This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Prefecture of Akita . [1]
As of 1 July 2019, fourImportant Cultural Properties have been designated, being of national significance. [2] [3] [4]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Exotic bird in a pine, colour on silk, by Satake Shozan 絹本著色松に唐鳥図(佐竹曙山筆/) kenpon chakushoku matsu ni karadori zu (Satake Shozan hitsu) | later C18 | Yokote | private (kept at the Akita Museum of Modern Art) | Akita ranga [5] [6] | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | |||
Taizong of Tang, Flowers and Birds, colour on silk, by Odano Naotake 絹本著色唐太宗花鳥図〈小田野直武筆/〉 kenpon chakushoku Tō Taisō kachō zu (Odano Naotake hitsu) | 1770s | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | three scrolls; Akita ranga [7] [8] | 122.0 centimetres (4 ft 0 in) by 44.5 centimetres (1 ft 5.5 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Taima Mandala, colour on silk 絹本著色当麻曼荼羅図 kenpon chakushoku Taima mandara zu | Kamakura period | Daisen | Jōren-ji (浄蓮寺) | some flaking of the paint [9] | 39°24′24″N140°28′56″E / 39.406663°N 140.482253°E | |||
Shinobazu Pond, colour on silk, by Odano Naotake 絹本著色不忍池図〈小田野直武筆/〉 kenpon chakushoku Shinobazu-no-ike zu (Odano Naotake hitsu) | 1770s | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | Akita ranga [10] [11] | 132.5 centimetres (4 ft 4.2 in) by 98.5 centimetres (3 ft 2.8 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
As of 24 May 2019, thirty properties have been designated at a prefectural level. [4] [12]
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Child Monju 稚児文珠像 chigo Monju zō | C17 | Nikaho | Kanman-ji ( 蚶満寺 )) | holding a nyoi (scepter); by Kanō Tan'yū [13] | 39°12′56″N139°54′12″E / 39.215597°N 139.903293°E | for all refs see | ||
Fugen Bosatsu 普賢菩薩像 Fugen Bosatsu zō | C17 | Daisen | private | by Kanō Tan'yū; thought, alongside his Child Monju at Kanman-ji in Nikaho, to have been part of a group of three paintings - the whereabouts of the central image of Shaka Nyorai is currently unknown [14] | 120 centimetres (3 ft 11 in) by 75 centimetres (2 ft 6 in) | 39°28′02″N140°28′14″E / 39.467110°N 140.470505°E | ||
Portrait of Hakuun 白雲上人画像 Hakuun shōnin gazō | Misato | Hongaku-ji ( 本覚寺 ) | 39°25′19″N140°32′59″E / 39.421981°N 140.549737°E | |||||
Sixteen Arhats 十六羅漢像 jūroku rakan zō | Edo period | Akita | Tentoku-ji ( 天徳寺 ) | sixteen scrolls | 39°44′19″N140°07′13″E / 39.738528°N 140.120208°E | |||
Customs of Akita, colour on paper, emaki 紙本着色秋田風俗絵巻 shihon chakushoku Akita fuzoku emaki | Akita | Akita Prefecture (kept at the Akita Prefectural Museum) | [15] | 14.7 metres (48 ft 3 in) by 38.3 centimetres (1 ft 3.1 in) | 39°49′02″N140°03′58″E / 39.817354°N 140.066210°E | |||
Senju Kannon, colour on silk 絹本着色千手観音像 kenpon chakushoku Senju Kannon zō | Nikaho | private | 39°17′35″N139°57′51″E / 39.293180°N 139.964227°E | |||||
Mandala of the Two Realms 金剛胎蔵両界曼荼羅 Kongō-Taizō Ryōkai mandara | end of the Kamakura period | Oga | Chōraku-ji (長楽寺) | two scrolls, colour on silk [16] | 39°52′00″N139°45′06″E / 39.866567°N 139.751801°E | |||
Chinese Peony in a Flower Basket, colour on silk, by Odano Naotake 絹本着色芍薬花籠図 直武筆 kenpon chakushoku shakuyaku hana kago zu Naotake hitsu | 1770s | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | Akita ranga [17] | 94.5 centimetres (3 ft 1.2 in) by 21.0 centimetres (8.3 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Kisakata, colour on paper, byōbu 紙本着色象潟図屏風 shihon chakushoku Kisakata zu byōbu | Edo period | Nikaho | Nikaho City (kept at the Nikaho City Kisakata Historical Museum (にかほ市象潟郷土資料館)) | the pair of six-panel folding-screens by Nagamasa Eishō (牧野永昌) (1747-1824) depict Kisakata ( 象潟 ) before the great 1804 earthquake that transformed the landscape; Matsuo Bashō visited in 1689 and celebrated Kisakata in Oku no Hosomichi ; the area has been designated a Natural Monument [18] [19] | 39°12′06″N139°54′26″E / 39.201556°N 139.907112°E | |||
