The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert [1] and first manufactured in 1935. [2] Various models were produced, which originally used tonewheels to generate sound via additive synthesis, where component waveform ratios are mixed by sliding switches called drawbars and imitate the pipe organ's registers. Around 2 million Hammond organs have been manufactured, and it has been described as one of the most successful organs ever. [3] The organ is commonly used with, and associated with, the Leslie speaker.
Tonewheel organs generate sound by shaped mechanical wheels, that rotate in front of electromagnetic pickups. Each tonewheel assembly creates tones with low harmonic content, close to a sine wave. Inside the coil is a permanent magnet. As the profile of the tonewheel pass by, the strength of the magnetism changes—when the highest part is closest to the tip of the magnet, the magnetism is strongest. As the magnetism varies, an alternating current (AC) is induced in the coil, producing one of the frequencies used in harmonic synthesis. [4]
Image | Model Name / Number | Years produced | Description |
---|---|---|---|
A | 1935–1938 [5] | The first Hammond in production. Two 61-note manuals, 25-note pedalboard, 2 x 9 drawbars per manual, 2 pedal drawbars, 9 presets per manual, a tremolo effect generator ("tremulant"). [5] | |
A-B | 1936–1938 [5] /1942 [6] | After the introduction of Model B-C in 1936, previous Model A was available as Model A-B. [5] / B series actually starts with Model A-B. [6] | |
B-C | 1936–1942 [7] | The first organ produced in the deeper Model B cabinet, to accommodate the chorus generator [7] | |
B-A | 1938 [8] | Model B-C style organ with built-in player organ mechanism [9] (possibly Duo-Art), custom built by Aeolian-Skinner. [10] | |
BV | 1946–1949 [6] | Same as Model B-C but with the Hammond Vibrato and Vibrato Chorus. Model B-C itself could be converted to the Model BCV by installing these units. [6] | |
B-2 | 1949–1954 [11] | Model B style cabinet with Selective Vibrato (vibrato available on either manual independently). | |
B-3 | 1954–1974 [12] | The best known Hammond. Similar to the B-2, but with added Touch-Response Percussion Control. Made famous by Jimmy Smith who influenced numerous other players. [13] | |
A-100 | 1959–1965 [14] | Same tone-wheel generator as the B-3 / C-3 but with power amp and speakers built into the console, along with a separate Reverb amplifier and speaker. [15] | |
C | 1939–1942 [16] | Almost same as Model A-B but with church style cabinet. [16] | |
CV | 1945–1949 [17] | Based on Model C, Hammond Vibrato was added. Similar to the B-V, but without a chorus generator, and with in a church style cabinetry. [17] | |
C-2 | 1949–1954 [11] | Identical to the B-2 except for cabinetry (Tudor-style "closed" cabinet). | |
C-3 | 1954–1974 [12] | The second best known Hammond. Identical to the B-3 except for cabinetry. | |
D | 1939–1942 [8] | A model C organ with factory supplied chorus generator | |
D-100 | 1963–1969 [18] | Internals of an RT-3 with built-in amp and speakers | |
E | 1937–1949 [19] | The first Hammond Organ with a 32-note American Guild of Organists (AGO) pedalboard. Also included toe pistons, a Great to Pedal coupler and separate Expression Pedals for Swell and Great Manuals. | |
E-100 | 1965–1970 [20] | A self-contained organ somewhat similar to the A-100 except for: One set of Drawbars per manual instead of two, Preset Tabs replace reverse-color Preset Keys, Percussion Voices with Reiterate instead of harmonic percussion and added Harp Sustain and rhythm effects (Cymbal and Brush) for Lower Manual and Pedals. | |
E-200 | 1965–1971 [21] | A version of the E-100 specifically designed for churches. Liturgical Preset Tabs, no Cymbal/Brush or Reiterate on the Percussion which plays from the Lower Manual. | |
