Lee Frost (director)

Last updated

Lee Frost
BornAugust 14, 1935
Globe, Arizona, United States
DiedMay 25, 2007(2007-05-25) (aged 71)
New Orleans, Louisiana, United States
Occupation(s) Film director, screenwriter

Lee Frost was a film director, producer, cinematographer, editor and occasional actor. Frost directed a string of exploitation films including Love Camp 7 , Chain Gang Women, Chrome and Hot Leather , The Thing with Two Heads , The Black Gestapo , Dixie Dynamite and Private Obsession .

Contents

Background

Frost was born in Globe, Arizona, on August 14, 1935. [1] He grew up in Glendale, California, and also in Oahu, Hawaii. [2]

The different names he used for his work were R.L. Frost, R. Lee Frost and David Kayne. [3] [4] Other names or variants used were David Kane, F.C. Perl, Elov Peterssons and Les Emerson; [5] Carl Borch, Leoni Valentino and Robert L. Frost.[ citation needed ]

Death

Lee Frost died in New Orleans, Louisiana, on May 25, 2007, aged 71. [1]

Films

Director

Lee Frost's first film, released in 1962, was the sexploitation comedy Surftide 77. Also released that year was House on Bare Mountain which he co-directed with Wes Bishop, whom with he would continue to collaborate with throughout his career. He would be credited as director under the name R.L. Frost for this film and all others until late 1969, when he began using a variety of other pseudonyms.

In 1965 Frost teamed up with David F. Friedman to direct The Defilers on which Frost would also act as cinematographer and editor. The film, shot in black and white, tells the story of two hedonistic young men from wealthy homes who abduct an attractive young blonde woman to use as their sex slave. Themes of misogyny and BDSM would continue to appear in Frost's films throughout most of his career.

In 1966, Frost was director, writer and one of the cast in the mondo film Mondo Bizarro. For his part in writing the narrative for the feature, he was credited as David Kayne. [6] Mondo Bizarro was followed by two more mondo films, Mondo Freudo and The Forbidden, all of which were released in 1966 and were shot in color. [7]

The sexploitation films The Animal and The Pick-Up, both directed by Frost and featuring roles by ubiquitous exploitation actor John Alderman, were released in 1968. Like 1965's The Defilers both films feature themes of misogyny and BDSM, and were shot on black and white film stock. In The Pick-Up Frost highlights one scene with a musical number performed by singer-songwriter and guitarist Jim Sullivan. Also released in 1968 was Frost's Hot Spur, a Western themed sexploitation film shot in color.

In 1969 he directed the western/war exploitation film The Scavengers as well as the Nazi themed Love Camp 7 .

He directed Chrome and Hot Leather that was released in 1971. This was a biker/exploitation film about a group of Vietnam vets taking on a motor bike gang. The film starred William Smith, Tony Young, Michael Haynes, Peter Brown and Marvin Gaye. [8] [9]

He directed the exploitation sci-fi film The Thing With Two Heads, that starred Ray Milland, Rosey Grier and Don Marshall that was released in 1972. This was a film about a dying doctor who gets his head transplanted to the body of a man, Jack Moss, who was wrongfully convicted of murder. [10]

After the advent of hardcore pornographic films in the mid 70's and the subsequent decline in demand for softcore and sexploitation films Frost's output would include producing and directing a handful of adult films including 1974's A Climax of Blue Power (wherein he used the pseudonym F.C. Perl) which misappropriated its soundtrack primarily from Barry White's original score to the film Together Brothers . Reviled by critics for its intermingling of violence and twisted sex [11] the film follows a security guard who masquerades as a police officer and abuses prostitutes before happening upon a murder and subsequently exacting his own punishment. [12] In 1974 he directed the sexploitation period film Poor Cecily. [13]

Writer

Frost wrote the story for the film Race with the Devil , which was released in 1975. In this film Peter Fonda, Warren Oates, Loretta Swit and Lara Parker star as two couples that are being chased by Satan worshippers. [14]

Related Research Articles

<span class="mw-page-title-main">Irving Klaw</span> American photographer

Irving Klaw, self-named the "Pin-up King", was an influential American merchant of sexploitation, fetish, and Hollywood glamour pin-up photographs and films. Like his predecessor, Charles Guyette, who was also a merchant of fetish-themed photographs, Klaw was not a photographer, but a merchandiser of fetish art imagery and films. His great contribution to the world was to commission fetish art and sponsor illustrative artists, and to indirectly promote the legacy of Charles Guyette and John Willie. Irving Klaw is a central figure in what fetish art historian Richard Pérez Seves has designated as the "Bizarre Underground," the pre-1970 fetish art years.

