Lisa French is professor and dean in the School of Media and Communication at RMIT University in Melbourne, Australia. [1] [2] She is the author of The Female Gaze in Documentary Film: An International Perspective , [3] co-author of Shining a Light: 50 Years of the Australian Film Institute and Womenvision: Women and the Moving Image in Australia and the editor of Womenvision: Women and the Moving Image in Australia. [4] [5]
French spent three years as the director of the St Kilda Film Festival and nine years as a non-executive Director of the Australian Film Institute (AFI). She is currently a member of the Federal Government agency Screen Australia's Gender Matters Taskforce. [6] She holds the role of co-chair of a UNESCO global network of 19 universities working on media, gender and ICTs [7] and in that role advocated at the Commission for the Status of Women at the United Nations in New York in 2019, influencing the agenda to increase women's access to media.[ citation needed ]
French is the dean of the School of Media and Communication at RMIT University in Melbourne. [8] She conducts research on women in film and television. [9] She edited the anthology Womenvision: Women and the Moving Image in Australia (2003) [10] and co-authored Shining a Light: 50 Years of the Australian Film Institute (2009). [11] [12]
She produced the film Birth of a Film Festival (2003), [13] a documentary about the first Melbourne International Film Festival. [14]
The Australian Academy of Cinema and Television Arts Awards, known as the AACTA Awards, are presented annually by the Australian Academy of Cinema and Television Arts (AACTA). The awards recognise excellence in the film and television industry, both locally and internationally, including the producers, directors, actors, writers, and cinematographers. It is the most prestigious awards ceremony for the Australian film and television industry. They are generally considered to be the Australian counterpart of the Academy Awards for the United States and the BAFTA Awards for the United Kingdom.
The AACTA Award for Best Film is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote, and celebrate Australia's greatest achievements in film and television". The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1969 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Award for Best Film.
The AACTA Award for Best Direction is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films.
The AACTA Award for Best Actress in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote, and celebrate Australia's greatest achievements in film and television".
The AACTA Award for Best Actor in a Leading Role is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1971 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuation of the AFI Award for Best Actor in a Leading Role.
The AACTA Award for Best Cinematography is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for achievements in feature film, television, documentaries and short films. From 1976 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Award for Best Cinematography.
The Longford Lyell Award is a lifetime achievement award presented by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is "to identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is presented at the annual AACTA Awards, which hand out accolades for technical achievements in feature film, television, documentaries and short films. From 1968 to 2010, the award was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current award being a continuum of the AFI Raymond Longford Award.
Deb Verhoeven is currently the Canada 150 Research Chair in Gender and Cultural Informatics at the University of Alberta. Previously she was Associate Dean of Engagement and Innovation at the University of Technology Sydney, and before this she was Professor of Media and Communication at Deakin University. Until 2011 she held the role of director of the AFI Research Collection at RMIT. A writer, broadcaster, film critic and commentator, Verhoeven is the author of more than 100 journal articles and book chapters. Her book Jane Campion published by Routledge, is a detailed case study of the commercial and cultural role of the auteur in the contemporary film industry.
The AACTA Award for Best Costume Design is an accolade given by the Australian Academy of Cinema and Television Arts (AACTA), a non-profit organisation whose aim is to "identify, award, promote and celebrate Australia's greatest achievements in film and television." The award is handed out at the annual AACTA Awards, which rewards achievements in feature film, television, documentaries and short films. From 1977 to 2010, the category was presented by the Australian Film Institute (AFI), the Academy's parent organisation, at the annual Australian Film Institute Awards. When the AFI launched the Academy in 2011, it changed the annual ceremony to the AACTA Awards, with the current prize being a continuum of the AFI Award for Best Costume Design. Terry Ryan has received the most awards in this category with five.
The AACTA Award for Best Television Drama Series is a television award handed out by the Australian Academy of Cinema and Television Arts (AACTA). It was previously awarded by the Australian Film Institute (AFI), from 1991 to 2010, and will continue to be presented by the Academy. It is awarded to a dramatic television series of no fewer than five episodes. It can be a series of self-contained stories which can be screened in any order or a number of interweaving and overlapping plots continuing from one episode to the next.