E-300 | 1965–1969 [22] | A lower-cost version of the E-100. Celesta substituted for Harp Sustain in the Percussion section. | |
G | 1941–1944 [23] /1946[ citation needed ] | Almost identical to model D, except for the side handles for transportation. Model G means US Government model to use on US Army and various recreational service facilities. Supplied with tone cabinet G-40 (B-40 with an extra reverb unit). [23] [24] Two models in Church-styled cabinet were made under military specifications, and named G (G for "Government contract", with chorus), and G-2 (with vibrato), to be installed in chapels and officer's messes of U.S. Army and Navy.[ citation needed ] Later, Government model was taken over by model C-2G (1952-1953) and C-3G (1955-?). [23] | |
G-100 | 1964–1967 [25] | Non-drawbar tone-wheel organ built completely to AGO specifications. Included 65 stop tablets, 12 couplers, 18 thumb pistons, 8 toe pistons. Also known as the Grand-100. | |
H-100 | 1965–1969 [26] | Deluxe self-contained tone-wheel organ with extra tonewheels for higher pitched tones. Also included reverse-color Preset Keys, Mixture Drawbars for additional harmonic, String Bass (pedal sustain), Stereo Reverb and stereo chorus and vibrato scanners. 50 Watts of three-channel amplification. [27] | |
H-262 | 1969–1975 [28] | Version of the H-100 designed for churches. | |
HX-100 | 1970-1975[ citation needed ] | Version of the H-100 in an X-66-style case for stage work. Supplied with D10 speaker.[ citation needed ] | |
L-100 series | 1961–1968 [19] | First Hammond to retail for under £1,000. [29]
| |
Porta B series | 1971–1974 [30] (1970 [31] ) | Portable version of L-100 series for professional use. [31] There were several versions on each country, built by different factories: [32]
| |
M | 1948–51 [11] [33] | First spinet organ. 2x44 key manuals, 12 note pedalboard. | |
M-2 | 1951–1955 [11] [33] | An M with Selective Vibrato (Vibrato available on either Manual separately). | |
M-3 | 1955–1964 [11] [33] | Same as M-2 but with Touch-Response Percussion Control. | |
M-100 | 1961–1968 [34] | Tone-wheel spinet organ, replacing the M series. Added features include Presets, Vibrato Celeste and Stereo Reverb. Also the Legato Pedal control is controlled by a tablet, replacing the foot switch on the M-series organs. | |
R-100 | 1970–1975 [35] | Self-contained organ based on the E-100 but with transistor / solid-state power amp, built-in Leslie (no scanner vibrato) and Pedal String Bass. | |
RT | 1949 | Replacement for the Model E. Similar cabinet style to models C and D but with 32 note AGO pedalboard and electronic Pedal Solo Unit. | |
RT-2 | 1949–1954 [14] | Similar to RT but with Selective Vibrato. | |
RT-3 | 1954–1969 [14] | Same as RT-2 but with added Touch-Response Percussion Control. | |
T-100 series | 1968–1975 [36] | A tonewheel spinet with a transistor / solid-state power amplifier
| |
X-66 | 1967–1973 [38] | 12-tone tonewheel generator with frequency divider and various additional features | |
X-77 | 1968–1973 [39] | A restyled H-100, designed to replace the B-3. Had its own Leslie cabinet, the X-77L |
Vacuum tube musical instruments mean electronic musical instruments generating sound with vacuum tube-based electronic oscillators. Hammond Organ Company commercialized it in the late-1930s as Novachord (1939–1942) and Solovox (1940–1948). Especially, new designs introduced on Novachord — subtractive synthesis and frequency divider — were immediately followed by many manufacturers of electronic organs and polyphonic synthesizers during the 1940s-1970s. However, Hammond Organ Company did not adopt these on main products until the 1960s, except for S series chord organ (1950–1966) and "Solo Pedal Unit" on RT series and D-100 (1949–1969).
