Buddy Rich in Miami | ||||
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Live album by Buddy Rich | ||||
Released | 1958 | |||
Recorded | May or June 1957, The Dream Bar at Johnina Hotel, Miami Beach | |||
Genre | Jazz | |||
Length | 40:53 | |||
Label | Verve | |||
Producer | Norman Granz | |||
Buddy Rich chronology | ||||
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cover of augmented CD release | ||||
Live in Miami with Flip Phillips | ||||
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Buddy Rich in Miami is a 1958 Verve live album by Buddy Rich featuring Flip Phillips recorded at the Dream Bar of the Johnina Hotel in Miami Beach, Florida in 1957. [2]
Verve Records, also known as The Verve Music Group, founded in 1956 by Norman Granz, is home to the world's largest jazz catalogue and includes recordings by artists such as Ella Fitzgerald, Nina Simone, Stan Getz and Billie Holiday, among others. It absorbed the catalogues of Granz's earlier labels, Clef Records, founded in 1946, Norgran Records, founded in 1953, and material previously licensed to Mercury Records.
Bernard "Buddy" Rich was an American jazz drummer and bandleader. He is considered one of the most influential drummers of all time and was known for his virtuoso technique, power, and speed. He performed with Tommy Dorsey, Harry James and Count Basie, and led a big band.
Joseph Edward Fillippelli, known professionally as Flip Phillips, was an American jazz tenor saxophone and clarinet player. He is best remembered for his work with Norman Granz's Jazz at the Philharmonic concerts from 1946 to 1957. Phillips recorded an album for Verve when he was in his 80s. He performed in a variety of genres, including mainstream jazz, swing, and jump blues.
The album has been re-issued on CD alone and also, as Live in Miami with Flip Phillips, together with several additional tracks from a 1954 Rich/Phillips LA studio recording session with the Oscar Peterson Trio. [3]
Oscar Emmanuel Peterson, was a Canadian jazz pianist and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, but simply "O.P." by his friends. He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of the greatest jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
Buddy Rich in Miami
Live in Miami with Flip Phillips re-issue
Buddy Rich in Miami / Live in Miami... (tracks 1-5)
A drum kit — also called a drum set, trap set, or simply drums — is a collection of drums and other percussion instruments, typically cymbals, which are set up on stands to be played by a single player, with drumsticks held in both hands, and the feet operating pedals that control the hi-hat cymbal and the beater for the bass drum. A drum kit consists of a mix of drums and idiophones – most significantly cymbals, but can also include the woodblock and cowbell. In the 2000s, some kits also include electronic instruments. Also, both hybrid and entirely electronic kits are used.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
Live in Miami... (tracks 6-13)
Raymond Matthews Brown was an American jazz double bassist known for extensive work with Oscar Peterson and Ella Fitzgerald.
Mitchell Herbert Ellis, known professionally as Herb Ellis, was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Satch and Josh is a 1974 album by Oscar Peterson and Count Basie.
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness is a live album that was released in 1983. The album includes Louie Bellson, Eddie "Lockjaw" Davis, Harry "Sweets" Edison, Ella Fitzgerald, Al Grey, J. J. Johnson, Joe Pass, Niels Pedersen, Oscar Peterson, Zoot Sims, and Clark Terry.
Oscar Peterson Plays Count Basie is a 1955 album by Oscar Peterson, of music associated with Count Basie.
The Genius of Coleman Hawkins is a 1957 album by tenor saxophonist Coleman Hawkins, featuring the Oscar Peterson quartet.
An Evening with Billie Holiday is the second 10 inch LP studio album by jazz singer Billie Holiday, released by Clef Records in 1953.
Krupa and Rich is a 1956 studio album by jazz drummers Gene Krupa and Buddy Rich on Norman Granz' Clef Records label. Krupa and Rich play on two different tracks each and play together only on "Bernie's Tune". Krupa and Rich would record again for Verve Records, their album Burnin' Beat was released in 1962.
Basie Jam: Montreux '77 is a 1977 live album by Count Basie, recorded at the 1977 Montreux Jazz Festival.
This One's for Basie is a 1957 studio album by Buddy Rich and an eleven piece orchestra, recorded in tribute to bandleader Count Basie. The album was re-issued by Verve in the 1950s and again in the 1960s.
The Wailing Buddy Rich is a 1955 recording by jazz drummer Buddy Rich on the Norgran Records label. The first two tracks were recorded on May 16 in New York and the remaining tracks were recorded with different personnel in Los Angeles on August 26 of that year.
Sing and Swing with Buddy Rich is a jazz album recorded in New York City in January 1955 by Buddy Rich. The first 4 tracks were originally released as a 7-inch, 45 RPM EP.
The Swinging Buddy Rich is a jazz album of songs recorded in Los Angeles in 1953 and 1954 by Buddy Rich with Harry "Sweets" Edison and others. The first 6 tracks were released on a 10-inch Norgran Records LP in 1954. An expanded 12 inch Norgran LP version with 3 additional tracks from 1955 was later released.
The Flip Phillips Buddy Rich Trio is a 1953 Clef Records release of several small jazz combo tracks recorded in 1951 and 1952.
Very Live at Buddy's Place is a jazz septet album by drummer Buddy Rich recorded in 1974 and released on the Groove Merchant Records label.
How Can You Live Like That? is an album by American jazz saxophonist Eddie Harris recorded in 1976 and released on the Atlantic label.
Standing Ovation is a live album by pianist and bandleader Count Basie featuring performances recorded at the Tropicana Resort & Casino in Las Vegas in 1969 and released on the Dot label.
Basie Jazz is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954. Selections from this album were also released on the 1956 Clef LPs The Swinging Count! and Basie Rides Again!.
The Drum Battle – Gene Krupa and Buddy Rich at JATP is a 1960 live album by drummers Gene Krupa and Buddy Rich, recorded at a Jazz at the Philharmonic concert at Carnegie Hall in 1952.
Jumpin' at the Woodside, subtitled A Buck Clayton Jam Session, is an album by trumpeter Buck Clayton which was recorded between 1953 and 1956 and released on the Columbia label.
Live at Sandy's is a live album by saxophonist Buddy Tate which was recorded at Sandy's Jazz Revival in 1978 and released on the Muse label in 1980.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.