Let's All Go Down the Strand

Last updated

1909 sheet music, published in the United States Lets-all-go-down-the-strand-sung-by-chas-r-whittle-for-piano.jpg
1909 sheet music, published in the United States

"Let's All Go Down the Strand" is a popular British music hall song of the late 19th and early 20th centuries, written by Harry Castling and C. W. Murphy. It was first performed by Castling, and was published in 1909. It was inspired by the Strand, a street in Westminster, Central London, that in the late 19th century became a centre for theatres, hotels and music halls. The song has three verses describing people trying to persuade others to abandon their current plans to "go down the Strand". The first verse is about a group of tourists planning a trip to Germany, the second about prisoners in jail and the third about sailors returning with Ernest Shackleton from a polar expedition. The song was popular with British soldiers in the First World War. A refrain of "have a banana", not included in the published lyrics, was often interposed after the first line of the chorus. Sometimes "Gertie Gitana" was sung instead, leading to the use of "Gertie" as rhyming slang for the fruit. A version was released by rock band Blur in 1993.

Contents

Song

The song is inspired by the Strand, a street in Westminster, Central London. During the late 19th century the Strand was transformed from a refuge for beggars, gamblers and fraudsters to a respectable leisure venue with theatres, hotels and music halls. [1]

It was written by music hall performer Harry Castling and composer Charles William Murphy. The song was first sung by Castling in the 1890s. [2] [3] According to music hall historian Richard Anthony Baker, the song developed after Castling and Murphy left the Lyceum Theatre together, and headed towards Waterloo Bridge when Castling suggested "Let's go down the Strand". He later maintained that, as soon as he said the words, he realised it would make a good song title. Adding the word "all", they wrote the song, with Castling later saying that "both the words and the music came to us as though we had been singing them all our lives." [4]

The lyrics of the 1909 version describe a group of six tourists meeting in Trafalgar Square for a planned trip to continental Europe. One of them, Jones, advises the others to "stay away from Germany, what's the good of going down the Rhine?" [3] and in the chorus tries to persuade them to stay in London: "let's all go down the Strand" as "that's the place for fun and noise, all among the girls and boys". The second verse describes a group of 25 prisoners confined in prison and ordered to exercise; one, Burglar Ben, proposes to their warden that they instead visit the Strand. [3] The third and final verse describes the Lord Mayor of London welcoming back an Ernest Shackleton expedition to "the Pole" (Shackleton had taken part in the 1901–04 Discovery Expedition and led the 1907–09 Nimrod Expedition, both in the Antarctic but never reached the South Pole). [3] [5] The Lord Mayor proposes that he throws a banquet at Mansion House but one of Shackleton's sailors asks the explorer if they can instead "go down the Strand". [3]

Impact

The refrain "have a banana!", sung after the first line of the chorus, is a later addition to the song, though it is known to have been sung in the 1890s. The origins of the refrain are unknown, though it helped to drive sales of the fruit. [2] [6] [7] Sometimes "Gertie Gitana" (a mu m misic hall entertainer) was substituted for the refrain, leading to "Gertie" becoming Cockney rhyming slang for banana the usage of which continues to the modern day. [8]

The phrase "let's all go down the Strand", particularly to mean making a visit to the theatres there, became a popular phrase among the British working class. [9] The song, and in particular its chorus, was popular with Londoners. [3] "Let's All Go Down the Strand" was popular with British soldiers in the First World War, alongside other music hall favourites such as "It's a Long Way to Tipperary" and Charles Whittle's "We All Go The Same Way Home". [10] The men of a London battalion are recorded as having sung it when up to their knees in mud near Ypres in 1917. [3]

The ten-note theme from the chorus was used by Ralph Vaughan Williams in the first movement of A London Symphony.

The song was a music hall hit for Charles Whittle, [11] and for Harry Fay in 1910. [12] It gave Whittle his first major success and became one of his most popular songs, though in later life he grew to hate the song as it was requested so often. [13] [14] John Betjeman used the title of the song for a television documentary made for Associated-Rediffusion in 1967. [15] The same year, Margaret Williams used it for a stage comedy. [16] The English rock band Blur recorded a cover of "Let's All Go Down the Strand" that was released as the B-side of one format of their 1993 EP "Sunday Sunday". [17]

Related Research Articles

<span class="mw-page-title-main">Music hall</span> Type of British theatrical entertainment popular between 1850 and 1960

Music hall is a type of British theatrical entertainment that was most popular from the early Victorian era, beginning around 1850, through the Great War. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous music hall entertainment and subsequent, more respectable variety entertainment differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.

