Lionel Leo Hampton was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996.
Jean-Baptiste Illinois Jacquet was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo.
Eugene Earl Bostic was an American alto saxophonist. Bostic's recording career was diverse, his musical output encompassing jazz, swing, jump blues and the post-war American rhythm and blues style, which he pioneered. He had a number of popular hits such as "Flamingo", "Harlem Nocturne", "Temptation", "Sleep", "Special Delivery Stomp", and "Where or When", which all showed off his characteristic growl on the horn. He was a major influence on John Coltrane.
John Haley "Zoot" Sims was an American jazz saxophonist, playing mainly tenor but also alto saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.
Booker Telleferro Ervin II was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus.
Bags & Trane is an album credited to jazz musicians Milt Jackson and John Coltrane, released in 1961 on Atlantic Records, catalogue SD 1368. Taking its title from Jackson and Coltrane's nicknames, it is the only collaborative record by the two, although only Jackson contributed original compositions. In actuality, the album belongs in Jackson's discography, as he was the session leader and still signed to Atlantic under the auspices of the Modern Jazz Quartet, and not in that of Coltrane, who had left the label for Impulse Records at the time of this album's first issue. However, like Prestige Records, as Coltrane's profile grew after he had stopped recording for the label, Atlantic released them with Coltrane's name more prominently displayed.
Coltrane for Lovers is a compilation album of recordings by American jazz saxophonist-composer John Coltrane, released posthumously on January 23, 2001, by Impulse! and Verve Records. The 11 tracks compiled for the album are all romantic ballads from Coltrane's early years with Impulse!, being recorded during December 1961 to April 1963 at engineer Rudy Van Gelder's recording studio in Englewood Cliffs, New Jersey. Dominated by Coltrane's classic quartet, the sessions also included collaborations with vocalist Johnny Hartman and pianist Duke Ellington.
Something Cool is a studio album recorded by June Christy in 1953, 1954, and 1955, and featuring Christy singing 11 jazz songs backed by the orchestra of Pete Rugolo, and her saxophonist husband, Bob Cooper. First issued in 1954 as a 10" mono LP, an expanded 12" mono LP was released the following year, with four newly recorded selections added to the track listing. In 1960, Christy and Rugolo re-recorded all 11 selections in stereo, so that a stereo version of Something Cool could be issued. For many years, this re-recorded version of the LP was the only one commercially available.
Groove Merchant was an American jazz and R&B record label during the 1970s. It was run by producer Sonny Lester and distributed by Pickwick Records. Notable artists included Chick Corea, O'Donel Levy, Buddy Rich, Jimmy McGriff, Lonnie Smith and Lionel Hampton. Lester would later close Groove Merchant and restructure it as Lester Radio Corporation, or LRC; TK Records were distributors for a period. Lester still retains the rights to the Groove Merchant/LRC back catalog and independently distributes them on compact disc.
Krupa and Rich is a 1956 studio album by jazz drummers Gene Krupa and Buddy Rich, released on Norman Granz' Clef Records. Krupa and Rich play on two different tracks each and play together only on "Bernie's Tune." Krupa and Rich would record again for Verve Records; their album Burnin' Beat was released in 1962.
The Lester Young Trio and The Lester Young Trio No. 2 are jazz trio albums by Lester Young with Nat King Cole and Buddy Rich, recorded in Hollywood, California, in March–April 1946, with the first four tracks being released in 1951.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Rich in London a.k.a. Very Alive at Ronnie Scotts is a live album by Buddy Rich and his big band, recorded in 1971 at Ronnie Scott's Jazz Club in London. Not to be confused with the 1980 DRG Buddy Rich Big Band recording, Live at Ronnie Scott's.
Very Live at Buddy's Place is a jazz septet album by drummer Buddy Rich recorded in 1974 and released on the Groove Merchant Records label.
Buddy Rich, Live at Ronnie Scott's, also released as The Man From Planet Jazz, is a 1980 jazz big band recording made by Buddy Rich at Ronnie Scott's Jazz Club in London. It is not to be confused with the earlier 1971 RCA double LP, Very Alive at Ronnie Scotts.
Transition is a jazz album recorded by Buddy Rich and Lionel Hampton and released on the Groove Merchant Record label in 1974.
Buddy Rich Plays and Plays and Plays is a big band jazz album recorded by Buddy Rich and released by RCA Records in 1977. The album also marked his last for the label. Plays and Plays and Plays was nominated for the Best Jazz Performance by a Big Band at the 20th Annual Grammy Awards in 1978, but lost to Prime Time by Count Basie.
Baritones and French Horns is a 16+2⁄3 rpm album released in August 1958 by Prestige Records. The album is one of a series of releases attributed to the Prestige All Stars. Each side of the album was a distinct date with distinct personnel. From a jazz.com review, Kenny Berger wrote, "Among the many innovative technological failures of the mid- and late- 1950s, the 16-rpm phonograph record stands as the industry's answer to the Edsel. One of Prestige's contributions to this auditory dustbin was an LP on steroids titled Baritones and French Horns under the supervision of vibist, composer, arranger, A&R man Teddy Charles. The baritone side of this album was reissued twice on LP and twice more on CD under John Coltrane's name [as Dakar], though Pepper Adams was the actual leader on these sessions." The "french horns" side of the album was reissued as Prestige ST 8305, Curtis Fuller and Hampton Hawes with French Horns.
Hamp and Getz is an album by vibraphonist Lionel Hampton and saxophonist Stan Getz recorded in 1955 and first released on the Norgran label.
Blues à la Suisse is a live album by American saxophonist Dexter Gordon recorded at the Montreux Jazz Festival in Switzerland in 1973 and released on the Prestige label. The track "Blues à la Suisse" is credited to Gordon on the LP, but the composition is actually John Coltrane's "Some Other Blues" from Coltrane's 1960 Atlantic LP Coltrane Jazz.