Image | Model Name / Number | Years produced | Description |
---|---|---|---|
Novachord (model H) | 1939–1942 [40] | First commercial polyphonic synthesizer. Although Novachord itself is not referred to as an electronic organ, its basic design became mainstream, being implemented in electronic organs and polyphonic synthesizers during 1940s-1970s. | |
Solovox (model J,K,L) | 1940–1950 [41] | Monophonic attachment keyboard instrument, intended to accompany the pianos with lead voice of organ and orchestral sound. It consists of two units — a 3-octave mini keyboard attaching under the piano keyboard, and a tone cabinet including electronic sound generator, amplifier and loudspeaker. [42] The sound generator is based on a vacuum tube oscillator and octave divider circuits originally designed for Novachord. There are three minor changed models: [41]
| |
Solo Pedal Unit on RT series and D-100 | 1949–1969 [14] | Solo Pedal Unit (or Pedal Solo Unit) provides a monophonic bright bass sound on RT series and model D-100 consoles, layered with traditional polyphonic tonewheel pedal sound. Although Solo Pedal Unit is highest-note priority and it can play only one note at a time, the players can play polyphonic bass lines by the help of traditional pedal sound. The sound generator is electrically similar to Solovox Model L. It consists of a vacuum tube oscillator and five frequency divider circuits, controlled by a volume and 8-stop tablets (Bourdon 32', Bombarde 32', 16', 8', 4', 2' & 1', mute, pedal solo on) placed on the right side of lower manual. Although there are five revisions of units, these are interchangeable on all RT series consoles. [43] | |
S series Chord Organ | 1950–1966 [44] | First chord organ. Its "easy to play" [45] style initiated a new market segment leading to today's home keyboard market. [46] The S series Chord Organ can be played via following interfaces: [44]
| |
[47] | F-100 Extravoice (model A, B) | 1960-1961 / 1961-1964 [48] | Descended from the Novachord and are more like a tube synthesizer than an organ, with nothing in common with the tonewheel Hammond models. They produce totally unique sounds that can be mellow and haunting or brash and quirky. They also incorporate the circuitry from a Solovox monophonic tube synthesizer, with more tonal options and greater stability than the Solovox models typically have. Used in Fiona Apple's track "Fast As You Can". [49] [50] |
Hammond started to produce transistor organs when the production of tonewheels became too expensive, switching to full-time Integrated Circuit (IC) models in 1975. [51] [52]
Image | Model Name / Number | Years produced | Description |
---|---|---|---|
Aurora (Century, Custom and Classic) [53] | 1975-81 [31] [53] | First composite spinet organ with both drawbars and electronic voices, no tonewheels. Classic top of range with strings brass and presets.Final model had pro-chord.[ citation needed ] | |
B3000 | 1978 [54] (or 1975 [55] ) | Solid-state copy of the B-3, with additional string division, electric and grand pianos. Key click was re-introduced. [31] Supplied with matching Leslie HL-722.[ citation needed ] | |
VS-150 VS-300 VS-350 | Cadette (model V,VS) | 1969–1970s [56] [57] | Entry-level all-tab transistor spinet organ, no tonewheels. This series were all designed in the United States, built in Japan, and subsequently also assembled in England: Initially, first series were built by Yamaha (c.1969–), then by Nihon Hammond during 1973–1975. Subsequently Hammond UK began to import these models in kit form, and assembled in proper wooden cases for domestic market. [56] [57] |
Chord | 1965–1969 [58] | Transistor organ with 48 chord buttons. [58] | |
Colonnade | 1979 [59] | Console version of Aurora Classic.[ citation needed ] | |
Commodore | 1979-81 [60] | 9 upper and 9 lower drawbars. [60] | |
Composer | 1982–83 [61] | Transistor organ with "Compose-a-chord" feature. [61] | |
Concorde | 1972 - c.1977 [62] (or 1973 [31] ) | First LSI-based Hammond console organ with drawbars, no tonewheels. [31] This model was once erroneously advertised as a next generation top model take over the X-77, called X-99; though, its official name was the Concorde. [63] | |
Cougar | 1973–1976 [64] | Transistor spinet organ with drawbars, in some extent, corresponded to a kind of successor of L-100 series tonewheel spinet organ, although its new drawbars arrangement is slightly exotic; its upper manual has normal nine drawbars; on the other hand, lower manual has only two 8' drawbars with sawtooth. This anomalous design was only followed by a few models (8000 series, 8100 series, and 8200 Aurora series). [64] | |
Dolphin | 1973–1976 [65] | Spinet organ with 20 one finger chords. Dolphin 9900 series in 1976 has the built-in polyphonic synthesizer. | |
Elegante | 1980-1981 [54] | Hammond 1980s Flagship 2x61 note manuals, 25 pedals, Tonebars, Multiplex Synthesiser, Easy Play, 9 pistons, 4 speakers plus Leslie. Unlikel the contemporary Romance series, the electronics were mostly discrete transistors apart from the 440 multiplex generator and 434/435 LSI chips in the rhythm and auto-play boards. [66] | |