<span class="mw-page-title-main">Strand, London</span> Major thoroughfare in the City of Westminster, London, England

The Strand is a major street in the City of Westminster, Central London. The street, which is part of London's West End theatreland, runs just over 34 mile (1.2 km) from Trafalgar Square eastwards to Temple Bar, where it becomes Fleet Street in the City of London, and is part of the A4, a main road running west from inner London.

<span class="mw-page-title-main">Refrain</span> Repeated lines in music or poetry

A refrain is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina.

<span class="mw-page-title-main">It's a Long Way to Tipperary</span> Irish music hall song adopted as a marching song

"It's a Long Way to Tipperary" is an English music hall song first performed in 1912 by Jack Judge, and written by Judge and Harry Williams, though authorship of the song has long been disputed.

<span class="mw-page-title-main">Thirty-two-bar form</span> Song structure

The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.

"For He's a Jolly Good Fellow" is a popular song that is sung to congratulate a person on a significant event, such as a promotion, a birthday, a wedding, a retirement, a wedding anniversary, the birth of a child, or the winning of a championship sporting event. The melody originates from the French song "Malbrough s'en va-t-en guerre".

<span class="mw-page-title-main">Far Above Cayuga's Waters</span> Cornell University alma mater

"Far Above Cayuga's Waters" is Cornell University's alma mater. The lyrics were written circa 1870 by roommates Archibald Croswell Weeks, and Wilmot Moses Smith, and set to the tune of "Annie Lisle", a popular 1857 ballad by H. S. Thompson about a heroine dying of tuberculosis.

<span class="mw-page-title-main">Fixing a Hole</span> 1967 song by the Beatles

"Fixing a Hole" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by Paul McCartney and credited to Lennon–McCartney.

"Sussex by the Sea" is a song written in 1907 by William Ward-Higgs, often considered to be the unofficial county anthem of Sussex. It became well known throughout Sussex and is regularly sung at celebrations throughout the county. It can be heard during many sporting events in the county, during the Sussex bonfire celebrations and it is played by marching bands and Morris dancers across Sussex. It is the adopted song of Brighton & Hove Albion Football Club, Sussex Division Royal Naval Reserve, Sussex Association of Naval Officers and Sussex County Cricket Club.

<span class="mw-page-title-main">Lily of Laguna</span>

"Lily of Laguna" is a British coon song written in eye dialect. It was written in 1896 by English composer Leslie Stuart. It was a music hall favourite, performed notably by blackface performers such as Eugene Stratton and G. H. Elliott. In the early 1940s Ted Fio Rito wrote the tune of a new verse and Paul Francis Webster wrote fresh lyrics and it was stripped of its overtly racist lyrics to become a pure love song which continued to be popular into the 1950s.

"Go Tell It on the Mountain" is an African-American spiritual song and Christmas carol which was likely derived from the oral tradition, but was originally published by John Wesley Work Jr., although there is some debate over whether he was actually the first to write it. It has been sung and recorded by many gospel and secular performers.

<span class="mw-page-title-main">Ta-ra-ra Boom-de-ay</span> Vaudeville song popularised by Lottie Collins

"Ta-ra-ra Boom-de-ay" is a vaudeville and music hall song first performed by the 1880s. It was included in Henry J. Sayers' 1891 revue Tuxedo in Boston, Massachusetts. The song became widely known in the 1892 version sung by Lottie Collins in London music halls, and also became popular in France.

"Burlington Bertie" is a music hall song composed by Harry B. Norris in 1900 and notably sung by Vesta Tilley. It concerns an aristocratic young idler who pursues a life of leisure in the West End of London. Burlington is an upmarket London shopping arcade associated with luxury goods.

Music hall songs were sung in the music halls by a variety of artistes. Most of them were comic in nature. There are a very large number of music hall songs, and most of them have been forgotten. In London, between 1900 and 1910, a single publishing company, Francis, Day and Hunter, published between forty and fifty songs a month.

<span class="mw-page-title-main">Keep the Home Fires Burning (Ivor Novello song)</span> Song

"Keep the Home-Fires Burning " is a British patriotic First World War song composed in 1914 by Ivor Novello with words by Lena Guilbert Ford.