True Views and Colouring, colour on paper, by Hakuun 紙本着色白雲筆真景帖および彩絵方 shihon chakushoku Hakuun hitsu shinkeijō oyobi saekata | end C18/early C19 | Misato | private (kept at Hongaku-ji ( 本覚寺 )) | 39°25′19″N140°32′59″E / 39.421981°N 140.549737°E | ||||
Amida Raigō, on silk 絹本阿弥陀来迎図 kenpon Amida raigō zu | Ōdate | private | 40°13′46″N140°34′47″E / 40.229562°N 140.579810°E | |||||
Akita Ranga, Peonies on a Rock 秋田蘭画「岩に牡丹図」 Akita ranga "iwa no botan zu" | Edo period | Daisen | private | by Tashiro Tadakuni (田代忠国) (1757-1830) [20] | 97 centimetres (3 ft 2 in) by 28.5 centimetres (11.2 in) | 39°27′51″N140°28′45″E / 39.464170°N 140.479120°E | ||
Hanshan and Shide, ink on paper 紙本墨画寒山拾得 shihon bokuga Kanzan Jittoku | Akita | Daihi-ji (大悲寺) | pair of scrolls | 39°42′46″N140°06′38″E / 39.712894°N 140.110477°E | ||||
Sixteen Benevolent Deities, colour on silk 絹本着色十六善神 kenpon chakushoku jūroku zenjin | Akita | Daihi-ji (大悲寺) | 39°42′46″N140°06′38″E / 39.712894°N 140.110477°E | |||||
Kōbō Daishi, colour on silk 絹本着色弘法大師像 kenpon chakushoku Kōbō Daishi zō | end of the Kamakura period/early Muromachi period | Oga | Chōraku-ji (長楽寺) | holding a vajra and rosary [21] | 39°52′00″N139°45′06″E / 39.866567°N 139.751801°E | |||
Sketchbook of Odano Naotake 小田野直武筆写生帖 Odano Naotake hitsu shaseichō | c.1777 | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | ink and colour on paper [22] | 42.5 centimetres (1 ft 4.7 in) by 28.3 centimetres (11.1 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Cranes, by Shen Nanpin 鶴之図(沈南蘋筆) tsuru no zu (Shen Nanpin hitsu) | 1738 | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | pair of scrolls [23] | 97.2 centimetres (3 ft 2.3 in) by 49.6 centimetres (1 ft 7.5 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Shaka Triad 釈迦三尊像図 Shaka sanson zō | Akita | Tōfuku-ji (当福寺) | 39°43′10″N140°06′39″E / 39.719352°N 140.110788°E | |||||
Copy of Van Royen's Flowers and Birds, colour on paper, by Ishikawa Tairō and Ishikawa Mōkō 紙本着色ファン・ロイエン筆 花鳥図模写 石川大浪・孟高合筆 shihon chakushoku Fan Roien hitsu kachō zu mosha Ishikawa Tairō・Mōkō hitsu | 1796 | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | copy of W. Van Royen's painting of 1725 [24] [25] | 232.8 centimetres (7 ft 7.7 in) by 107.0 centimetres (3 ft 6.1 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Nursing Tigress, by Hirafuku Suian 平福穂庵筆 乳虎 Hirafuku Suian hitsu nyūko | 1890 | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | ink and colour on silk [26] | 159.5 centimetres (5 ft 2.8 in) by 82.4 centimetres (2 ft 8.4 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
High Mountains Clear Autumn, by Terasaki Kōgyō 寺崎廣業筆 高山清秋 Terasaki Kōgyō hitsu kōzan seishū | 1914 | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | on silk, mounted on a pair of six-panel folding screens [27] | 364.2 centimetres (11 ft 11.4 in) by 168.2 centimetres (5 ft 6.2 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Haruyama, by Hirafuku Hyakusui 平福百穂筆 春山 Hirafuku Hyakusui hitsu Haruyama | 1933 | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | ink and colour on paper [28] | 104.0 centimetres (3 ft 4.9 in) by 91.0 centimetres (2 ft 11.8 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Mount Fuji, by Odano Naotake 小田野直武筆 富嶽図 Odano Naotake hitsu Fugaku zu | 1770s | Yokote | Akita Prefecture (kept at the Akita Museum of Modern Art) | colour on silk [29] | 77.0 centimetres (2 ft 6.3 in) by 43.5 centimetres (1 ft 5.1 in) | 39°17′32″N140°32′51″E / 39.2923054°N 140.54753148°E | ||
Sketchbook of Satake Shozan 佐竹曙山 写生帖 Satake Shozan shaseichō | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | three volumes [30] | 34.0 centimetres (13.4 in) by 26.3 centimetres (10.4 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | ||
