Let's Go, Let's Go, Let's Go

Last updated
"Let's Go, Let's Go, Let's Go"
Single by Hank Ballard and The Midnighters
Released 1960
Genre R&B, pop
Label King
Songwriter(s) Hank Ballard [1]
Hank Ballard and The Midnighters singles chronology
"Finger Poppin' Time"
(1960)
"Let's Go, Let's Go, Let's Go"
(1960)
"The Hoochi Coochi Coo"
(1960)

"Let's Go, Let's Go, Let's Go" (also known as "There's a Thrill on The Hill") is a 1960 pop and R&B single written by Hank Ballard and performed by Hank Ballard and The Midnighters.

Contents

Chart performance

The single was the last of the Midnighters' three number one singles on the US Billboard R&B chart, staying there for three non-consecutive weeks. "Let's Go, Let's Go, Let's Go" is also Ballard & the Midnighters' most successful pop single, peaking at number six on the Billboard Hot 100. [2] The record sold in excess of one million copies. [3]

See also

Related Research Articles

<span class="mw-page-title-main">The Supremes</span> American Motown female singing group

The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal band, with 12 number-one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African-American R&B and soul musicians to find mainstream success. Billboard ranked the Supremes as the 16th greatest Hot 100 artist of all time.

<span class="mw-page-title-main">Hank Ballard</span> American singer and songwriter (1927–2003)

Hank Ballard was an American singer and songwriter, the lead vocalist of the Midnighters and one of the first rock and roll artists to emerge in the early 1950s. He played an integral part in the development of the genre, releasing the hit singles "Work with Me, Annie" and answer songs "Annie Had a Baby" and "Annie's Aunt Fannie" with his Midnighters. He later wrote and originally recorded "The Twist" which was notably covered a year later by Chubby Checker, this second version spreading the popularity of the dance. He was inducted into the Rock and Roll Hall of Fame in 1990.

"The Wallflower" is a 1955 song by Etta James. It was one of several answer songs to "Work with Me, Annie" and has the same 12-bar blues form.

<span class="mw-page-title-main">Stuck on You (Elvis Presley song)</span> 1960 single by Elvis Presley

"Stuck on You" was Elvis Presley's first hit single after his two-year stint in the US Army, reaching number one in 1960 in the US.

"The Twist" is an American pop song written and originally released in 1958 by Hank Ballard and the Midnighters as a B-side to "Teardrops on Your Letter". It was inspired by the twist dance craze. Ballard's version was a moderate hit, peaking at number 28 on the Billboard Hot 100 in 1960. On the US Billboard Hot R&B Sides chart, the original version of "The Twist" first peaked at number 16 in 1959 and at number six in 1960. By 1962, the record sold in excess of one million copies, becoming Ballard's fourth million seller.

<span class="mw-page-title-main">Walk On By</span> 1964 single by Dionne Warwick

"Walk On By" is a song written by Burt Bacharach and Hal David for singer Dionne Warwick in 1963. The song peaked at number 6 on the US Billboard Hot 100 and number 1 on the Cash Box Rhythm and Blues Chart In June 1964 and was nominated for a 1965 Grammy Award for the Best Rhythm and Blues Recording.

<span class="mw-page-title-main">Let It Be Me (The Everly Brothers song)</span> 1955 single by Gilbert Bécaud and Everly Brothers

"Let It Be Me" is a popular song originally published in French in 1955 as "Je t'appartiens" interpreted by Gilbert Bécaud. It became popular worldwide with an English version by the Everly Brothers and later with the duet by Betty Everett and Jerry Butler.

William Myles Nobles, known as Billy Myles, was an American R&B songwriter and singer active in the 1950s and 1960s. He is best known for writing "Tonight, Tonight" recorded by The Mello-Kings, "(You Were Made for) All My Love" recorded by Jackie Wilson (1960), and "Have You Ever Loved A Woman" recorded by Freddie King (1960), then Eric Clapton (1970).

<span class="mw-page-title-main">The Midnighters</span> American vocal group

The Midnighters were an American vocal group from Detroit, Michigan. They were an influential group in the 1950s and early 1960s, with many R&B hit records. They were also notable for launching the career of lead singer Hank Ballard and the worldwide dance craze the Twist. Between 1953 and 1962 the Midnighters had several hits on the U.S. pop and R&B charts. Their hits included the million-selling Billboard Top 10 pop hits "Finger Poppin' Time", and "Let's Go, Let's Go, Let's Go". The Midnighters also had 13 top 10 R&B hits, including three that reached number 1. Their top 10 R&B hits included "Work with Me, Annie", "It's Love Baby ", "Annie Had a Baby", "The Hoochi Coochi Coo", "Teardrops on Your Letter", "Get It", "The Float" and "Nothing but Good". They received the Rhythm and Blues Foundation's prestigious Pioneer Award in 1992 and were inducted into the Vocal Group Hall of Fame in 1999. The Midnighters are also noted for achieving a music industry milestone in 1960, by becoming the first group in history to place 3 singles in the Billboard Hot 100 at the same time. The group's lead singer, Hank Ballard, was inducted into the Rock and Roll Hall of Fame in 1990. The Midnighters as a group were inducted into the Rock and Roll Hall of Fame on April 14, 2012.

