This article needs additional citations for verification .(February 2015) |
LinnDrum Midistudio | |
---|---|
Manufacturer | Linn Electronics |
Dates | 1986 |
Price | US $5,990 |
Technical specifications | |
Polyphony | Polyphonic 13 voices |
Timbrality | Multitimbral 16 voices |
Synthesis type | 8 bit Digital Samples / 10 kHz - 50kHz |
Storage memory | 50 Drum Sequences, 50 MIDI Sequences - 10,490 notes |
Effects | Individual level, pan, tuning for all sounds |
Input/output | |
Keyboard | 16 large (1.25 inch square) velocity and pressure sensitive rubber pads |
External control | MIDI In/Out/Thru, Foot Switch x2, Foot Controller x1 (hi-hat), Sync Tone In/Out, trigger outputs x2, trigger inputs x16 |
The LinnDrum Midistudio (also known as the Midistudio) was going to be an electronic musical instrument produced by Linn Electronics as the successor to the ill-fated Linn 9000, which was an integrated digital sampling drum machine and MIDI sequencer. The Midistudio is essentially a rack-mount version of the Linn 9000 with some improvements. [1] It was revealed at the 1986 Winter NAMM Show in January [2] for a list price of $5,990. [1] However, it never went into production because Linn Electronics went out of business in February 1986. [3]
One prototype is in existence and was placed up for auction in 2008. [4] [5]
The LinnDrum Midistudio and the LinnSequencer used the same flawed operating system used in the ill-fated Linn 9000, [6] released in 1984. Chronic software bugs [7] [8] led to a reputation for unreliability and contributed to the eventual demise of Linn Electronics. [9] [10]
The similarities between the LinnDrum Midistudio and the Akai MPC series, starting with the Akai MPC60, leads many to perceive a family resemblance. [11] [12] [13] From a strictly chronological standpoint, the LinnDrum Midistudio did come after the Linn 9000 and before the Akai MPC60 and might well be called a step in the evolution of the Music Production Controllers of today.
At the time of writing (2015), many products, mostly software, bear the name "Midistudio". But in 1986, the LinnDrum Midistudio was, perhaps, one of the first to brandish that moniker.
The LinnDrum Midistudio has sixteen 8-bit 10 kHz ~ 50 kHz digitally sampled drum sounds: bass, snare, cross stick, hihat, two crash symbols, two ride symbols, four toms, cabasa, tambourine, cowbell and clap. The Midistudio has virtually all the same features as the Linn 9000. Also, many optional 9000 features (like digital sampling capability and a floppy disk drive) are standard on the Midistudio. [1]
Both machines have large (1.25-inch-square) velocity- and pressure-sensitive rubber performance pads. But the 9000 has 18 pads in a three-high by six-wide pattern, where the Midistudio has 16 pads in the distinctive, four-by-four pattern, that would become the hallmark of the Akai MPC series of Music Production Centers, starting with the Akai MPC60.
The Midistudio has some improvements, including a sampling rate of 10 kHz - 50 kHz (the 9000 is 11 kHz - 37 kHz) and (optionally) 16 trigger inputs (6 standard, optionally 12 maximum on the 9000).
The most distinctive difference between the machines is that the Midistudio has a rack-mountable chassis with a separate "lap pad" control panel that doubles as a protective cover for front panel in the rack-mount unit. The 9000 is a more traditional, one-piece drum machine chassis. They both feature an onboard mixer section providing real-time control over volume and pan. On the Midistudio, the sliders are in the rack, whereas on the 9000, they are on the one-piece, conventional drum machine control panel.
Digital music technology encompasses the use of digital instruments to produce, perform or record music. These instruments vary, including computers, electronic effects units, software, and digital audio equipment. Digital music technology is used in performance, playback, recording, composition, mixing, analysis and editing of music, by professions in all parts of the music industry.
A groovebox is a self-contained electronic or digital musical instrument for the production of live, loop-based electronic music with a high degree of user control facilitating improvisation. The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. The term has since entered general use, and the concept dates back to the Movement Computer Systems Drum Computer in 1981 and Fairlight CMI Page R in 1982.
Akai is a Hong Kong manufacturer of consumer electronics. It was founded as Akai Electric Company Ltd in Tokyo, Japan, in 1946.
