Contemporary Art for South and Southeast Asia was curated by June Yap. [7] Yap has worked for six years in the curatorial departments of modern and contemporary art museums, including the Institute of Contemporary Arts Singapore and the Singapore Art Museum. [8] She gathered art from Indonesia, Malaysia, Thailand, Myanmar, Vietnam, Cambodia, the Philippines, Bangladesh and India for No Country. The exhibition was shown at the Solomon R. Guggenheim Museum in New York in 2013, [9] the Asia Society Hong Kong Centre from October 2013 to February 2014, [10] and Singapore's Centre for Contemporary Art from May to July 2014. [11]
In this show, the artists featured are as follows: [12]
The second exhibition of the project, Under the Same Sun: Art from Latin America Today, focused on art from Latin America [13] and was curated by Pablo León de la Barra. [14] On display are works by 40 artists representing 15 countries in Latin America, including Argentina, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Guatemala, Honduras, Mexico, Panama, Peru, Uruguay and Venezuela. [15] The artworks were organized around five themes: Conceptualism and its Legacies, Tropicologies, Political Activism, Modernism and its Failures, and Participation/Emancipation. [16] The show ran at the Solomon R. Guggenheim Museum in New York from June 13 to October 1, 2014, at Museo Jumex in Mexico City from November 19, 2015, to February 7, 2016, [17] and at the South London Gallery in Camberwell, London from June 10, 2016 to September 4, 2016. [18]
In this show, the artists featured are as follows: [19]
In conjunction with Under the Same Sun, Alfredo Jaar's A Logo for America (1987), an animation for an electronic billboard in Times Square, was shown again in Times Square in August 2014 as part of Times Square Alliance's "Midnight Moments" series. [20]
Artist Federico Herrero, whose work is displayed in Under the Same Sun, completed a residency at the South London Gallery from May to June 2016, during which he engaged with the local residents of Pelican Estate, Peckham and created a site-specific work in the children's playground of the community. [21]
The third and final exhibition was titled But a Storm is Blowing from Paradise: Contemporary Art of the Middle East and North Africa, [22] curated by Sara Raza. [23] The show opened on April 29, 2016, at the Solomon R. Guggenheim Museum in New York City and will be on view until October 5, 2016. The exhibition traveled to Istanbul's Pera Museum in 2017. [24]
In this show, the artists featured are as follows: [22]
Hello Guggenheim: Film and Video Curated by Bidoun Projects was a four-week program of film and videos shown at the Solomon R. Guggenheim Museum in May 2016 about the politics and power of the moving image, organized by Bidoun Projects. [25]
The Solomon R. Guggenheim Foundation is a nonprofit organization founded in 1937 by philanthropist Solomon R. Guggenheim and his long-time art advisor, artist Hilla von Rebay. The foundation is a leading institution for the collection, preservation, and research of modern and contemporary art and operates several museums around the world. The first museum established by the foundation was The Museum of Non-Objective Painting, in New York City. This became The Solomon R. Guggenheim Museum in 1952, and the foundation moved the collection into its first permanent museum building, in New York City, in 1959. The foundation next opened the Peggy Guggenheim Collection in Venice, Italy, in 1980. Its international network of museums expanded in 1997 to include the Guggenheim Museum Bilbao in Bilbao, Spain, and it expects to open a new museum, Guggenheim Abu Dhabi, in the United Arab Emirates after its construction is completed.
Lowery Stokes Sims is an American art historian and curator of modern and contemporary art known for her expertise in the work of African, African American, Latinx, Native and Asian American artists such as Wifredo Lam, Fritz Scholder, Romare Bearden, Joyce J. Scott and others. She served on the curatorial staff of the Metropolitan Museum of Art, the Studio Museum in Harlem, and the Museum of Arts and Design. She has frequently served as a guest curator, lectured internationally and published extensively, and has received many public appointments. Sims was featured in the 2010 documentary film !Women Art Revolution.
Peter Solomon Frank is an American art critic, curator, and poet who lives and works in Los Angeles. Frank is known for curating shows at the Solomon R. Guggenheim Museum in the 1970s and 1980s. He has worked curatorially for Documenta, the Venice Biennale, Museo Nacional Centro de Arte Reina Sofía, and many other national and international venues.
