PS, The Preventive Maintenance Monthly

Last updated
PS: The Preventive Maintenance Monthly
PSJune1951.jpg
Premiere issue of PS (June 1951). Art by Will Eisner.
Categories preventive maintenance
Frequencymonthly
Publisher Department of the Army
First issueJune 1951
CountryUnited States
Based in Redstone Arsenal, Alabama
Website www.psmagazine.army.mil
ISSN 0475-2953

PS: The Preventive Maintenance Monthly is a series of United States Army technical bulletins published since June 1951 as a monthly magazine with comic book-style art to illustrate proper preventive maintenance methods. The magazine's title derives from its being a "postscript" to technical manuals and other published maintenance guidance. [1]

Contents

Origin – Army Motors magazine

The Army had experienced some degree of acceptance and success during the Second World War with the instructional publication Army Motors, for which Corporal Will Eisner, an established comic-book writer-artist-editor, had been appropriated to draw such characters as Beetle Bailey-like Private Joe Dope, [2] Lauren Bacall look-alike and "by the book" Corporal Connie Rodd, and Master Sergeant Half-Mast McCanick. [3] Eisner left the Army as a chief warrant officer to start American Visuals Corporation, a contract graphic art company. In response to a sudden need for maintenance instruction at the start of the Korean War, the Army contracted American Visuals Corporation to create instructional material, similar to Eisner's work on Army Motors for the Army Ordnance Corps's new publication, PS, The Preventive Maintenance Monthly, that replaced Army Motors in 1951. [4] [5]

In 1968 and 1969, Eisner illustrated The M16A1 Rifle (DA PAM 750-30) as a standalone issue of PS specifically to address issues related to the then-new M16 rifle as it was fielded in Vietnam. Front cover - the M16A1 Rifle - Operation and Preventive Maintenance (art by Will Eisner).jpg
In 1968 and 1969, Eisner illustrated The M16A1 Rifle (DA PAM 750-30) as a standalone issue of PS specifically to address issues related to the then-new M16 rifle as it was fielded in Vietnam.

Production of PS

A typical PS illustration publicizing new information: M1 tank crewmen may now mount a roadwheel atop their anthropomorphic tank's turret, due to the availability of a new type of mounting assembly M1-cartoon-PS.png
A typical PS illustration publicizing new information: M1 tank crewmen may now mount a roadwheel atop their anthropomorphic tank's turret, due to the availability of a new type of mounting assembly

Eisner was the publication's artistic director from its inception through the end of 1971. The magazine's artists have included Eisner, Murphy Anderson, Joe Kubert, Dan Spiegle, Scott Madsen, Malane Newman, Alfredo Alcala, and Mike Ploog. [8] The magazine from its inception has been, written, researched and edited by Department of the Army civilians.[ citation needed ]

The magazine is published in digest size with 2-color spots and a four-color cover and continuity. The continuity consists of a short story told through the use of a series of panels like any comic book, often with a theme borrowed from popular fiction. [9] The home office of PS was located at Aberdeen Proving Ground, Maryland, from April 1951 until January 1955, when it was moved to Raritan Arsenal, New Jersey. It was moved again in October 1962 to Fort Knox, Kentucky. It remained there until July 1973, when it moved to the Lexington-Blue Grass Army Depot in Kentucky. In June 1993, it moved to Redstone Arsenal, Alabama. Paper production ended with the June 2017 issue; it is now in APP format only.

Department of the Army pamphlets 750-30 (about the M16 rifle) and 750-31 (about the Gama Goat) as well as numerous posters including 750-78 (about the role of enlisted leadership in preventative maintenance) were also produced in the style of PS, in some cases utilizing the same characters. [10]

Character Connie Rodd on cover of PS issue 115, 1962 PS Magazine Cover page (16834901182).jpg
Character Connie Rodd on cover of PS issue 115, 1962

Characters

Master Sergeant Half-Mast and Connie Rodd (now a civilian) as well as Privates Dope and Fosgnoff were brought by Eisner from Army Motors. Dope and Fosgnoff served as cautionary tales while Half-Mast provided direct technical guidance. Following Army complaints about screw-ups Dope and Fosgnoff, both characters were permanently removed in 1955. [11] As other combat support and combat service support elements joined the magazine, new characters were added to represent branch-specific issues: Bull Dozer for the engineers in 1954, Percy the Skunk for the Chemical Corps in 1960, Windy Windsock (and later Benjamin "Rotor" Blade) for aviation in 1962, and Macon Sparks for the signal corps in 1977. To better serve a diversifying demographic in the military audience, in 1970 an African-American civilian woman, Bonnie, was added. [12] A Hispanic quartermaster sergeant, Pablo Hablo, was introduced in 1993 but was removed only five years later after being perceived as a racial stereotype. In 2001, On-Line Warrior was added to the PS line-up to communicate information about online resources. [13]

