Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
The Rose Period comprises the works produced by Spanish painter Pablo Picasso between 1904 and 1906. It began when Picasso settled in Montmartre at the Bateau-Lavoir among bohemian poets and writers. Following Blue Period – which depicted themes of poverty, loneliness, and despair in somber, blue tones – Picasso's Rose Period represents more pleasant themes of clowns, harlequins and carnival performers, depicted in cheerful vivid hues of red, orange, pink and earth tones.
The Blue Period comprises the works produced by Spanish painter Pablo Picasso between 1901 and 1904. During this time, Picasso painted essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colors. These sombre works, inspired by Spain and painted in Barcelona and Paris, are now some of his most popular works, although he had difficulty selling them at the time.
Maria Bronislavovna Vorobyeva-Stebelska, also known as "Marie Vorobieff" or Marevna, was a 20th-century, Russian-born painter known for her work with Cubism and pointillism.
Eugène Anatole Carrière was a French Symbolist artist of the fin-de-siècle period. Carrière's paintings are best known for their near-monochrome brown palette and their ethereal, dreamlike quality. He was a close friend of Auguste Rodin and his work likely influenced Pablo Picasso's Blue Period. He was also associated with such writers as Paul Verlaine, Stéphane Mallarmé and Charles Morice.
Eugène Burnand was a prolific Swiss painter and illustrator from Moudon, Switzerland. Born of prosperous parents who taught him to appreciate art and the countryside, he first trained as an architect but quickly realised his vocation was painting. He studied art in Geneva and Paris then settled in Versailles. In the course of his life he travelled widely and lived at various times in Florence, Montpellier, Seppey (Moudon) and Neuchâtel. His later years were spent in Paris where he died a celebrated and well respected artist both in Switzerland and France. He was primarily a realist painter of nature. Most of his works were of rural scenes, often with animals, the depiction of which he was a master. He increasingly painted human figures and by the end of his career could be called a portraitist whose skill revealing character was profound.
Wilhelm Uhde was a German art collector, dealer, author, and critic, an early collector of modernist painting, and a significant figure in the career of Henri Rousseau.
Aimé Nicolas Morot was a French painter and sculptor in the Academic Art style.
Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris.
Carles Antoni Cosme Damià Casagemas i Coll was a Spanish painter and poet. He is known for his friendship with Pablo Picasso, who painted several portraits of Casagemas. They traveled around Spain and eventually to Paris, where they lived together in a vacant studio.
Marcellin Gilbert Desboutin was a French painter, printmaker, and writer. Desboutin always signed himself Baron de Rochefort.
The Musée Cantini is a museum in Marseilles that has been open to the public since 1936. The museum specializes in modern art, especially paintings from the first half of the twentieth century.
Paul Albert Laurens was a French painter.
Henri Joseph Thomas (1878-1972) was a Belgian genre, portrait and still life painter, sculptor and etcher from the Belgian School, Brussels, Belgium.
Woman with Black Glove is a painting by the French artist, theorist and writer Albert Gleizes. Painted in 1920, after returning to Paris in the wake of World War I, the paintings highly abstract structure is consistent with style of experimentation that transpired during the second synthetic phase of Cubism, called Crystal Cubism. As other post-wartime works by Gleizes, Woman with Black Glove represents a break from the first phase of Cubism, with emphasis placed on flat surface activity and large overlapping geometric planes.
Henry d'Estienne was a French painter and a member of the Académie des Beaux-Arts.
