List of Monumentum pro Gesualdo stagings

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This is a chronological list of stagings of New York City Ballet co-founder and balletmaster George Balanchine's Monumentum pro Gesualdo made to Igor Stravinsky's eponymous music:

Contents

Premiere

NYCB revivals

Subsequent stagings

See also

Related Research Articles

George Balanchine Georgian choreographer, dancer and ballet master

George Balanchine was an American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its Artistic Director for more than 35 years.

New York City Ballet American ballet company

New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.

Carlo Gesualdo Italian composer, prince & murderer (1566-1613)

Carlo Gesualdo da Venosa was Prince of Venosa and Count of Conza. As a composer he is known for writing intensely expressive madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century. However, the best-known fact of his life is his brutal killing of his first wife and her aristocratic lover upon finding them in flagrante delicto. The fascination for his music and his crimes have gone hand in hand.

Giovanni de Macque was a Netherlandish composer of the late Renaissance and early Baroque, who spent almost his entire life in Italy. He was one of the most famous Neapolitan composers of the late 16th century; some of his experimentation with chromaticism was likely influenced by Carlo Gesualdo, who was an associate of his.

Darci Kistler is an American ballerina. She is often said to be the last muse for choreographer George Balanchine.

Mass (Stravinsky)

Igor Stravinsky composed his Mass between 1944 and 1948. This 19-minute setting of the Roman Catholic Mass exhibits the austere, Neoclassic, anti-Romantic aesthetic that characterizes his work from about 1923 to 1951. The Mass also represents one of only a handful of extant pieces by Stravinsky that was not commissioned. As such, part of the motivation behind its composition has been cited by Robert Craft and others as the product of a spiritual necessity.

Edward Villella American ballet dancer

Edward Villella is an American danseur and choreographer. He is frequently cited as America's most celebrated male dancer of ballet at the time. Villella was inducted into the Florida Artists Hall of Fame in 2007.

Miami City Ballet non-profit organisation in the USA

Miami City Ballet is an American ballet company based in Miami Beach, Florida, led by artistic director Lourdes Lopez. MCB was founded in 1985 by Toby Lerner Ansin, a Miami philanthropist. Ansin and the founding board hired Edward Villella, former New York City Ballet principal dancer to be the founding artistic director.

The Suzanne Farrell Ballet is a ballet company housed at the Kennedy Center, Washington, D.C., and founded in 2000 by Suzanne Farrell, one of George Balanchine's most celebrated ballerinas, and a former New York City Ballet principal dancer. Until 2017, the Suzanne Farrell Ballet was a full-fledged company produced by the Kennedy Center and had performed there since 1999 in addition to presenting extensive national and international tours. In September 2016, the Center announced that the company would be disbanding at the end of 2017, citing "possibilities of new expansion" and indicating that Farrell would likely return to "full-time teaching."

Diana Adams was a principal dancer for the New York City Ballet from 1950 to 1963 and favorite of George Balanchine, later becoming a teacher at — and dean of — the School of American Ballet.

Monumentum pro Gesualdo is a ballet by the New York City Ballet (NYCB) co-founder and balletmaster George Balanchine to music by Igor Stravinsky composed in honor of the 400th birthday of the composer Carlo Gesualdo and consisting of Stravinsky's orchestrations of Gesualdo's madrigals. The premiere took place on Wednesday, November 16, 1960, at City Center of Music and Drama, New York, with scenery and lighting by David Hays and was conducted by Robert Irving. The composer conducted the score's orchestral premiere on Tuesday, September 27, 1960, for the XXIII Venice Music Festival at La Fenice.

Oklahoma City Ballet non-profit organisation in the USA

The Oklahoma City Ballet is a professional dance company and school located in Oklahoma City. The company began under the artistic direction of Ballet Russe de Monte Carlo dancers Yvonne Chouteau and Miguel Terekhov in the Science and Arts Foundation building on the Oklahoma City Fairgrounds,

Los Angeles Ballet (LAB) located in Los Angeles, California is a ballet company founded and co-directed by husband-and-wife team Thordal Christensen and Colleen Neary. The company debuted December 2006 with an original performance of The Nutcracker. LAB has staged the Balanchine repertory, classical ballets and new works.

Balanchine technique or Balanchine method is the ballet performance style invented by dancer, choreographer, and teacher George Balanchine (1904–1983), and a trademark of the George Balanchine Foundation. It is used widely today in many of Balanchine's choreographic works. It is employed by ballet companies and taught in schools throughout North America, including the New York City Ballet and School of American Ballet, where it first emerged.

Toer van Schayk Dutch artist

Toer van Schayk is a Dutch ballet dancer, choreographer, scenic and costume designer, painter, and sculptor. Along with Rudi van Dantzig and Hans van Manen, he is one of the creative triumvirate that brought the Dutch National Ballet to international prominence in the latter half of the twentieth century.

Paul E. Frame is a retired American ballet dancer and practicing chiropractor. Frame danced as a member of the corps de ballet at New York City Ballet for ten years before retiring from the stage. He is currently the resident chiropractor for Ballet Arizona.