The Australian Academy of Cinema and Television Arts (AACTA) is a professional organisation of film and television practitioners in Australia. The Academy's aim is "to identify, award, promote, and celebrate Australia's greatest achievements in film and television".
The 1968 Australian Film Awards ceremony, presented by the Australian Film Institute (AFI), honoured the best feature and non-feature films of 1969, and took place on 2 December 1969 at National Library Theatre, in Canberra, Australian Capital Territory. Australian Prime Minister John Gorton hosted the ceremony. During the ceremony the Australian Film Institute presented two gold, nine silver and bronze prizes, four special awards and certificates for twelve honourable mentions.
The 17th Australian Film Awards ceremony, presented by the Australian Film Institute (AFI) honoured the best Australian films of 1974 and 1975 and took place on 23 March 1975, at the Sydney Opera House, in Sydney, New South Wales. Actress Glenda Jackson hosted the ceremony.
The Inaugural Australian Academy of Cinema and Television Arts Awards, known more commonly as the AACTA Awards, presented by the Australian Academy of Cinema and Television Arts (AACTA), honoured the best Australian and foreign films of 2011 took place on two separate events, in Sydney, New South Wales: the AACTA Awards Luncheon, on 15 January 2012, at the Westin Hotel, and the AACTA Awards Ceremony, on 31 January 2012, at the Sydney Opera House. Following the establishment of the Australian Academy of Cinema and Television Arts, by the Australian Film Institute (AFI), these awards marked the inauguration of the AACTA Awards, but served as a continuum to the AFI Awards, which were presented by the AFI since 1958. The ceremony was televised on the Nine Network.
The 1977 Australian Film Awards ceremony, presented by the Australian Film Institute (AFI), honoured the best Australian films of 1976 on 21 September 1977 at Regent Theatre, in Sydney, New South Wales. It was televised on ABC. Actors Keir Dullea and Karen Black, and former Australian Prime Minister John Gorton hosted the show.
The 22nd Australian Film Institute Awards ceremony, presented by the Australian Film Institute (AFI), honoured the best Australian feature films of 1980, and took place on 17 September 1980 at Regent Theatre, in Sydney, New South Wales. The ceremony was hosted by Graham Kennedy and televised in Australia on ABC.
The AACTA Award for Best Original Screenplay is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), for an Australian screenplay "written directly and originally for the screen". Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards. It was first handed out in 1978 when the award for Best Screenplay was split into two categories: Best Original Screenplay and Best Adapted Screenplay. The award has since been presented intermittently from 1978-1979, 1983-1987, 1989, 1993-2006, and then from 2008-present.
The AACTA Award for Best Adapted Screenplay is an award presented by the Australian Academy of Cinema and Television Arts (AACTA), for an Australian screenplay "based on material previously released or published". Prior to the establishment of the Academy in 2011, the award was presented by the Australian Film Institute (AFI) at the annual Australian Film Institute Awards. It was first handed out in 1978 when the award for Best Screenplay was split into two categories: Best Original Screenplay and Best Adapted Screenplay. The award has since been presented intermittently from 1978–1979, 1983–1987, 1989, 1993–2003, 2005–2006, and then from 2008–present.
Mitu Bhowmick Lange is an Indian-Australian filmmaker, film producer and founder-director of Mind Blowing Films, a film distribution company that focusses on distribution of local content to Australia, New Zealand and Fiji. She is the founder and director of Indian Film Festival of Melbourne, a Victorian government funded annual film festival that started in 2010 and the Victorian Government came on board in 2012. She has also provided line production services for the Hindi films Salaam Namaste (2005), Koi Aap Sa (2005), Chak De India (2007), Bachna Ae Haseeno (2008), Main Aurr Mrs Khanna (2009) and Love Aaj Kal (2009). Lange was awarded Jill Robb Screen Leadership Award for 2017 from Film Victoria. Mitu Bhowmik was appointed as a board of member at WIFT Australia in February 2022. Mitu is also a board member at Film Vic Australia and the part of the committee for Natalie Miller Fellowship (NMF). In 2023, Lange received the award of Member of the Order of Australia (AM) for service to performing arts through film.
Sue Maslin is an Australian screen producer. She is best known for her feature films Road to Nhill (1997) Japanese Story (2003) and The Dressmaker (2015).
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