From the 1950s to the 1970s, Connie and Bonnie were played up as "cheesecake" targeted at the mostly male GIs to help interest them in using PS. Following an increased presence of women in the Army and at the urging of Congresswoman Bella Abzug as well as Senators William Proxmire and Orrin Hatch, the magazine updated Connie and Bonnie in March 1980 to a more modest and professional form. [14]

Sherry Steward has opined that the anthropomorphism of military equipment in the magazine helps the military audience "build serious relationships with technology... personified equipment often reflects emotions of anger, sadness, fear, and happiness to appeal to the reader's sense of responsibility." [15] Through facial expressions, body language and dialogue, the anthropomorphized equipment reacts soldiers' activity, establishing empathy among those charged with maintenance of the Army's equipment. [16]

Citations

  1. "PS Magazine: 50 years of PM" (PDF). PS, the Preventative Maintenance Monthly (pdf) (583): 5. Archived (PDF) from the original on 2023-10-23. Retrieved 2023-10-23.
  2. Mitchell, Kurt; Thomas, Roy (2019). American Comic Book Chronicles: 1940-1944. TwoMorrows Publishing. p. 134. ISBN   978-1605490892.
  3. Steward 2004, p. 34.
  4. Andree, Dan (1 June 2001). "PS Happy birthday" . Soldiers. Retrieved 16 July 2013 via HighBeam.[ dead link ]
  5. Graham 2011, pp. 17–18.
  6. United States Department of the Army; Robert A. Sadowski (2013). The M16A1 Rifle: Operation and Preventive Maintenance. Skyhorse Publishing. ISBN   9781616088644. Archived from the original on 25 October 2023. Retrieved 13 July 2014.
  7. Mertes, Micah (5 November 2011). "UNL professor's new book explores the weird world of government comics". Lincoln Journal Star . Archived from the original on 13 November 2014. Retrieved 13 July 2014.
  8. Cooke, Jon B. (2000). "The Man Called Ploog". Comic Book Artist Collection. Vol. 1. TwoMorrows Publishing. p. 156. ISBN   9781893905030.
  9. Steward 2004, p. 54.
  10. Graham 2011, pp. 75, 76, 80–81.
  11. Steward 2004, p. 56.
  12. Charles Kochman, ed. (March 2012). P.S. Magazine: the best of the preventative maintenance monthly . Abrams ComicArts. pp.  15–17. ISBN   9780810997486.
  13. Fitzgerald, Paul E. (2009). Will Eisner and PS Magazine. FitzWorld.us. pp. 80–88. ISBN   9780615278087.
  14. Steward 2004, p. 88.
  15. Steward 2004, pp. 55–56.
  16. Steward 2004, pp. 89–91.

Related Research Articles

<span class="mw-page-title-main">Will Eisner</span> American cartoonist

William Erwin Eisner was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book A Contract with God. He was an early contributor to formal comics studies with his book Comics and Sequential Art (1985). The Eisner Award was named in his honor and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.

<span class="mw-page-title-main">Jack Cole (artist)</span> American cartoonist

Jack Ralph Cole was an American cartoonist best known for birthing the comedic superhero Plastic Man, and his cartoons for Playboy magazine.

<span class="mw-page-title-main">Quality Comics</span> 1937–1956 American comic book publisher

Quality Comics was an American comic book publishing company which operated from 1937 to 1956 and was a creative, influential force in what historians and fans call the Golden Age of Comic Books.

Preventive maintenance checks and services (PMCS) in the United States Army or preventive maintenance inspections (PMI) in the United States Air Force are the checks, services, and maintenance performed before, during, and after any type of movement or before the use of all types of military equipment.

<span class="mw-page-title-main">Spirit (comics character)</span> Fictional character

The Spirit is a fictional masked crimefighter created by cartoonist Will Eisner. He first appeared June 2, 1940, as the main feature of a 16-page, tabloid-sized, newsprint comic book insert distributed in the Sunday edition of Register and Tribune Syndicate newspapers; it was ultimately carried by 20 Sunday newspapers, with a combined circulation of five million copies during the 1940s. "The Spirit Section", as the insert was popularly known, continued until October 5, 1952. It generally included two other four-page strips, plus filler material. Eisner, the overall editor, wrote and drew most Spirit entries, with the uncredited assistance of his studio of assistants and collaborators, though with Eisner's singular vision a unifying factor.