Scenery with Lake, by Satake Shozan 佐竹曙山筆 湖山風景図 Satake Shozan hitsu gozan fūkei zu | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 16.0 centimetres (6.3 in) by 26.3 centimetres (10.4 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Bamboo and Java Sparrows, by Satake Shozan 佐竹曙山筆 竹に文鳥図 Satake Shozan hitsu take ni bunchō zu | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 136.0 centimetres (53.5 in) by 40.0 centimetres (15.7 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Irises and a Knife, by Satake Shozan 佐竹曙山筆 燕子花にナイフ図 Satake Shozan hitsu kakitsubata ni naifu zu | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 112.5 centimetres (44.3 in) by 40.0 centimetres (15.7 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Pink Lotus, by Satake Shozan 佐竹曙山筆 紅蓮図 Satake Shozan hitsu guren zu | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 87.0 centimetres (34.3 in) by 30.5 centimetres (12.0 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Bamboo Grass and White Rabbit, by Odano Naotake 小田野直武筆 笹に白兎図 Odano Naotake hitsu sasa ni shiro usagi zu | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 100.5 centimetres (39.6 in) by 32.5 centimetres (12.8 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Children with Dog, by Odano Naotake 小田野直武筆 児童愛犬図 Odano Naotake hitsu jidō aiken zu | later C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 41.5 centimetres (16.3 in) by 64.0 centimetres (25.2 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Properties designated at a municipal level include:
Property | Date | Municipality | Ownership | Comments | Image | Dimensions | Coordinates | Ref. |
---|---|---|---|---|---|---|---|---|
Icon with Saints 聖像画 Seizōga | Ōdate | Hokuroku Orthodox Church (北鹿ハリストス正教会) | by Yamashita Rin | 40°12′53″N140°37′27″E / 40.214607°N 140.624301°E | ||||
Ink Landscape, by Satake Yoshimasa 佐竹義和筆「水墨山水」 Satake Yoshimasa hitsu suiboku sansui | Edo period | Akita | Akita City (kept at Satake Historical Museum) | 39°43′12″N140°07′29″E / 39.720019°N 140.124823°E | ||||
Hunter, colour on silk, by Hirafuku Hyakusui 絹本着色猟夫 平福百穂筆 kenpon chakushoku ryōfu Hirafuku Hyakusui hitsu | 1903 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 162.6 centimetres (5 ft 4.0 in) by 92.3 centimetres (3 ft 0.3 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Begonias with Frog, colour on silk, by Odano Naotake 絹本着色岩に秋海棠と蛙図 小田野直武筆 kenpon chakushoku iwa ni shūkaidō to kaeru zu Odano Naotake hitsu | C18 | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 129.0 centimetres (4 ft 2.8 in) by 31.9 centimetres (1 ft 0.6 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Flowers and Birds, colour on silk, by Sasaki Harazen 絹本着色花鳥図 佐々木原善筆 kenpon chakushoku kachō zu Sasaki Harazen hitsu | Edo period | Akita | Akita City (kept at the Akita Senshū Museum of Art) | 143.8 centimetres (4 ft 8.6 in) by 60.8 centimetres (1 ft 11.9 in) | 39°43′02″N140°07′28″E / 39.717346°N 140.124575°E | |||
Kōgaku-ji (向嶽寺), originally Kōgaku-an, is a Buddhist temple belonging to the Rinzai school of Japanese Zen. located in the city of Kōshū, Yamanashi, Japan. It is the head temple of one of fourteen autonomous branches of the Rinzai school. Its main image is a statue of Shaka Nyōrai. The temple, including its famed Japanese garden is not open to the general public.
Hōkoku-ji (報国寺) is an old temple in the Kenchō-ji school of the Rinzai sect of Zen Buddhism located in Kamakura, Japan. Famous for its bamboo garden, it is also known as "Bamboo Temple".
Kōyasan Reihōkan is an art museum on Kōya-san, Wakayama Prefecture, Japan, preserving and displaying Buddhist art owned by temples on Kōya-san. The collection is centered around articles from the Heian and Kamakura periods and includes paintings, calligraphy, sutras, sculpture and Buddhist ritual objects. Among these are a set of the complete Buddhist canon (issaikyō), writings of Kūkai and Minamoto no Yoritomo, founder of the Kamakura Shogunate, mandalas and portraits of priests. The most valuable objects have been designated as National Treasure or Important Cultural Property.