Nancy Spector is an American museum curator who has held positions at the Solomon R. Guggenheim Museum in New York City and the Brooklyn Museum.
Philip Tinari is an American writer, critic, art curator, and expert in Chinese contemporary art. Based in Beijing since 2001, Tinari is currently director and CEO of the UCCA Center for Contemporary Art (UCCA) in Beijing.
Richard Armstrong is an American museum director. Since 2008, Armstrong has been the director of the Solomon R. Guggenheim Foundation, including the Solomon R. Guggenheim Museum in New York City and its other museums throughout the world. Before joining the Guggenheim, he was a curator at, and then director of, Carnegie Museum of Art in Pittsburgh, Pennsylvania. From 1981 to 1992, he had been a curator at the Whitney Museum of American Art.
The Samdani Art Foundation is a private art foundation founded in 2011 in Dhaka, Bangladesh that aims to increase artistic engagement between the art and architecture of Bangladesh and the rest of the world. It is best known for producing the bi-annual Dhaka Art Summit, which is the highest daily visited contemporary art exhibition in the world, welcoming over 477,000 visitors in its fifth edition in February 2020. It completed its sixth edition in 2023. The foundation produces education programmes and exhibitions across the year in collaboration with Bangladeshi and international institutions and is one of the most active art institutions in South Asia.
UCCA Center for Contemporary Art or UCCA is a leading Chinese independent institution of contemporary art. Founded in 2007 and located at the heart of the 798 Art District in Beijing, China, it welcomes more than one million visitors a year. Originally known as the Ullens Center for Contemporary Art, UCCA underwent a major restructuring in 2017 and now operates as the UCCA Group, comprising two distinct entities: UCCA Foundation, a registered non-profit that organizes exhibitions and research, stages public programs, and undertakes community outreach; and UCCA Enterprises, a family of art-driven retail and educational ventures. In 2018, UCCA opened an additional museum, UCCA Dune, in Beidaihe, a seaside resort town close to Beijing. In 2021, a third site in Shanghai was opened, UCCA Edge. The museum had 385,295 visitors in 2020, and ranked 55th in the List of most-visited art museums in the world.
Matthew Joseph Williams Drutt is an American curator and writer who specializes in modern and contemporary art and design. Based in New York, he has owned and operated his independent consulting practice Drutt Creative Arts Management (DCAM) since 2013l. He is currently working with the Lee Ufan Foundation in Arles on an exhibition of non-objective art foor Fall 2024. More recently, he worked with the Nationalmuseum Stockholm on an exhibition and publication of modern and contemporary American crafts gifted from artists and collectors in the United States to the museum, originally organized by his mother, Helen Drutt. He has worked more recently with the Eckbo Foundation in Oslo on the first major monograph of Thorwald Hellesen published in English and Norwegian in by Arnoldsche Art Publishers. He is currently also developing several other titles with the publisher. Formerly, he worked with the Beyeler Foundation in Switzerland (2013–2016) and the State Hermitage Museum in Russia (2013–2014), consulting on exhibitions, publications, and collections. He continues to serve as an Advisory Curator to the Hermitage Museum Foundation Israel. In 2006, the French Government awarded him the Chevalier de l'Ordre des Arts et des Lettres, and in 2003, his exhibition Kazimir Malevich: Suprematism won Best Monographic Exhibition Organized Nationally from the International Association of Art Critics.
June Yap is a Singaporean curator, art critic, and writer. She is currently the Director of Curatorial & Collections at the Singapore Art Museum.