<span class="mw-page-title-main">Exploitation film</span> Informal film genre

An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.

<i>Ilsa, She Wolf of the SS</i> 1975 exploitation film by Don Edmonds

Ilsa, She Wolf of the SS is a 1975 Canadian exploitation film about Ilsa, a sadistic and sexually voracious Nazi prison camp commandant. The film is directed by American filmmaker Don Edmonds and produced by David F. Friedman for Cinépix Film Properties in Montreal. The film stars Dyanne Thorne in the title role, who is loosely based on Ilse Koch, a convicted war criminal and overseer at the Buchenwald concentration camp.

Mondo films are a subgenre of exploitation films and documentary films. Many mondo films are made in a way to resemble a pseudo-documentary and usually depicting sensational topics, scenes, or situations. Common traits of mondo films include portrayals of foreign cultures, an emphasis on taboo subjects such as death and sex, and staged sequences presented as genuine documentary footage. Over time, the films have placed increasing emphasis on footage of the dead and dying.

<span class="mw-page-title-main">Doris Wishman</span> American filmmaker

Doris Wishman was an American film director, screenwriter, and producer. She is credited with having directed and produced at least 30 feature films during a career spanning over four decades, most notably in the sexploitation film genre.

<span class="mw-page-title-main">Sexploitation film</span> Genre of independently produced, low-budget feature films

A sexploitation film is a class of independently produced, low-budget feature film that is generally associated with the 1960s and early 1970s, and that serves largely as a vehicle for the exhibition of non-explicit sexual situations and gratuitous nudity. The genre is a subgenre of exploitation films. The term "sexploitation" has been used since the 1940s. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and 1980s that featured hardcore pornography content. The term is soft-core is often used to designate non-explicit sexploitation films after the general legalisation of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well. "Nudie" films and "Nudie-cuties" are associated genres.

Mike Monty was an American character actor, born in 1936 in Chattanooga, Tennessee as Michael O'Donoghue but he changed his name to Mike Monty late in life.

David Frank Friedman was an American filmmaker and film producer best known for his B movies, exploitation films, nudie cuties, and sexploitation films.

<span class="mw-page-title-main">Nazi exploitation</span> Subgenre of film

Nazi exploitation is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula, only relocated to a concentration camp, extermination camp, or Nazi brothel, and with an added emphasis on sadism, gore, and degradation. The most infamous and influential title is a Canadian production, Ilsa, She Wolf of the SS (1974). Its surprise success and that of Salon Kitty and The Night Porter led European filmmakers, mostly in Italy, to produce similar films, with just over a dozen being released over the next few years. Globally exported to both cinema and VHS, the films were critically attacked and heavily censored, and the sub-genre all but vanished by the end of the seventies.

Stephen C. Apostolof, sometimes credited under aliases A.C. Stephen(s) or Robert Lee, was a Bulgarian-American filmmaker specializing in low-budget exploitation and erotic films, who gained a cult following for a wide variety of films that range from erotic horror and suburban exposé to western-themed costume pictures and Mission Impossible-type capers such as. Apostolof had gained a reputation for creating high-quality mass entertainment with minimal budgets. He was also one of the few directors to work steadily with the infamous Ed Wood and such sexploitation icons as Marsha Jordan and Rene Bond in the 1960s and 1970s.

Virginia Gordon is an American model and actress. She was Playboy magazine's Playmate of the Month for the January 1959 issue. Her centerfold was photographed by Ron Vogel.

<i>Horrors of Spider Island</i> 1960 film

Horrors of Spider Island is a 1960 West German horror film written and directed by Fritz Böttger, and produced by Gaston Hakim and Wolf C. Hartwig for Rapid-Film/Intercontinental Filmgesellschaft. The film stars Alexander D'Arcy as Gary Webster, a talent agent who invites several girls to a club in Singapore. Their plane ride ends abruptly when they crash-land into the ocean. Webster and the women make their way to an island where they find a large spider web. A giant spider sinks its teeth into Webster which turns him into a mutant.