<span class="mw-page-title-main">Nellie Dean</span> Song

"(You're My Heart's Desire, I Love You) Nellie Dean" is a sentimental ballad in common time by Henry W. Armstrong, published in 1905 by M. Witmark & Sons of New York City. The original sheet music is scored in B-flat major for voice and piano and marked andante moderato.

<span class="mw-page-title-main">Wot Cher! Knocked 'em in the Old Kent Road</span>

"Wot Cher! Knocked 'em in the Old Kent Road" is a British music hall comedy song written in 1891 by the actor and singer Albert Chevalier. The score was by his brother and manager Charles Ingle. Chevalier developed a stage persona as the archetypal Cockney and was a celebrated variety artist, with the nickname of "The Singing Costermonger". When first performed it was known simply as "Wot Cher!" The song describes the sudden endowment of apparent wealth on a poor family.

<span class="mw-page-title-main">The Sunshine of Your Smile</span>

"The Sunshine of Your Smile" is a British popular song published in London in 1913 just before the First World War by Francis, Day and Hunter. The lyrics were by Leonard Cooke and the music by Lilian Ray. It became a top ten hit on the UK Singles Chart in 1980, sung by Mike Berry.

Henry Castling was an English lyricist of music hall songs.

Charles Richard Whittle was an English music hall singer and one of the last lions comiques.

References

  1. Bailey, Peter (2017). "Review of Murder, Mayhem and Music Hall: The Dark Side of Victorian London". Victorian Studies. 59 (2): 361. doi:10.2979/victorianstudies.59.2.25. ISSN   0042-5222. JSTOR   10.2979/victorianstudies.59.2.25.
  2. 1 2 Martin, Andrew (26 April 2012). Underground, Overground: A Passenger's History of the Tube. Profile Books. p. 82. ISBN   978-1-84765-807-4.
  3. 1 2 3 4 5 6 7 Pegler, Martin (20 August 2014). Soldiers' Songs and Slang of the Great War. Bloomsbury Publishing. p. 92. ISBN   978-1-4728-0929-2.
  4. Baker, Richard Anthony (2014). British Music Hall: An Illustrated History. Barnsley: Pen & Sword. p. 152. ISBN   978-1-78383-118-0.
  5. "Ernest Shackleton". Britannica. Retrieved 20 December 2021.
  6. Thurlow, Clifford (1995). The Amazingly Simple Banana Diet. Maximilian Thurlow. p. 26. ISBN   978-1-899830-00-8.
  7. Moran, Joe (12 June 2006). "A significant fruit". New Statesman (page 22).
  8. Partridge, Eric (2006). The New Partridge Dictionary of Slang and Unconventional English: A-I. Taylor & Francis. p. 856. ISBN   978-0-415-25937-8.
  9. Seaman, L. C. B. (November 2002). Victorian England: Aspects of English and Imperial History 1837-1901. Routledge. p. 417. ISBN   978-1-134-94791-1.
  10. Errington, Philip W. (26 March 2008). John Masefield's Great War: Collected Works. Casemate Publishers. p. 203. ISBN   978-1-78340-905-1.
  11. Mander, Raymond; Mitchenson, Joe (1965). British Music Hall: A story in pictures. London: Studio Vista. p. 129.
  12. Heffer, Simon (21 September 2017). The Age of Decadence: Britain 1880 to 1914. Random House. p. 243. ISBN   978-1-4735-0758-6.
  13. Krishnamurthy, Aruna (14 December 2016). The Working-Class Intellectual in Eighteenth- and Nineteenth-Century Britain. Routledge. p. 289. ISBN   978-1-351-88033-6.
  14. Jolson, Harry (11 January 2013). Mistah Jolson. Read Books Ltd. p. 107. ISBN   978-1-4474-8555-1.
  15. "Betjeman's London: Let's All Go Down the Strand". BFI . Archived from the original on 16 January 2009. Retrieved 18 December 2008.
  16. Williams, Margaret (1967). Let's All Go Down the Strand. London: Evans Plays. ISBN   9780237494858.
  17. Roach, Martin (6 August 2015). Damon Albarn - Blur, Gorillaz and Other Fables. Bonnier Zaffre. p. 83. ISBN   978-1-78418-791-0.