In this page, there is the list of the Canadian number-one albums of 1969. [1] The chart is compiled and published by RPM every Monday (except from August 2, when the chart is published every Saturday).
Issue Date | Album | Artist |
January 6 | The Beatles | The Beatles |
January 13 | The Beatles | The Beatles |
January 20 | The Beatles | The Beatles |
January 27 | The Beatles | The Beatles |
February 3 | The Beatles | The Beatles |
February 10 | The Beatles | The Beatles |
February 17 | The Beatles | The Beatles |
February 24 | The Beatles | The Beatles |
March 3 | The Beatles | The Beatles |
March 10 | The Beatles | The Beatles |
March 17 | Yellow Submarine | The Beatles |
March 24 | Yellow Submarine | The Beatles |
March 31 | Blood, Sweat & Tears | Blood, Sweat & Tears |
April 7 | Hair | Soundtrack |
April 14 | Hair | Soundtrack |
April 21 | Hair | Soundtrack |
April 28 | Blood, Sweat & Tears | Blood, Sweat & Tears |
May 5 | Blood, Sweat & Tears | Blood, Sweat & Tears |
May 12 | Blood, Sweat & Tears | Blood, Sweat & Tears |
May 19 | Hair | Soundtrack |
May 26 | Hair | Soundtrack |
June 2 | Hair | Soundtrack |
June 9 | Hair | Soundtrack |
June 16 | Hair | Soundtrack |
June 23 | Hair | Soundtrack |
June 30 | Hair | Soundtrack |
July 7 | Hair | Soundtrack |
July 14 | Hair | Soundtrack |
July 21 | Hair | Soundtrack |
July 28 | Blood, Sweat & Tears | Blood, Sweat & Tears |
August 2 | Romeo & Juliet | Original Soundtrack |
August 9 | Hair | Soundtrack |
August 16 | Blood, Sweat & Tears | Blood, Sweat & Tears |
August 23 | Blood, Sweat & Tears | Blood, Sweat & Tears |
August 30 | Blood, Sweat & Tears | Blood, Sweat & Tears |
September 6 | Johnny Cash at San Quentin | Johnny Cash |
September 13 | Johnny Cash at San Quentin | Johnny Cash |
September 20 | Johnny Cash at San Quentin | Johnny Cash |
September 27 | (No publication) | |
October 4 | Blind Faith | Blind Faith |
October 11 | Blind Faith | Blind Faith |
October 18 | Blind Faith | Blind Faith |
October 25 | Blind Faith | Blind Faith |
November 1 | Abbey Road | The Beatles |
November 8 | Abbey Road | The Beatles |
November 15 | Abbey Road | The Beatles |
November 22 | Abbey Road | The Beatles |
November 29 | Abbey Road | The Beatles |
December 6 | Abbey Road | The Beatles |
December 13 | Abbey Road | The Beatles |
December 20 | Abbey Road | The Beatles |
December 27 | Abbey Road | The Beatles |
"In the Year 2525 " is a 1969 hit song by the American pop-rock duo of Zager and Evans. It reached number one on the Billboard Hot 100 for six weeks commencing July 12, 1969. It peaked at number one in the UK Singles Chart for three weeks in August and September that year. The song was written and composed by Rick Evans in 1964 and originally released on a small regional record label in 1968. It was later picked up by RCA Records. Zager and Evans disbanded in 1971.
American girl group The Supremes have released 29 studio albums, four live albums, two soundtrack albums, 32 compilation albums, four box sets, 66 singles and three promotional singles. The Supremes are the most successful American group of all-time, and the 26th greatest artist of all time on the US Billboard charts; with 12 number-one songs on the Billboard Hot 100 and three number-one albums on the Billboard 200. The Supremes were the first artist to accumulate five consecutive number-one singles on the US Hot 100 and the first female group to top the Billboard 200 albums chart with The Supremes A' Go-Go (1966). In 2017, Billboard ranked The Supremes as the number-one girl group of all-time, publishing, 'although there have been many girl group smashes in the decades since the Supremes ruled the Billboard charts, no collective has yet to challenge their, for lack of a better word, supremacy.' In 2019, the Official Charts Company placed 7 Supremes songs — "You Can't Hurry Love" (16), "Baby Love" (23), "Stop! In The Name Of Love" (56), "Where Did Our Love Go?" (59), "You Keep Me Hangin' On" (78), "Come See About Me" (94) and "Stoned Love" (99) — on The Official Top 100 Motown songs of the Millennium chart, which ranks Motown releases by their all time UK downloads and streams.
"He Ain't Heavy, He's My Brother" is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for the Hollies later that year and also a hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years. The Hollies' version was re-released in 1988 and again was a major hit in the UK.
The CHUM Chart was a ranking of top 30 songs on Toronto, Ontario radio station CHUM AM, from 1957 to 1986, and was the longest-running Top 40 chart in the world produced by an individual radio station. On January 10, 1998, sister station CHUM-FM, which airs a hot adult contemporary format, revived the CHUM Chart name for a new countdown show.
Joshua is the seventh solo studio album by American singer-songwriter Dolly Parton. It was released on April 12, 1971, by RCA Victor. The album was produced by Bob Ferguson. It peaked at number 16 on the Billboard Top Country Albums chart and number 198 on the Billboard 200 chart. The album's single, "Joshua", was nominated for a Grammy and was Parton's first song to reach number one on the Billboard Hot Country Songs chart.
"Get Together", also known as "Let's Get Together", is a song by American rock band The Youngbloods, originally included in their 1967 self-titled debut album The Youngbloods. It was written in the mid-1960s by American singer-songwriter Chet Powers, from psychedelic rock band Quicksilver Messenger Service. The single was The Youngbloods' only Top 40 on Billboard Hot 100—peaking at number five in 1969.
"I'll Never Fall in Love Again" is a popular song by composer Burt Bacharach and lyricist Hal David that was written for the 1968 musical Promises, Promises. Several recordings of the song were released in 1969; the most popular versions were by Dionne Warwick, who took it to number 6 on Billboard magazine's Hot 100 and spent three weeks topping the magazine's list of the most popular Easy Listening songs, and Bobbie Gentry, who topped the UK chart with her recording and also peaked at number 1 in Australia and Ireland, number 3 in South Africa and number 5 in Norway.