<span class="mw-page-title-main">Simon Bisley</span> British comic book artist

Simon Bisley is a British comic book artist best known for his 1990s work on ABC Warriors, Lobo and Sláine.

<span class="mw-page-title-main">Joe Kubert</span> American comic book artist

Joseph Kubert was a Polish-born American comic book artist, art teacher, and founder of The Kubert School. He is best known for his work on the DC Comics characters Sgt. Rock and Hawkman. He is also known for working on his own creations, such as Tor, Son of Sinbad, and the Viking Prince, and, with writer Robin Moore, the comic strip Tales of the Green Beret. Two of Kubert's sons, Andy Kubert and Adam Kubert, themselves became recognized comic book artists, as did Andy's daughter Emma Kubert and many of Kubert's former students, including Stephen R. Bissette, Amanda Conner, Rick Veitch, Eric Shanower, Steve Lieber, and Scott Kolins. Kubert's other grand-daughter, Katie Kubert, became an editor for both DC and Marvel Comics.

<span class="mw-page-title-main">Zeke Zekley</span> American cartoonist

Emil Samuel Zekley, better known as Zeke Zekley, was an American cartoonist who worked on several comic strips, notably George McManus's Bringing Up Father.

<span class="mw-page-title-main">Murphy Anderson</span> American comics artist

Murphy C. Anderson Jr. was an American comics artist, known as one of the premier inkers of his era, who worked for companies such as DC Comics for over fifty years, starting in the Golden Age of Comic Books in the 1940s. He worked on such characters as Hawkman, Batgirl, Zatanna, the Spectre, and Superman, as well as on the Buck Rogers daily syndicated newspaper comic strip. Anderson also contributed for many years to PS, the preventive maintenance comics magazine of the U.S. Army.

Michael G. Ploog is an American storyboard and comic book artist, and a visual designer for films.

<span class="mw-page-title-main">Maggie Thompson</span> American editor and columnist

Maggie Thompson, is an American longtime editor of the now-defunct comic book industry news magazine Comics Buyer's Guide, science fiction fan, and collector of comics.

<span class="mw-page-title-main">Don Perlin</span> American comic book artist, writer, and editor

Don Perlin is an American comic book artist, writer, and editor. He is best known for Marvel Comics' Werewolf by Night, Moon Knight, The Defenders, and Ghost Rider. In the 1990s, he worked for Valiant Comics, both as artist and editor, where he co-created Bloodshot.

Bob Powell was an American comic book artist known for his work during the 1930–1940s Golden Age of comic books, including on the features "Sheena, Queen of the Jungle" and "Mr. Mystic". He received a belated credit in 1999 for co-writing the debut of the popular feature "Blackhawk". Powell also did the pencil art for the bubble gum trading card series Mars Attacks. He officially changed his name to S. Robert Powell in 1943.

<span class="mw-page-title-main">War comics</span>

War comics is a genre of comic books that gained popularity in English-speaking countries following World War II.

<span class="mw-page-title-main">Frank Chiaramonte</span> American comic book artist

Francisco Chiaramonte was an American comic book artist best known as an inker for DC Comics and Marvel Comics from 1972 to 1982.

Charles J. "Jerry" Grandenetti was an American comic book artist and advertising art director, best known for his work with writer-artist Will Eisner on the celebrated comics feature "The Spirit", and for his decade-and-a-half run on many DC Comics war series. He also co-created the DC comic book Prez with Joe Simon.

Klaus Nordling was an American writer-artist for American comic books. He is best known for his work on the 1940s masked-crimefighter feature "Lady Luck", and as co-creator of the Marvel Comics superhero the Thin Man. Some of the early Nordling's pen names are Fred Nordley, F. Klaus, Ed Norris, and Clyde North.

Desperado Publishing is an American independent comic book publisher, established in 2004. Located in Norcross, Georgia, Desperado's president is Joe Pruett, its creative director is Stephan Nilson, and its director of business development is former Caliber Press publisher Gary Reed.

<span class="mw-page-title-main">Government comics</span>

Government comics include informational material produced in comic book-format by governments and their affiliated bodies. These works fulfill a wide variety of purposes often seen in government publications, primarily educating the public about government programs or lifestyle choices the government wants to encourage. Richard L. Graham examines and dissects the United States' government comics in Government Issue: Comics for the People, 1940s-2000s.

References