Grandee | 1975 [67] -? | Grandee (11100 and 11200(M) series), released in 1975, was a model that enjoyed great interest in the Low Countries. It equipped full features at that time: 61×2 keys, 25 pedal with sustain, IC based tone generator, Delay Vibrato or Leslie & Vibrato, Reverb & Sustain, Auto-Vari 64 Rhythm, Automatic Accompaniment, Arpeggiator, etc. [67] | |
Model J-112 | J-100 series | 1967–1968 [68] (Late 1960s [36] ) | Transistor spinet organ - no tonewheels |
Model K-102 | K-100 series | (Late 1960s)[ citation needed ] | Transistor spinet organ - no tonewheels. [69] |
Maverick | 1973–1975 [70] | Middle-priced all-tab spinet organ. | |
Monarch | 1975-77 | Console organ 1975-77 [71] | |
Phoenix | 1972 [31] | First LSI-based all-tab Hammond spinet organ. | |
Piper Autochord | 1970–1979 [72] | First automatic chording instrument. Single manual, with automatic rhythm, automatic chording and no bass pedals. [31] [73] | |
Portable B-100 | 1980–1984 [74] | Single manual version of B-250. Manufactured by Nihon Hammond. [74] | |
Portable B-200 | — | Successor of X-5, portable version of Aurora 8222. [75] | |
Portable B-250 | 1980–1984 [76] | 2 x 61 note manuals. Manufactured by Nihon Hammond. [76] | |
Portable B-300 | — | B-200 plus strings, portable version of Aurora Classic 232000. [77] | |
Composer 146 (a sibling model) | Portable B-400 | 1984 [78] –? | Only drawbars to upper, digital drum machine, digital solo voice, human choirs, and MIDI. [79] [78] |
Portable X-2 | 1978 [31] | Single manual version of X-5. [80] | |
Portable X-5 | 1979 [11] | Portable spinet, transistor copy of the B-3 (or Porta B), derived from Ace Tone GT-7 [81] circa 1971. Manufactured by Nihon Hammond, a Japanese joint venture between main company and Sakata (parent company of Ace Tone). | |
Regent | 1973–1976 [82] | First all-tab theatre style Hammond organ. | |
Romance series | 1977–1983 [83] | Integrated circuit generated spinet organ. No drawbars. | |
Sounder | 1973 [31] -1976 [84] | First Hammond to retail for under $500, sold through both music and mass merchant outlets. Single manual organ. |
After the Hammond Organ Company ceased trading in 1985, production initially went to Noel Crabbe's Hammond Organ Australia, and then to Suzuki Musical Instrument Corporation, who, under the name Hammond-Suzuki, manufacture digital organs. [85]
Image | Model Name / Number | Years produced | Description |
---|---|---|---|
Super B | 1986 [86] | First full-digitally sampled Hammond organ, with dual manual, downloadable voice tables, and MIDI. [86] [87] Manufactured by Suzuki-Hammond, the predecessor of later Hammond-Suzuki. | |
Super CX-2000 | 1988 [88] | CX-2000 and its minor model SX-2000, probably released by Hammond Suzuki in 1988, were based on the predecessors, SX-1 & CX-1. Newly expanded "Orchestral Section" was two groups/banks of digitally sampled orchestral voices that can be combined with the drawbars and strings group. [88] [89] | |
EX-1000 | 1989 [90] | EX-1000 was one of the first models built by Hammond Suzuki in Japan. Later the minor models EX-700 and 800 were added. This model had 3 types of expansion cards: (1) Voice ROM cards (extra sounds), (2) Autoband Style cards (rhythm and accompaniments), (3) RAM cards (user memory, 16K and 32K) [90] [91] | |
XB-2 | 1991–1998 [11] | Single manual organ. First digital organ produced by Hammond-Suzuki. Tone generator was same as Super B. [92] | |
XB-3 | 1993–1998 [93] | Dual manual organ with 4 sets of drawbars, reverse colour presets and waterfall keys. In an extended B3 case.[ citation needed ] | |
XB-5 | 1993 [93] —? | Two manual organ with two sets of drawbars and bass drawbars. [94] | |
XM-1 / XM-c1 | 1997–2005 [93] | MIDI organ module (XM-1) with drawbar controller (XM-c1) | |
XB-1 | 1998–2005 [93] | Standalone version of the XM-1. / Cost-cut model using DSP technology (32-voice polyphony, DSP effects including Leslie-simulator, and the simplify of Leslie connector). [92] | |
XK-2 | 1999–2004 [95] | Improved XB-2 with waterfall keys | |
XE series | 2000 [96] [97] –? | c.XE-1 / XE-2 / XE-200: Modular all singing and dancing[ citation needed ] single manual modular organ (XE-1), dual manual(XE-2), and built in cabinet (XE-200) [97] [98] | |
New B-3 | 2003–present [99] | A replica of the original B-3 with digitally generated tonewheel simulation | |
XK-1 | 2005–2011 | Cut down version of XK-3, but extended vib/cho settings later in XK-3C | |
XM-2 / XM-c2 | 2005–present | MIDI module version of the XK-1 | |
XK-3 | 2004–2007 | Same internals as a New B-3 with cheaper keyboard base and built in Leslie simulator. Can be expanded with optional lower manual, stand and pedalboard. [100] | |
XK-3c | 2007–present [101] | Updated version of the XK-3 | |
SK1 | 2011–2020 [102] | Stage keyboard with pianos and other instrument samples as well as organ | |
SK-2 | 2011–2020 | Dual manual SK-1 | |
XK-1c | 2013–present | Improved XK-1 | |
XK-5 | 2016–present | 4 drawbar sets + pedal like B3, improved multicontact shallow keybed etc. | |
SK-X | 2018–2020 | Replaced SK-2 and has 2 sets of drawbars, improved interface and 11-pin Leslie connector |
The Hammond organ is an electric organ invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Multiple models have been produced, most of which use sliding drawbars to vary sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier to drive a speaker cabinet. The organ is commonly used with the Leslie speaker.
