Portrait of Gertrude Stein

Last updated
Portrait of Gertrude Stein
GertrudeStein.JPG
Artist Pablo Picasso
Year1905–06
MediumOil on canvas
Movement Rose Period
Dimensions100 cm× 81.3 cm(39 in× 32.0 in)
Location Metropolitan Museum of Art, New York City, United States

Portrait of Gertrude Stein (French: Portrait de Gertrude Stein) is an oil-on-canvas painting of the American writer and art collector Gertrude Stein by Pablo Picasso, which was begun in 1905 and finished the following year. The painting is housed in the Metropolitan Museum of Art in New York. It is considered one of the important works of Picasso's Rose Period. The portrait has historical significance, due to the subject's role in Picasso's early life as a struggling artist and eventual commercial success. It also represents a significant transitional step in the artist's move towards Cubism.

Contents

Background

After putting aside the pessimistic themes of his Blue Period, Picasso had begun a new, more optimistic phase in early 1905, which is now known as his Rose Period. The previous year, Picasso had arrived in Paris from Barcelona to settle there. During this time, Picasso was living in poverty in a dilapidated artist building at 13 rue Ravignan, known as Le Bateau-Lavoir. Gertrude and her brother Leo Stein were art collectors and became friends with Picasso later in 1905. The siblings acquired three Rose Period artworks from the artist at a point in his life when Picasso was still a struggling artist, thus playing an important role in his financial circumstances and eventual commercial success. By the end of 1906, Picasso's works were being bought by the art dealer Ambroise Vollard. [1]

Gertrude Stein was an influential collector of modern art. She held weekly “salons” in Paris, which became legendary and were a gathering place for writers, painters, critics, and poets. Gertrude Stein was also a radical and influential writer. Her portrait remained with her in France and she held on to it through both World Wars, until her death. [2]

Portrait of Gertrude Stein was bequeathed to the Museum of Modern Art when she died on 27 July 1946. The portrait was returned to the Metropolitan Museum of Art for permanent exhibition. [3]

Description

Shortly after meeting Stein in 1905, Picasso began to paint her portrait. According to Stein, the process took "eighty or ninety sittings". She recalled how during one session, when the sittings were nearly coming to an end in the winter, Picasso suddenly painted out the head and irritably said, "I can't see you any longer when I look." The portrait was left in this condition until the following autumn, when Stein returned to Paris. After returning from a trip to Spain, Picasso completed the head without even seeing Stein again. When the portrait was complete, both were content with the finished work. Stein said of the portrait, "I was and I still am satisfied with my portrait, for me, it is I, and it is the only reproduction of me which is always I, for me." [4]

Picasso's painting challenged the traditional ideas of portraiture, by depicting the subject as a large, hulking figure who stares blankly across the image, rather than towards the viewer. Her body is a round mass, as she leans forward and leans her arms weightily on her knees. In contrast to the work of Henri Matisse, Picasso uses dark, subdued hues of brown and red, rather than bright colours to portray his subject. Stein's physical details are not depicted realistically – her face has a mask-like appearance, with geometric features. This angular distortion is characteristic of his later Cubist works and is a notable contrast to the rounded, flat rendering of the rest of her body. The portrait's primitive style is inspired perhaps by Picasso's interest in African and Iberian art. [5] The purpose of this was to convey Stein as she really was, and not simply to portray her physical appearance. [6]

Alfred H. Barr Jr., Director of the Museum of Modern Art, commented on the significance of the repainting of the head in Stein's portrait. [3]

During the period between painting out the portrait's face and painting it in again a change of great importance took place in Picasso's art. The original style of the portrait had been naturalistic, comparatively soft and flat, as you can still see in the costume and background. But the repainted face is in the new style, suggesting a sculptured mask with severely drawn, boldly modeled features, rather like the faces of some ancient Spanish sculptures which Picasso had just seen in the Louvre. This change of style turned out to be of great historic importance for it showed the direction Picasso was to follow step by step until it led to cubism.

Significance and legacy

On the portrait's importance, Alfred H. Barr Jr. remarked that, "Aside from its value as a landmark in modern art, Picasso's painting stands as a powerful characterization of one of the most remarkable and influential American writers of her generation." [3]

In 2006, David J. Chalif M.D. remarked on the significance of the painting. "Universally recognized as one of the classic and pivotal works of Picasso's late Rose period, Portrait of Gertrude Stein brilliantly captures the psychological character of one of the great American writers and cultural figures of the last century." [2]

In 2015, Jonathan Jones wrote: "Ever since the Renaissance, the portrayal of women had been shaped by ideals of beauty and constrained social roles. Picasso’s Portrait of Gertrude Stein turns all that upside down. Stein has escaped from the confining categories with which western art previously ensnared women. She is neither old nor young, sexual nor submissive – her stone face makes her something new on Earth. She is in command of her identity." [7]

See also

Related Research Articles

<span class="mw-page-title-main">Juan Gris</span> Spanish artist (1887–1927)

José Victoriano González-Pérez , better known as Juan Gris, was a Spanish painter born in Madrid who lived and worked in France for most of his active period. Closely connected to the innovative artistic genre Cubism, his works are among the movement's most distinctive.