Art Dubai is an international art fair that takes place every March in Dubai. Founded in 2007, Art Dubai is a major platform for art from the Middle East, North Africa and South Asia. Each year, the fair features a globally diverse lineup of over 90 galleries from more than 40 different countries,
Alexandra Munroe is an American curator, Asia scholar, and author focusing on art, culture, and institutional global strategy. She has produced over 40 exhibitions and published pioneering scholarship on modern and contemporary Asian art. She organized the first major North American retrospectives of artists Yayoi Kusama (1989), Daido Moriyama (1999), Yoko Ono (2000), Mu Xin (2001), Cai Guo-Qiang (2008), and Lee Ufan (2011), among others, and has brought such historic avant-garde movements as Gutai, Mono-ha, and Chinese conceptual art, as well as Japanese otaku culture, to international attention. Her project Japanese Art after 1945: Scream Against the Sky (1994) is recognized for initiating the field of postwar Japanese art history in North America. Recently, Munroe was lead curator of the Guggenheim’s exhibition, Art and China after 1989: Theater of the World, which the New York Times named as one of 2017’s top ten exhibitions and ARTnews named as one of the decade’s top 25 most influential shows. Credited for the far-reaching impact of her exhibitions and scholarship bolstering knowledge of postwar Japanese art history in America and Japan, she received the 2017 Japan Foundation Award and the 2018 Commissioner for Cultural Affairs Award, both bestowed by the government of Japan.
Firoz Mahmud is a Bangladeshi visual artist based in Japan. He was the first Bangladeshi fellow artist in research at Rijksakademie Van Beeldende Kunsten in Amsterdam. Mahmud's work has been exhibited at the following biennales: Sharjah Biennale, the first Bangkok Art Biennale, at the Dhaka Art Summit, Setouchi Triennale (BDP), the first Aichi Triennial, the Congo Biennale, the first Lahore Biennale, the Cairo Biennale, the Echigo-Tsumari Triennial, and the Asian Biennale.
Vandy Rattana is a photographer and artist, now resident in Taiwan, whose work is concerned with Cambodian society.
Nadia Kaabi-Linke is a Tunis-born, Berlin-based visual artist best known for her conceptual art and 2011 sculpture Flying Carpets. Her work has explored themes of geopolitics, immigration, and transnational identities. Raised between Tunis, Kyiv, Dubai and Paris, she studied at the Tunis Institute of Fine Arts and received a Ph.D. in philosophy of art from the Sorbonne. Kaabi-Linke won the 2011 Abraaj Group Art Prize, which commissioned Flying Carpets, a hanging cage-like sculpture that casts geometric shadows onto the floor akin to the carpets of Venetian street vendors. The piece was acquired by the New York Guggenheim in 2016 as part of their Guggenheim UBS MAP Global Art Initiative. Kaabi-Linke also won the Discoveries Prize for emerging art at the 2014 Art Basel Hong Kong. Her works have been collected by the Museum of Modern Art, Dallas Museum of Art, Burger Collection, and Samdani Art Foundation, and exhibited in multiple solo and group shows.
Karole P. B. Vail is an American museum director, curator and writer. Since 2017, she has been the director of the Peggy Guggenheim Collection in Venice and Solomon R. Guggenheim Foundation Director for Italy. Prior to this appointment, she worked on the curatorial staff at the Solomon R. Guggenheim Museum in New York for 20 years.
NTU Centre for Contemporary Art Singapore is a national research centre affiliated with Nanyang Technological University (NTU).
Art and China after 1989: Theater of the World is an exhibition that took place at Solomon R. Guggenheim Museum in New York between October 6, 2017 – January 7, 2018. The exhibition presents works by seventy-one artists and artist collectives across China and worldwide, who define contemporary experience in and of China. Looking at a period between the Tiananmen Square Protests, which also coincides with the end of the Cold War, and the Beijing Olympics in 2008, the exhibition explores a time when "anything seemed possible" and artists from China sought visibility in the global art world. The curators of the exhibition write that the works in this exhibition respond to how China went through a radical transformation between 1989 and 2008, which had an unmatchable impact at the global level. The exhibition has been considered as "an invaluable window" onto the intersection of contemporary art, politics, and history, and as an opportunity to ask questions about the role of museums as sites of learning how one could be a global citizen today. It also traveled to Guggenheim Museum Bilbao and the San Francisco Museum of Modern Art in 2018 and 2019, respectively.
Xiaoyu Weng (翁笑雨) is a Chinese curator, writer, editor and educator in the area of contemporary art.
Norberto Roldan is a visual artist and curator. He is widely known for founding the artist collective Black Artists of Asia, which in turn founded the Visayas Islands Visual Arts Exhibition and Conference. In 2000, he and choreographer Donna Miranda founded Green Papaya Art Projects.