Let the Light Shine Down | ||||
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Compilation album by | ||||
Released | 1991 | |||
Recorded | 1991 | |||
Genre | Bluegrass Progressive bluegrass | |||
Length | 33:58 | |||
Label | Rebel Records | |||
Producer | Country Gentlemen | |||
Country Gentlemen chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Let the Light Shine Down is a compilation album by the progressive bluegrass band Country Gentlemen released in 1991. It contains songs from recordings from 1962 to 1976. [2]
Act I is the debut studio album by the American progressive bluegrass band the Seldom Scene, released in 1972. It is regarded one of the best and most influential albums ever recorded in the genre.
Act Two is the second album by the progressive bluegrass band The Seldom Scene. The band continues to benefit from all their trademarks: John Starling folkie lead vocals blend with high tenors of John Duffey, completed with Mike Auldridge's third vocals and Dobro solos, plus all that strengthened by Tom Gray's solid bass playing, not to forget Ben Eldridge's banjo and John Duffey's mandolin fancy licks.
Act III is the third album by the progressive bluegrass Maryland band The Seldom Scene. The album features the band in their "classic" lineup. .
Old Train is the fourth album by the progressive bluegrass band The Seldom Scene. The album offers the group in their original lineup and features their trademark songs "Wait a Minute", "Old Train" and "C & O Canal". The record is a mixture of progressive, traditional bluegrass and folk material and also features guest musicians as Ricky Skaggs on violin or Linda Ronstadt on vocals. .
Live at The Cellar Door is a live album by the progressive bluegrass Maryland band The Seldom Scene. The Washington Post called it "not only a landmark for the progressive bluegrass scene that originated here in Washington, but may be the band's finest representation on disc."
Baptizing is an album by the progressive bluegrass Maryland band The Seldom Scene. It is marked as a last album for John Starling and arrival of new singer/guitarist Phil Rosenthal. It is also The Seldom Scene's last album recorded under Rebel Records, before switching to Sugar Hill Records .
Act Four is an album by the progressive bluegrass Maryland band The Seldom Scene, the first record under Sugar Hill Records and with a new lead singer/guitarist, Phil Rosenthal. He replaced John Starling, who left to concentrate on his career.
Like We Used to Be is an album by the progressive bluegrass Maryland band The Seldom Scene It's a group reunion with their original singer/guitarist, John Starling. He recorded only this album and decided to continue concentrating on his career as ear, nose & throat physician.
Dream Scene is an album by the progressive bluegrass Maryland band The Seldom Scene. There were several personnel changes in the group after the unsuccessful comeback with John Starling. Mike Auldridge, Moondi Klein, and T. Michael Coleman left the group to form progressive band Chesapeake. Duffey and Eldridge recruited guitarist/singer Dudley Connell, dobroist Fred Travers and bass player Ronnie Simpkins to continue with the group. This album would be the last for John Duffey who died late in 1996.
Different Roads is a compilation album by the progressive bluegrass Maryland band The Seldom Scene, containing songs from the group's oldest period - 1973 to 1976.
Folk Songs & Bluegrass is the second studio album by the progressive bluegrass band The Country Gentlemen, recorded in 1961 and reissued in 1988. Considered one of the best and classical records by the group, it features their 1st classic lineup with Charlie Waller, John Duffey, Tom Gray and Eddie Adcock.
On the Road is a live album by the bluegrass band Country Gentlemen, recorded in 1963. It continues to offer some of the best collection of songs by the first classic lineup of the group. The album originally contained 13 songs, selection from 2 concerts in 1962 and 1963. In 2001, Smithsonian Folkways re-released the album as a CD with 6 bonus tracks, recorded at Carnegie Hall on September 16, 1961.The album offers blend of folk and bluegrass music, while expanding compositions of Bill Monroe, Ralph Stanley as well as traditional songs to the more progressive bluegrass sound.
Folk Session Inside is an album by the bluegrass band Country Gentlemen, recorded in 1963. This album proved to be the last for bassist Tom Gray.
Live In Japan is a live album by the progressive bluegrass band Country Gentlemen, recorded in 1970 during their concert in Japan.
Early Rebel Recordings: 1962–1971 is a compilation album by the progressive bluegrass band Country Gentlemen. A collection of 110 songs, 5 of them previously unreleased, divided on 4 CD's, the album includes various lineups of the early Country Gentlemen. It includes the first and second classic lineup, while adding Dobro of Mike Auldridge or second guitar by Pete Kuykendall.
Nashville Jail is an album by the progressive bluegrass band Country Gentlemen — their first classic lineup (Waller-Duffey-Adcock-Gray). Recorded in 1964 when the band was with Mercury Records, the album was not released until 1990 by Copper Creek Records.
High Lonesome is a compilation album by the progressive bluegrass band Country Gentlemen. It's a collection of all recordings for the group's first label, Starday Records.
Yesterday & Today Volume 1 is a compilation album by the progressive bluegrass band Country Gentlemen.
The Country Gentlemen featuring Ricky Skaggs is a compilation album by the progressive bluegrass band Country Gentlemen.
The Best of the Early Country Gentlemen is a compilation album by the progressive bluegrass band Country Gentlemen.