List of Jewish American composers

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This is a list of Jewish American composers. For listings of Jewish American songwriters, musicals writers, and film composers, see List of Jewish American musicians, which shares some names with this list. For other famous Jewish Americans, see List of Jewish Americans.

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<span class="mw-page-title-main">Kurt Weill</span> German composer (1900–1950)

Kurt Julian Weill was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943.

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<span class="mw-page-title-main">Mitchell Parish</span> American lyricist (1900–1993)

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<span class="mw-page-title-main">Marc Blitzstein</span> American composer

Marcus Samuel Blitzstein, was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro-union musical The Cradle Will Rock, directed by Orson Welles, was shut down by the Works Progress Administration. He is known for The Cradle Will Rock and for his off-Broadway translation/adaptation of The Threepenny Opera by Bertolt Brecht and Kurt Weill. His works also include the opera Regina, an adaptation of Lillian Hellman's play The Little Foxes; the Broadway musical Juno, based on Seán O'Casey's play Juno and the Paycock; and No for an Answer. He completed translation/adaptations of Brecht's and Weill's musical play Rise and Fall of the City of Mahagonny and of Brecht's play Mother Courage and Her Children with music by Paul Dessau. Blitzstein also composed music for films, such as Surf and Seaweed (1931) and The Spanish Earth (1937), and he contributed two songs to the original 1960 production of Hellman's play Toys in the Attic.

Adler is a surname of German origin meaning eagle. and has a frequency in the United Kingdom of less than 0.004%, and of 0.008% in the United States. In Christian iconography, the eagle is the symbol of John the Evangelist, and as such a stylized eagle was commonly used as a house sign/totem in German-speaking areas. From the tenement the term easily moved to its inhabitants, particularly to those having only one name. This phenomenon can be easily seen in German and Austrian censuses from the 16th and 17th centuries.

<span class="mw-page-title-main">Maurice Abravanel</span> Ottoman-born American conductor (1903–1993)

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Since Biblical times, music has held an important role in many Jews' lives. Jewish music has been influenced by surrounding Gentile traditions and Jewish sources preserved over time. Jewish musical contributions on the other hand tend to reflect the cultures of the countries in which Jews live, the most notable examples being classical and popular music in the United States and Europe. However, other music is unique to particular Jewish communities, such as klezmer of Eastern Europe.

<span class="mw-page-title-main">Rudolf Wagner-Régeny</span>

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<span class="mw-page-title-main">Kurt Adler</span> Austrian opera conductor (1907–1977)

Kurt Adler was an Austrian and American conductor, chorusmaster, author and pianist. He was best known as the chorus master and lead conductor of the Metropolitan Opera in New York City from 1943 to 1973. He conducted orchestras in Europe, North America, Canada and Mexico.

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<span class="mw-page-title-main">61st Annual Grammy Awards</span> 61st Annual Grammy Awards ceremony

The 61st Annual Grammy Awards ceremony was held on February 10, 2019, at the Staples Center in Los Angeles. Singer-songwriter Alicia Keys hosted. During her opening monologue, Keys brought out Lady Gaga, Jada Pinkett Smith, Jennifer Lopez, and former First Lady of the United States Michelle Obama, each of whom spoke about the impact that music had on their lives.

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References

  1. Oxford Dictionary of National Biography
  2. The Harvard Biographical Dictionary of Music Editor Don Michael Randel, Belknap Press of Harvard University, Cambridge, 1996 p. 6 ISBN   0-674-37299-9
  3. JINFO (1994-11-04). "Jewish Songwriters and Composers". Jinfo.org. Retrieved 2013-12-09.
  4. 1 2 3 4 Alan Rich, American Pioneers: Ives to Cage and Beyond (1995)
  5. 1 2 3 4 5 6 7 Nicolas Slonismky, Music Since 1900, 5th edition, Schirmer Books (1994)
  6. "Lauren Bernofsky". Jewish Music WebCenter. Retrieved 20 January 2025.
  7. "David Burger". Congregation Emanu-El of the City of New York. Archived from the original on November 26, 2018.
  8. 1 2 3 4 Kyle Gann, American Music in the 20th Century (1997)
  9. 1 2 3 4 5 6 7 8 9 10 Alex Ross, The Rest is Noise: Listening to the 20th Century
  10. Bleich, Chananya. "A Time to Sing: Well-known Chasidic musicians share some of the high points of their careers". Ami , November 27, 2013, p. 138.
  11. Archived October 18, 2006, at the Wayback Machine
  12. "Biography". Tobiaspicker.com. Archived from the original on February 7, 2009. Retrieved January 25, 2009.
  13. Matthew Gurewitsch (October 25, 2001). "A Soap Opera in Song". Wall Street Journal . Retrieved September 21, 2020. "Which has also attracted the notice of Tobias Picker, our finest composer for the lyric stage."
  14. Andrew Porter (November 13, 1978). "Musical Events". The New Yorker . Retrieved September 21, 2020. A genuine creator with a fertile, unforced vein of invention.
  15. Michael Kennedy and Joyce Bourne Kennedy (2007). Picker, Tobias. Oxford University Press. ISBN   978-0-19-920383-3 . Retrieved September 21, 2020.{{cite book}}: |work= ignored (help)
  16. Ronald Sanders, The Days Grow Short: The Life and Music of Kurt Weill (1980)