<span class="mw-page-title-main">B movies (exploitation boom)</span> 1960s–1970s era of genre filmmaking

The 1960s and 1970s marked the rise of exploitation-style independent B movies; films which were mostly made without the support of Hollywood's major film studios. As censorship pressures lifted in the early 1960s, the low-budget end of the American motion picture industry increasingly incorporated the sort of sexual and violent elements long associated with so-called ‘exploitation’ films. The demise of the Motion Picture Production Code in 1968, coupled with the success of the exploitation film Easy Rider the following year, fueled the trend throughout the subsequent decade. The success of the B-studio exploitation movement had a significant effect on the strategies of the major studios during the 1970’s.

<span class="mw-page-title-main">Stanley Long</span>

Stanley A. Long was an English exploitation cinema and sexploitation filmmaker. He was also a driving force behind the VistaScreen stereoscopic (3D) photographic company. He was a writer, cinematographer, editor, and eventually, producer/director of low-budget exploitation movies.

The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.

<i>Silip</i> 1986 Filipino film

Silip is a 1985 Philippine sexploitation psychological drama film directed by Elwood Perez and written by Ricardo Lee. The film was released outside of the Philippines as Daughters of Eve.

<i>Mondo Keyhole</i> 1966 American film

Mondo Keyhole is a 1966 film directed by Jack Hill in his directorial debut. A sexploitation drama, it covers themes such as the pornography business, drug-taking, rape, martial arts and revenge.

<i>Porno Holocaust</i> 1981 Italian film

Porno Holocaust is a 1981 Italian sexploitation horror film directed and lensed by Joe D'Amato and written by Tito Carpi under the pseudonym "Tom Salina". The assistant director was Donatella Donati. Shot in and around Santo Domingo, it was one of the first cinematically released Italian films containing hardcore pornography. The title has been seen as a "riff" on Cannibal Holocaust.

<i>Chrome and Hot Leather</i> 1971 American action film

Chrome and Hot Leather is a 1971 American action revenge film about Green Berets vs. bikers with touches of comedy. It is one of two films to feature singer Marvin Gaye in an acting role, the other being the 1969 film The Ballad of Andy Crocker.

Dick Randall was an American film producer, screenwriter, actor and assistant director. He was known for his involvement in the production of exploitation films in Italy, Hong Kong, Spain, the Philippines and England, and his career covered a wide array of genres including mondo documentaries, erotica, giallo, martial arts and slasher films.

References

  1. 1 2 "Lee Frost". Classic Images.
  2. "Lee Frost". Watch-funny-movies.com. Archived from the original on March 7, 2016.
  3. "Lee Frost". Movies & TV Dept. The New York Times . 2016. Archived from the original on March 7, 2016.
  4. The American Film Institute Catalog, Feature Films 1961 - 1970 Page 226 - Frost R.L. see also Frost; Lee, Frost, R. Lee; Kayne, David
  5. McDonald Law Offices PLLC Celebrity Sightings, Frost, Lee 1935.08.14- ) Director, writer, actor, cinematographer
  6. Oh My Gore! Mondo Bizarro (1966) - Lee Frost (uncredited) - Oh My Gore
  7. "Lee Frost". IMDb .
  8. Cool Ass Cinema Tuesday, February 17, 2009 Chrome & Hot Leather (1971) review
  9. The Sydney Morning Herald April 30, 1979 Page 3, TV Guide Movies on TV
  10. Geeks of Doom July 7, 2015 Blu-ray Review: The Thing With Two Heads by Baadasssss!
  11. "A CLIMAX OF BLUE POWER von Frost, Lee (Producer/Director): (2005) | Alta-Glamour Inc".
  12. "A Climax of Blue Power (1974) - IMDb". IMDb .
  13. Poor Cecily (1974) | MUBI (in Portuguese), retrieved October 2, 2023
  14. blastr Fri, June 26, 2015 1975: Back to the future Articles, Race with the Devil at 40: Speeding with Satan