"He'll Have to Go" is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a hit in both genres early in 1960.

<span class="mw-page-title-main">Good Timin' (Jimmy Jones song)</span> 1960 single by Jimmy Jones

"Good Timin'" was a number-one single in the UK Singles Chart during 1960, written by Fred Tobias and Clint Ballard Jr., and performed by Jimmy Jones. In the U.S., the follow-up to "Handy Man" went to number three on Billboard Hot 100 chart and number eight on the R&B chart. The song extrapolates the historical encounters between David and Goliath and between Columbus and Isabella as reason enough for a boy to meet a girl.

"Am I That Easy to Forget" is a popular song written by country music singer Country Johnny Mathis who later sold the publishing rights to W.S. Stevenson and published in 1958. Belew recorded his song in Nashville on December 17, 1958, and released the single in March 1959, when it reached number nine on the U.S. country music chart. Other country music artists who have recorded cover versions of the song include Skeeter Davis, Ernest Tubb (1960), Jerry Wallace (1962), Gene Vincent (1966), George Jones (1967), Patti Page (1968), Ann-Margret & Lee Hazlewood (1969), Jim Reeves and Prairie Oyster (1991).

"Operator" is a 1984 R&B/electronic dance song by Midnight Star, produced by then-current bandmember Reggie Calloway, released as a single from their album, Planetary Invasion.

"Are You Lonely for Me", written and produced by Bert Berns, is a song first recorded by Freddie Scott.

"Doggin' Around" is a 1960 Rhythm and blues song written by Lena Agree and originally performed by Jackie Wilson. Reaching both the R&B and the pop singles charts in the U.S., "Doggin' Around" hit number one on the Hot R&B Sides chart for three weeks and peaked at number fifteen on the Billboard Hot 100. The A-side of the single was "Night", based on the aria "My Heart at Thy Sweet Voice" from the opera Samson and Delilah, by Saint-Saëns; it made the top five on the R&B and pop charts.

"I Don't Hurt Anymore" is a 1954 song by Hank Snow. It was written by Don Robertson and Jack Rollins.

<span class="mw-page-title-main">Henry Glover</span> American songwriter, arranger, record producer and trumpet player

Henry Bernard Glover was an American songwriter, arranger, record producer and trumpet player. In the music industry of the time, Glover was one of the most successful and influential black executives. He gained eminence in the late 1940s, primarily working for the independent King label. His duties included operating as a producer, arranger, songwriter, engineer, trumpet player, talent scout, A&R man, studio constructor, while later in his career he became the owner of his own label. Glover worked with country, blues, R&B, pop, rock, and jazz musicians, and he helped King Records to become one of the largest independent labels of its time. Thanks to the efforts of family, friends and fans, Glover's hometown of Hot Springs, Arkansas celebrated the 100th anniversary of his birth in 2021 by inducting him into the downtown "Walk of Fame," the Mayor's "Proclamation," "Key to the City," and named a parklet "Henry Glover Way," along Black Broadway after him. In 2018, Glover was recognized with a Lifetime Achievement Award by the King Records 75th Anniversary. In 2013, he was inducted into the Blues Hall of Fame.

<span class="mw-page-title-main">Where Did Our Love Go</span> 1964 song by the Supremes

"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.

J. C. Davis, known as Billy Davis, is an American rock and blues guitarist, singer, and songwriter, and Rock & Roll Hall of Fame inductee, who is best known for his work with Hank Ballard & The Midnighters.

"Finger Poppin' Time" is a song written by Hank Ballard and performed by Hank Ballard & The Midnighters. It reached nmuber two on the US Billboard R&B chart and number seven on the pop chart in 1960. It was featured on their 1960 album Mr. Rhythm and Blues. Ballard re-released a version of the song in 1972 as a single, but it did not chart.

References

  1. "Hank Ballard And The Midnighters* – Let's Go, Let's Go, Let's Go / If You'd Forgive Me". Discogs.com. 1960. Retrieved June 8, 2021.
  2. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 44.
  3. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 121. ISBN   0-214-20512-6.