In music, the organ is a keyboard instrument of one or more pipe divisions or other means for producing tones. The organs have usually two or three, up to five, manuals for playing with the hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual.
The Leslie speaker is a combined amplifier and loudspeaker that projects the signal from an electric or electronic instrument and modifies the sound by rotating a baffle chamber ("drum") in front of the loudspeakers. A similar effect is provided by a rotating system of horns in front of the treble driver. It is most commonly associated with the Hammond organ, though it was later used for the electric guitar and other instruments. A typical Leslie speaker contains an amplifier, a treble horn and a bass speaker—though specific components depend upon the model. A musician controls the Leslie speaker by either an external switch or pedal that alternates between a slow and fast speed setting, known as "chorale" and "tremolo".
Farfisa is a manufacturer of electronics based in Osimo, Italy, founded in 1946. The company manufactured a series of compact electronic organs in the 1960s and 1970s, including the Compact, FAST, Professional and VIP ranges, and later, a series of other keyboard instruments. They were used by a number of popular musicians including Sam the Sham, Country Joe and the Fish, Pink Floyd, Sly Stone, Blondie, and the B-52s.
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments:
Laurens Hammond was an American engineer and inventor. His inventions include the Hammond organ, the Hammond clock, and the world's first polyphonic musical synthesizer, the Novachord.
The Novachord is an electronic musical instrument often considered the world's first commercial polyphonic synthesizer. Incorporating many circuit and control elements found in modern synthesizers, and using subtractive synthesis to generate tones, it was designed by John M. Hanert, Laurens Hammond and C. N. Williams, and was manufactured by the Hammond company. Only 1,069 Novachords were built over a period from 1939 to 1942. It was one of very few electronic products released by Hammond that was not intended to emulate the sound of an organ.
Chord organ is a kind of home organ that has a single short keyboard and a set of chord buttons, enabling the musician to play a melody or lead with one hand and accompanying chords with the other, like the accordion with a set of chord buttons which was originated from a patent by Cyrill Demian in 1829, etc.
A clonewheel organ is an electronic musical instrument that emulates the sound of the electromechanical tonewheel-based organs formerly manufactured by Hammond from the 1930s to the 1970s. Clonewheel organs generate sounds using solid-state circuitry or computer chips, rather than with heavy mechanical tonewheels, making clonewheel organs much lighter-weight and smaller than vintage Hammonds, and easier to transport to live performances and recording sessions.
Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic.
The Nord Electro is a series of electronic keyboards, developed in Sweden by Clavia, that digitally emulate electro-mechanical keyboards, such as electric pianos and electronic organs, while designed to be highly portable.
The Fender Contempo Organ is a combo organ made by Fender during the late 1960s. It was designed to compete with similar instruments such as the Vox Continental and Farfisa Compact, and had additional stops, features and controllers not found on the other models. However, it was only in production for a few years as it struggled to compete with the more popular Hammond organ and Rhodes piano.
The Vox Continental is a transistorised combo organ that was manufactured between 1962 and 1971 by the British musical equipment manufacturer Vox. It was designed for touring musicians and as an alternative to the heavy Hammond organ. It supports drawbars in a similar manner to the Hammond, and has distinctive reverse-coloured keys. The sound is generated by a series of oscillators, using a frequency divider to span multiple octaves.
