MIDI is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music.
Digital music technology encompasses digital instruments, computers, electronic effects units, software, or digital audio equipment by a performer, composer, sound engineer, DJ, or record producer to produce, perform or record music. The term refers to electronic devices, instruments, computer hardware, and software used in performance, playback, recording, composition, mixing, analysis, and editing of music.
A groovebox is a self-contained electronic or digital musical instrument for the production of live, loop-based electronic music with a high degree of user control facilitating improvisation. The term "Groovebox" was originally used by Roland Corporation to refer to its MC-303, released in 1996. The term has since entered general use, and the concept dates back to the Movement Computer Systems Drum Computer in 1981.
Akai is a Hong Kong manufacturer of consumer electronics. It was founded as Akai Electric Company Ltd in Tokyo, Japan, in 1946.
A music workstation is an electronic musical instrument providing the facilities of:
A sampler is an electronic musical instrument that records and plays back samples. Samples may comprise elements such as rhythm, melody, speech, sound effects or longer portions of music.
Ableton Live, also known as Live, is a digital audio workstation for macOS and Windows developed by the German company Ableton.
The Akai MPC is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences.
A MIDI controller is any hardware or software that generates and transmits Musical Instrument Digital Interface (MIDI) data to MIDI-enabled devices, typically to trigger sounds and control parameters of an electronic music performance. They most often use a musical keyboard to send data about the pitch of notes to play, although a MIDI controller may trigger lighting and other effects. A wind controller has a sensor that converts breath pressure to volume information and lip pressure to control pitch. Controllers for percussion and stringed instruments exist, as well as specialized and experimental devices. Some MIDI controllers are used in association with specific digital audio workstation software. The original MIDI specification has been extended to include a greater range of control features.
Roger Curtis Linn is an American designer of electronic musical instruments and equipment. He is the designer of the LM-1, the first drum machine to use samples, and the MPC sampler, which had a major influence on the development of hip hop. Roger Linn is also a member of the Dead Presidents Society, a group of innovators in the field of electronic music.
A wind controller, sometimes referred to as a wind synthesizer, is an electronic wind instrument. It is usually a MIDI controller associated with one or more music synthesizers. Wind controllers are most commonly played and fingered like a woodwind instrument, usually the saxophone, with the next most common being brass fingering, particularly the trumpet. Models have been produced that play and finger like other acoustic instruments such as the recorder or the tin whistle. The most common form of wind controller uses electronic sensors to convert fingering, breath pressure, bite pressure, finger pressure, and other gesture or action information into control signals that affect musical sounds. The control signals or MIDI messages generated by the wind controller are used to control internal or external devices such as analog synthesizers or MIDI-compatible synthesizers, synth modules, softsynths, sequencers, or even non-instruments such as lighting systems.
The E-mu SP-1200 is a sampler created by Dave Rossum that was released in August 1987 by E-mu Systems.
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold.
Controllerism is the art and practice of using musical software controllers, e.g. MIDI, Open Sound Control (OSC), joystick, etc., to build upon, mix, scratch, remix, effect, modify, or otherwise create music, usually by a Digital DJ or Live PA performer, often called a controllerist. Controllerism is also a nod to traditional musicianship and instrumental-ism paired with modern computer sequencing software such as Ableton Live and Native Instruments Traktor. However a working knowledge of scales and chords is not necessarily required as the performers typically focus their efforts more on sequencing events, software effect and instrument manipulations using buttons, knobs, faders, keys, foot switches and pedals than on instrumental notes played in real time. With recent developments in music technology, particularly in software instruments, a USB MIDI controller enables musicians almost unlimited possibilities to control a wide variety of sound types.
The Linn 9000 is an electronic musical instrument manufactured by Linn Electronics as the successor to the LinnDrum. It was introduced in 1984 at a list price of $5,000, and about 1100 units were produced.
The AKAI MPK MINI is a hammer-action, 88-key MIDI controller keyboard released by Akai in November 2009. It is the only MIDI controller in the MPK series to feature hammer-weighted keys.
The LinnSequencer is a rack-mount 32-track hardware MIDI sequencer manufactured by Linn Electronics and released in 1985 at a list price of US $1,250. An optional Remote Control was available. Like the LinnDrum Midistudio, the LinnSequencer used the same flawed operating system used in the ill-fated Linn 9000, released in 1984. As a result, both machines earned a reputation for being notoriously unreliable. In addition, the optional LinnSequencer SMPTE feature could not be deployed due to flawed circuit design. The last LinnSequencer operating system released by Linn Electronics was version 5.17.
Bruce Forat is an electronics engineer, computer programmer, music producer, songwriter and co-founder and president of Forat Music and Electronics Corporation, founded in 1986.
The Forat F16 is the first 16 bit digital sampler optimized for use as a "drum brain" or electronic drum module. It dynamically responds to trigger inputs from MIDI and/or audio signals. With a response time of 0.1 milliseconds, the F16 is the fastest audio triggering digital sampler ever sold. It was manufactured by Forat Music and Electronics, introduced in 1987 at a list price of $5200 and was discontinued in 1994. An optional Remote Control and SCSI capability was available for $1385.
The LinnDrum Midistudio was going to be an electronic musical instrument produced by Linn Electronics as the successor to the ill-fated Linn 9000, which was an integrated digital sampling drum machine and MIDI sequencer. The Midistudio is essentially a rack-mount version of the Linn 9000 with some improvements. It was revealed at the 1986 Winter NAMM Show in January for a list price of $5,990. However, it never went into production because Linn Electronics went out of business in February 1986.
