Liscio or ballo liscio ("smooth" or "smooth dance" respectively in Italian) is a genre of music originating in the 19th century in the northern Italian region of Romagna under the influence of Viennese ballroom dances including the mazurka, waltz, polka, schottische, march. It later became popular and spread to the rest of the country. The accordion, which was also a 19th-century invention, features prominently. The tradition contrasts with older Italian folk dances in which the fiddle was the primary instrument. [1]
In Romagna, the phenomenon of the public and popular dance called "liscio" has created a unique universe and it has revolutionised the approaches to social, community and festive contexts, because it managed to blend different social strata and to allow a broad and inclusive identification process for higher but also more humble social classes.
Nowadays, this universe is home to many different protagonists: it gives employment to a huge number of musicians, singers, dancers, dance halls, record companies and media (TV, radio, local magazines). They form part of a rich cultural industry, held together by a powerful territorial and traditional binding force which is typical of Romagna's folklore.
In its essence, "liscio" is a combination of music and dance: its style is easily recognisable because it is rousing, with a cadenced rhythmic style and full of technical virtuosities. Nowadays, even if liscio performances have decreased in favour of more contaminated and mixed songs, many music bands maintain this genre in their musical repertoire.
This tradition of Romagna, besides being a varied enterprise, is a fundamental tool for the valorisation of the immaterial cultural heritage of the territory. [2]
Italian immigrants to San Francisco, California brought the liscio tradition to California in the early 1900s. Central to the California tradition are mandolin, accordion, and guitar, sometimes supplemented by violin and double bass. The ballroom music of Italian immigrants underwent a strong Latin American influence by the 1950s. [3] The repertoire of California ballo liscio musicians is diverse, including uniquely Italian dances like the tarantella; pan-European round dance forms; the American foxtrot; the Spanish jota and paso doble; the Latin American rhumba; and the Caribbean beguine. [4] [5]
Several bands continue to play ballo liscio repertoire in California, including the bands Zighi Baci & Mazurka Madness which both play regularly at Caffe Trieste in North Beach, [6] [7] Caffe Acustico, [8] Paul & Emily, [9] the Hot Frittatas, [10] the Graventsein Mandolin Ensemble, [11] and Gus Garelick. [12]
The polka is originally a Czech dance and genre of dance music familiar throughout all of Europe and the Americas. It originated in the middle of the nineteenth century in Bohemia, now part of the Czech Republic. The polka remains a popular folk music genre in many western countries, and is performed by many folk artists.
The mazurka is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka and mazur are often confused in Western literature as the same musical form.
The music of Saint Lucia is home to many vibrant oral and folk traditions and is based on elements derived from the music of Africa, especially rhythmically, and Western Europe, dances like the quadrille, polka and waltz. The banjo and cuatro are iconic Lucian folk instruments, especially a four-stringed banjo called the bwa poye. Celebratory songs called jwé show lyricism, and rhythmic complexity. The most important of the Afro-Lucian Creole folk dances is the kwadril. Music is an integral part of Lucian folk holidays and celebrations, as well as the good-natured rivalry between the La Rose and La Marguerite societies. There is little Western classical music on Saint Lucia, and the country's popular music industry is only nascent. There are few recording opportunities, though live music and radio remain a vital part of Lucian culture. Popular music from abroad, especially Trinidadian styles like calypso and soca, is widespread.
The music of Crete, also called kritika, refers to traditional forms of Greek folk music prevalent on the island of Crete in Greece. Cretan traditional music includes instrumental music, a capella songs known as the rizitika, "Erotokritos," Cretan urban songs (tabachaniotika), as well as other miscellaneous songs and folk genres.
The Viennese coffee house is a typical institution of Vienna that played an important part in shaping Viennese culture.
Italian folk music has a deep and complex history. National unification came quite late to the Italian peninsula, so its many hundreds of separate cultures remained un-homogenized until quite recently compared to many other European countries. Moreover, Italian folk music reflects Italy's geographic position at the south of Europe and in the center of the Mediterranean Sea: Arabic, African, Celtic, Persian, and Slavic influences are readily apparent in the musical styles of the Italian regions. Italy's rough geography and the historic dominance of small city states has allowed quite diverse musical styles to coexist in close proximity.
Character dance is a specific subdivision of classical dance. It is the stylized representation of a traditional folk or national dance, mostly from European countries, and uses movements and music which have been adapted for the theater.
Pasodoble is a fast-paced Spanish military march used by infantry troops. Its speed allowed troops to give 120 steps per minute. This march gave rise to a traditional Spanish dance, a musical genre including both voice and instruments, and a genre of instrumental music often played during bullfight. Both the dance and the non martial compositions are also called pasodoble.
This is an article on the terminology used to describe the music of Italy. There is also an article on Italian musical terms used in English.
The jota is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon. It varies by region, having a characteristic form in Aragon, Catalonia, Castile, Navarre, Cantabria, Asturias, Galicia, La Rioja, Murcia and Eastern Andalusia. Being a visual representation, the jota is danced and sung accompanied by castanets, and the interpreters tend to wear regional costumes. In Valencia, the jota was once danced during interment ceremonies.
Bernardo De Pace was an actor, musician and comedic vaudeville entertainer of the 1910s and 1920s, billed as "the Wizard of the Mandolin". He learned to play mandolin in the Italian tradition under Francesco Della Rosa. De Pace's repertoire and technique was described in the Brooklyn Life as involving "the most difficult violin and piano compositions, executed at inconceivably rapid tempi demanding an uncanny technique seldom heard on fretted instruments". In 1927 the Minneapolis Star said that he had been recognized as one of the best mandolinists in the United States. It added that he was more than a mandolinist, that his skill was in playing on human emotions as few musicians were able.
The Airmobile Brigade "Friuli" is an airmobile brigade of the Italian Army, based mainly in the Emilia-Romagna region. The brigade was part of the 1st Defence Forces Command until it was transferred to the Division "Friuli". The brigade's coat of arms depicts a stylized version of the Rocca di Monfalcone castle near the city of Monfalcone in the Friuli region, where the brigade distinguished itself during World War I. Since 1 July 2019 the brigade is part of the Division "Vittorio Veneto".
Chamarrita can refer to two different types of music and dance, one from the Azores in Portugal and one from the Rio de la Plata littoral region in northern Argentina, Uruguay, and southern Brazil.
Ugo Orlandi is a musicologist, a specialist in the history of music, a university professor and internationally renowned mandolinist virtuoso. Among worldwide musicians, professional classical musicians are a small group; among them is an even smaller group of classical mandolinists. Among members of this group, Ugo Orlandi is considered "distinguished." Music historian Paul Sparks called him "a leading figure in the rehabilitation of the eighteenth-century mandolin repertoire, having recorded many concertos from this period."
Following its invention and development in Italy the mandolin spread throughout the European continent. The instrument was primarily used in a classical tradition with mandolin orchestras, so called Estudiantinas or in Germany Zupforchestern, appearing in many cities. Following this continental popularity of the mandolin family, local traditions appeared outside Europe in the Americas and in Japan. Travelling mandolin virtuosi like Carlo Curti, Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country, old-time music, bluegrass and folk music. More recently, the Baroque and Classical mandolin repertory and styles have benefited from the raised awareness of and interest in Early music.
Matteo Casserino was an Italian American mandolinist and composer.
Gino Pellegrini was an Italian American mandolinist and composer.
The Andrini Brothers were an Italian American musical outfit playing classical, opera, and ballo liscio music.
Category:Italian music Category:Music of California Category:Music of the San Francisco Bay Area