Lightnin' Hopkins | ||||
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Studio album by | ||||
Released | 1959 | |||
Recorded | January 16, 1959 | |||
Studio | 2803 Hadley St., Houston, Texas | |||
Genre | Blues | |||
Length | 30:55 | |||
Label | Folkways FS3822 | |||
Producer | Samuel Charters | |||
Lightnin' Hopkins chronology | ||||
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Lightnin' Hopkins (re-released as The Roots of Lightnin' Hopkins) is an album by blues musician Lightnin' Hopkins, recorded in 1959 and released on the Folkways label. [1] [2] [3] [4] The album was first released around the time that the book The Country Blues came out and was an instant success. It gave Hopkin's career a new lease on life.
Review scores | |
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Source | Rating |
AllMusic | [5] |
The Penguin Guide to Blues Recordings | [6] |
Record Mirror | [7] |
AllMusic reviewer Thom Owens stated: "Upon its initial release, it was a pivotal part of the blues revival and helped re-spark interest in Hopkins. Before it was recorded, the bluesman had disappeared from sight; after a great deal of searching, Sam Charters found Hopkins in a rented one-room apartment in Houston. Persuading Lightnin' with a bottle of gin, Charters convinced Hopkins to record ten songs in that room, using only one microphone. The resulting record was one of the greatest albums in Hopkins' catalog, a skeletal record that is absolutely naked in its loneliness and haunting in its despair. These unvarnished performances arguably capture the essence of Lightnin' Hopkins better than any of his other recordings, and it is certainly one of the landmarks of the late-'50s/early-'60s blues revival". [5] The Penguin Guide to Blues Recordings awarded the album three stars stating "'Exciting' may not be the word everyone would choose to describe this intimate, unplugged performance, but it was greeted on its original release with considerable enthusiasm, a response moulded by interpretation of the blues as folk music, suspicion of electric guitars, and other views current in the '50s and '60s among the sort of people who bought Folkways albums. It remains an estimable record". [6]
The album was released in the UK by Verve Folkways as VLP 5003 (mono) and SVLP 5003 (stereo) in 1965 as The Roots of Lightnin' Hopkins and re-released in 1972 by Transatlantic Records (XTRA 1127). In 1990, it was re-released on CD under the title Lightnin' Hopkins by Smithsonian/Folkways (SF 40019), and distributed by Rounder Records. The CD was produced by Matt Walters, remastered by Doug Sax and Alan Yoshida at The Mastering Lab in Hollywood, California, and printed in Canada. As cover design the original Folkways LP's artwork by Ronald Clyne with a photograph taken by Samuel B. Charters was used. Charters also wrote the sleeve notes for the CD at the Mansfield Centre, Conn. 1990.
All compositions by Sam "Lightnin'" Hopkins except where noted
Samuel John "Lightnin'" Hopkins was an American country blues singer, songwriter, guitarist and occasional pianist from Centerville, Texas. In 2010, Rolling Stone magazine ranked him No. 71 on its list of the 100 greatest guitarists of all time.
Charles Henry Tate, known as Baby Tate was an American Piedmont blues guitarist, who in a sporadic career spanning five decades worked with the guitarists Blind Boy Fuller and Pink Anderson and the harmonica player Peg Leg Sam. His playing style was influenced by Blind Blake, Buddy Moss, Blind Boy Fuller, Josh White, Willie Walker, and to some extent Lightnin' Hopkins.
Smokes Like Lightning is an album by the blues musician Lightnin' Hopkins, recorded in Texas in 1962 and released on the Bluesville label the following year.
Lightnin' and Co. is an album by the blues musician Lightnin' Hopkins, recorded in Texas in 1962 and released on the Bluesville label. The album was reissued in 1981 on Fantasy Records as a double LP compilation titled How Many More Years I Got, with additional tracks from the sessions.
Lightnin' Sam Hopkins is an album by blues musician Lightnin' Hopkins recorded in California in late 1961 and Texas in early 1962 and released on the Arhoolie label.
Autobiography in Blues is an album by the blues musician Lightnin' Hopkins, recorded in 1959 and released on the Tradition label the following year.
Country Blues is an album by the blues musician Lightnin' Hopkins, recorded in 1959 and released on the Tradition label.
Walkin' This Road by Myself is an album by the blues musician Lightnin' Hopkins, recorded in Texas and released on the Bluesville label.
Down Home Blues is an album by blues musician Lightnin' Hopkins recorded in 1964 and released on the Bluesville label.
Soul Blues is an album by the blues musician Lightnin' Hopkins, recorded in 1963 and released on the Bluesville label.
Lightnin' Strikes is an album by the blues musician Lightnin' Hopkins, recorded in Texas in 1962 and released on the Vee-Jay label.
Lightnin' Strikes is an album by blues musician Lightnin' Hopkins recorded in Los Angeles in 1965 and released on the Vee-Jay label.
My Life in the Blues is an album by the blues musician Lightnin' Hopkins, recorded in late 1964 and released on the Prestige label the following year. The album contains Hopkins' performances interspersed with an interview conducted by Samuel Charters.
Something Blue is an album by blues musician Lightnin' Hopkins recorded in Los Angeles in 1965 and released on the Verve Folkways label in 1967.
Free Form Patterns is an album by the blues musician Lightnin' Hopkins backed by the rhythm section of the 13th Floor Elevators, recorded in Texas in 1968 and released on the International Artists label.
California Mudslide (and Earthquake), also reissued as Los Angeles Blues, is an album by the blues musician Lightnin' Hopkins, recorded in California in 1969 and released on the Vault label.
Lightnin'! is an album by the blues musician Lightnin' Hopkins recorded in California in 1969 and released on the Poppy label as a double LP.
Po' Lightnin' is an album by blues musician Lightnin' Hopkins recorded in California in 1969 and originally released on the Arhoolie label in 1983.
The Swarthmore Concert, subtitled King of the Blues, is a live album by the blues musician Lightnin' Hopkins, recorded at the Swarthmore College Folk Festival in 1965. It was originally released as part of the seven-CD box set Lightnin' Hopkins: The Complete Prestige/Bluesville Recordings, in 1991, before being reissued on Bluesville as a single CD in 1993.
Lightning Hopkins with His Brothers Joel and John Henry / with Barbara Dane is an album by blues musician Lightnin' Hopkins recorded in Texas and California in 1964 and released on the Arhoolie label. The original album was split with one side featuring tracks with Hopkins and His Brothers and the other performances with Barbara Dane. In 1991 through Smithsonian Folkways, Arhoolie released the Hopkins Brothers tracks on CD as The Hopkins Brothers: Joel, Lightning & John Henry with additional unreleased recordings, then in 1994 the tracks with Barbara Dane were released as Sometimes I Believe She Loves Me with unreleased tracks.