Plot
An artificial radio signal from Barnard's Star listing prime numbers (although the term "prime" is never used in the story) is received at the Mesa Radio Astronomy Observatory. One of the radio-astronomers is a Russian spy and tries to inform his superiors; however he is uncovered by his fellows and subsequently killed. The CIA hires James Bludd, a prominent astrophysicist, to try to understand what is going on.
Several plotlines follow and intertwine, most of them centering on personal greed. News of the extraterrestrial message leaks to the outside world, with different consequences. A bum and a waitress build a cult, calling themselves the Star People, which seeks to find a new home on the Barnard's planet. Multinational, a corporation, decides to invest money into the cult, in order to have an easy to manipulate spaceship crew ready to take possession of the inhabited planet on behalf of the company. A dying biologist, Dr.Crowben, decides to push on the creation of plant-human hybrids biologically suited to the planet environment, which also falls within the scope of Multinational's plan.
Meanwhile, the two surviving astrophysicists have been abducted by the KGB, and Bludd learns that Russians plan to answer to the signal using neutrinos. The international situation further complicates when a small fictional African state, Sidiami, burdened by debts with other countries, decides to "secede from planet Earth" and declares itself a colony of the planet around Barnard. The "Star People" decide to relocate in Sidiami, and the Multinational starts plans to launch a probe towards the Barnard's planet from there. James Bludd finds himself implicated in the ongoing struggle between the USA, the Multinational and the "Star People" to get advantage of the situation. [1]
At the end, the space probe is launched towards the Barnard's planet. Bludd, convinced that humankind is not ready for contact with aliens, has sabotaged it and after a while makes it explode with the aid of a remote control. When later, in the observatory, a new possible artificial extraterrestrial signal is received from space, Bludd destroys all evidence of it with a smile.
William Erwin Eisner was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book A Contract with God. He was an early contributor to formal comics studies with his book Comics and Sequential Art (1985). The Eisner Award was named in his honor and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.
Flash Gordon is the protagonist of a space adventure comic strip created and originally drawn by Alex Raymond. First published January 7, 1934, the strip was inspired by, and created to compete with, the already established Buck Rogers adventure strip.
Scott McCloud is an American cartoonist and comics theorist. He is best known for his non-fiction books about comics: Understanding Comics (1993), Reinventing Comics (2000), and Making Comics (2006), all of which also use the medium of comics.
Understanding Comics: The Invisible Art is a 1993 non-fiction work of comics by American cartoonist Scott McCloud. It explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used. It expounds theoretical ideas about comics as an art form and medium of communication, and is itself written in comic book form.
Publication of comic strips and comic books focusing on science fiction became increasingly common during the early 1930s in newspapers published in the United States. They have since spread to many countries around the world.
The Spirit is a fictional masked crimefighter appearing in American comic books. Created by cartoonist Will Eisner, he first appeared as the main feature of a tabloid-sized comic book insert distributed in the Sunday edition of Register and Tribune Syndicate newspapers. Popularly referred to as "The Spirit Section", the insert ran from June 2, 1940 to October 5, 1952.
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A Contract with God and Other Tenement Stories is a graphic novel by American cartoonist Will Eisner published in 1978. The book's short story cycle revolves around poor Jewish characters who live in a tenement in New York City. Eisner produced two sequels set in the same tenement: A Life Force in 1988, and Dropsie Avenue in 1995. Though the term "graphic novel" did not originate with Eisner, the book is credited with popularizing its use.
Trina Robbins was an American cartoonist. She was an early participant in the underground comix movement, and one of the first women in the movement. She co-produced the 1970 underground comic It Ain't Me, Babe, which was the first comic book entirely created by women. She co-founded the Wimmen's Comix collective, wrote for Wonder Woman, and produced adaptations of Dope and The Silver Metal Lover. She was inducted into the Will Eisner Hall of Fame in 2013 and received Eisner Awards in 2017 and 2021.
Fiction House was an American publisher of pulp magazines and comic books that existed from the 1920s to the 1950s. It was founded by John B. "Jack" Kelly and John W. Glenister. By the late 1930s, the publisher was Thurman T. Scott. Its comics division was best known for its pinup-style good girl art, as epitomized by the company's most popular character, Sheena, Queen of the Jungle.
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Comics has developed specialized terminology. Several attempts have been made to formalize and define the terminology of comics by authors such as Will Eisner, Scott McCloud, R. C. Harvey and Dylan Horrocks. Much of the terminology in English is under dispute, so this page will list and describe the most common terms used in comics.
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Death Rattle was an American black-and-white horror anthology comic book series published in three volumes by Kitchen Sink Press in the 1970s, 1980s, and 1990s. Death Rattle is not related to the Australian one-shot comic Death Rattle, published by Gredown in c. 1983.
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