The Roland VK-7 is an electronic keyboard introduced in 1997 which simulates the sound of an electromechanical Hammond organ. Like other electronic musical instruments that emulate the sound of the electromechanical tonewheel-based organs formerly manufactured by Hammond, the VK-7 is referred to as a clonewheel organ. Currently it is replaced by the VK-8 and the VK-88.
The Gibson G-101 is a transistorised combo organ, manufactured in the late 1960s by the Lowrey Organ Company for Gibson.
The Lowrey organ was an electronic organ named after its developer, Frederick C. Lowrey (1871–1955), a Chicago-based industrialist and entrepreneur. Lowrey's first commercially successful full-sized electronic organ, the Model S Spinet or Berkshire, came to market in 1955, the year of his death. Lowrey had earlier developed an attachment for a piano, adding electronic organ stops on 60 notes while keeping the piano functionality, called the Organo, first marketed in 1949 as a very successful competitor to the Hammond Solovox.
The Korg CX-3 is an electronic clonewheel organ with drawbars that simulates the sound of an electromechanical Hammond organ and the Leslie speaker, a rotating speaker effect unit. The CX-3 was first introduced in 1979.
Diversi Musical Products, Inc is a manufacturer of electric organs. It specializes in making clones of the Hammond organ and became popular when jazz organists "Papa" John and Joey DeFrancesco "defected" from Hammond to using their organs instead.
Electric music technology refers to musical instruments and recording devices that use electrical circuits, which are often combined with mechanical technologies. Examples of electric musical instruments include the electro-mechanical electric piano, the electric guitar, the electro-mechanical Hammond organ and the electric bass. All of these electric instruments do not produce a sound that is audible by the performer or audience in a performance setting unless they are connected to instrument amplifiers and loudspeaker cabinets, which made them sound loud enough for performers and the audience to hear. Amplifiers and loudspeakers are separate from the instrument in the case of the electric guitar, electric bass and some electric organs and most electric pianos. Some electric organs and electric pianos include the amplifier and speaker cabinet within the main housing for the instrument.
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: CS1 maint: multiple names: authors list (link)1984 Hammond B-400 arrives. The first mass-manufactured organ with MIDI. Digital rhythms, digital solo voices, human choirs and a modern design in silver-metallic set new trends. / Composer-series are renamed K2 using the same digital technology as the B400.
[In English] XB-2 (1991.5~1997.11 [in Japan]) In 1986, Super B based on digital tone generator was released. This organ revived the B-3 by the digital technology using the sampling of the original tonewheel sound. / Then in 1991, the single-manual organ XB-2, powered by the Super B's tone generator, was released.", "XB-1 (1997.12~2004.11) [cost-cut model using DSP technology (32-voice polyphony, DSP effects including Leslie-simurator, and the simplify of Leslie connector from original 11pin to 8pin DIN)] ... 32-voice polyphonic organ using the VASE II synthesizing system. The waveform of tone generator was based on created by XB-2, with the additional fine-tuning.", "XK-2 (1998.12~2004.11) ...", "XK-3 (2004.5~2007.11) ...", "XK-1 (2006.5~) ...", "XK-3c (2007.12~) ...
2001 XE2 released, stage two of the XE system; a dedicated 61 note (with genuine Hammond keys) MIDI lower manual, initially available in kit form which includes side panels and cables, later available as a pre-built system. / 2002 XE-200, third stage of the XE system, a high powered amplified stand for the XE2 with pedals and expression pedal built in. / 2004 stage 4 of the XE series; the XE200se, a luxury version of the XE200 finished in Burgundy with full length music rest.
HAMMOND XE-Series An expandable, keyboard component system ... Now with the introduction of the XE-200 the totally integrated system is complete, providing a natural progression from single keyboard to full spinet organ with out ever having to change the basic unit. / XE-200 upgrade set for XE-1 and XE-2. The XE-200 (full spinet organ) can also be created with an upgrade set for the XE-1 or XE-2. The upgrade set for model XE-1 consists of: ● XLK-1 midi control manual (including 2 new side panels). ● STE-200, a wooden design substructure with a built-in 13 note pedal-board, expression pedal with footswitch, piano-sustain pedal and additional stereo amplification system (2x 50 Watt). The upgrade set for model XE-2 consists of: ● STE-200, ...