A music workstation is an electronic musical instrument providing the facilities of:
A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.
Steinberg Media Technologies GmbH is a German musical software and hardware company based in Hamburg. It develops software for writing, recording, arranging and editing music, most notably Cubase, Nuendo, and Dorico. It also designs audio and MIDI hardware interfaces, controllers, and iOS/Android music apps including Cubasis. Steinberg created several industry standard music technologies including the Virtual Studio Technology (VST) format for plug-ins and the ASIO protocol. Steinberg has been a wholly owned subsidiary of Yamaha since 2005.
Ableton Live is a digital audio workstation for macOS and Windows developed by the German company Ableton.
The Korg Triton is a music workstation synthesizer, featuring digital sampling and sequencing, released in 1999. It uses Korg's "HI Synthesis" system and was eventually available in several model variants with numerous upgrade options. The Triton became renowned as a benchmark of keyboard technology, and has been widely featured in music videos and live concerts. At the NAMM Show in 2007, Korg announced the Korg M3 as its successor.
The Akai MPC is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
Roger Curtis Linn is an American designer of electronic musical instruments and equipment. He is the designer of the LM-1, the first drum machine to use samples, and the MPC sampler, which had a major influence on the development of hip hop. Roger Linn is also a member of the Dead Presidents Society, a group of innovators in the field of electronic music.
The Roland TR-505 rhythm composer is a drum machine and MIDI sequencer released by Roland Corporation in 1986. It hails from the same family of drum machines as the Roland TR-909, TR-808, TR-707, TR-626 and TR-606. The drum kit includes basic rock drum sounds similar to those of the TR-707, plus a complement of Latin-style drum sounds similar to the TR-727.
Simmons is an electronic drum brand, which originally was a pioneering British manufacturer of electronic drums. Founded in 1978 by Dave Simmons, it supplied electronic kits from 1980 to 1998. The drums' distinctive, electronic sound can be found on countless albums from the 1980s. The company closed in 1999 and the Simmons name is currently owned by Guitar Center.
The Linn 9000 is an electronic musical instrument manufactured by Linn Electronics as the successor to the LinnDrum. It was introduced in 1984 at a list price of $5,000, and about 1,100 units were produced.
The LinnSequencer is a rack-mount 32-track hardware MIDI sequencer manufactured by Linn Electronics and released in 1985 at a list price of US $1,250. An optional Remote Control was available. Like the LinnDrum Midistudio, the LinnSequencer used the same flawed operating system used in the ill-fated Linn 9000, released in 1984. As a result, both machines earned a reputation for being notoriously unreliable. In addition, the optional LinnSequencer SMPTE feature could not be deployed due to flawed circuit design. The last LinnSequencer operating system released by Linn Electronics was version 5.17.
Bruce Forat is an electronics engineer, computer programmer, music producer, songwriter and co-founder and president of Forat Music and Electronics Corporation, founded in 1986.
The Forat F16 is the first 16 bit digital sampler optimized for use as an electronic drum module. It dynamically responds to trigger inputs from MIDI and/or audio signals. With a response time of 0.1 milliseconds, the F16 is the fastest audio triggering digital sampler ever sold. It was manufactured by Forat Music and Electronics, introduced in 1987 at a list price of $5200 and was discontinued in 1994. An optional Remote Control and SCSI capability was available for $1385.
The Forat F9000 is a software- and hardware-upgraded version of the ill-fated Linn 9000, an integrated digital sampling drum machine and hardware MIDI sequencer manufactured by Linn Electronics and released in 1984 at a list price of $5,000.
The Roland DJ-70 is a 16-bit linear A/D Conversion & 20-bit linear D/A Conversion sampling workstation and was released in 1992 by Roland Italy.
The Akai X7000 is a 61 key sampling keyboard from Akai. It was released in 1986 and one of the first major samplers released by Akai. It was a 12 bit sampler with 6 voices of polyphony, and included functions such as sample tuning, truncating, reversing and looping. The unit features both microphone and line inputs, and a one line, 16 character LCD screen. For storage, the X7000 uses 2.8" Quick Disks to maintain backwards compatibility with the S612.