<span class="mw-page-title-main">Pablo Picasso</span> Spanish painter and sculptor (1881–1973)

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

<span class="mw-page-title-main">Cubism</span> 20th-century avant-garde art movement

Cubism is an early-20th-century avant-garde art movement begun in Paris that revolutionized painting and the visual arts, and influenced artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.

<span class="mw-page-title-main">Gertrude Stein</span> American author (1874–1946)

Gertrude Stein was an American novelist, poet, playwright, and art collector. Born in Allegheny, Pennsylvania, and raised in Oakland, California, Stein moved to Paris in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, Sherwood Anderson and Henri Matisse, would meet.

<span class="mw-page-title-main">Daniel-Henry Kahnweiler</span> German-born art collector and art dealer

Daniel-Henry Kahnweiler was a German-born art collector, and one of the most notable French art dealers of the 20th century. He became prominent as an art gallery owner in Paris beginning in 1907 and was among the first champions of Pablo Picasso, Georges Braque and the Cubist movement in art.

<i>Les Demoiselles dAvignon</i> 1907 painting by Pablo Picasso

Les Demoiselles d'Avignon is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. Part of the permanent collection of the Museum of Modern Art in New York, it portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. The figures are confrontational and not conventionally feminine, being rendered with angular and disjointed body shapes, some to a menacing degree. The far left figure exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are in an Iberian style of Picasso's Spain, while the two on the right have African mask-like features. Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style of compelling, even savage force” leading him to add a shamanistic aspect to his project.

<span class="mw-page-title-main">Picasso's Rose Period</span> Painting series by Pablo Picasso, 1904–07

The Rose Period comprises the works produced by Spanish painter Pablo Picasso between 1904 and 1906. It began when Picasso settled in Montmartre at the Bateau-Lavoir among bohemian poets and writers. Following his Blue Period – which depicted themes of poverty, loneliness, and despair in somber, blue tones – Picasso's Rose Period represents more pleasant themes of clowns, harlequins and carnival performers, depicted in cheerful vivid hues of red, orange, pink and earth tones.

<span class="mw-page-title-main">Cone sisters</span> American art collectors

Claribel Cone (1864–1929) and Etta Cone (1870–1949), collectively known as the Cone sisters, were active as American art collectors, world travelers, and socialites during the first part of the 20th century. Claribel trained as a physician and Etta as a pianist. Their social circle included Henri Matisse, Pablo Picasso and Gertrude Stein. They gathered one of the best known private collections of modern art in the United States at their Baltimore apartments, and the collection now makes up a wing of the Baltimore Museum of Art. Their collection was estimated to be worth almost a billion US dollars in 2002.

<i>Dora Maar au Chat</i> Painting by Pablo Picasso

Dora Maar au Chat is an oil-on-canvas painting by Pablo Picasso. It was painted in 1941 and depicts Dora Maar, the artist's lover, seated on a chair with a small cat perched on her shoulders. The painting is listed as one of the most expensive paintings, after achieving a price of $95 million at Sotheby's on 3 May 2006. It is currently the sixth-highest-selling painting by Picasso.

<span class="mw-page-title-main">If I Told Him: A Completed Portrait of Picasso</span> Poem by Gertrude Stein

"If I Told Him : A Completed Portrait of Picasso” is a poem written by Gertrude Stein in 1923. It was first published in Vanity Fair in 1924 and she subsequently published it in her 1934 collection Portraits and Prayers. This poem was part of a multi-decade intertextual dialogue between Stein and Pablo Picasso. Stein was one of the first to exhibit Picasso’s paintings at her weekly salons at 27 rue de Fleurus. In 1906, Picasso completed a portrait of Stein, and the following year, she wrote her first literary portrait of Picasso, titled “Picasso.” Over a decade later, when the two were no longer working as closely together, she wrote this second portrait, notable for its non-representational style.

<i>Boy Leading a Horse</i> Painting by Pablo Picasso

Jeune garçon au cheval is an oil on canvas painting by Pablo Picasso. The painting is housed in the Museum of Modern Art in New York. It was painted in Picasso's Rose Period from 1905 to 1906, when he was still a struggling artist living in Paris. The painting is a study for a much larger composition that Picasso never completed.

<i>Daniel-Henry Kahnweiler</i> (Picasso) 1910 painting by Pablo Picasso

Portrait of Daniel-Henry Kahnweiler is an oil on canvas painting by Pablo Picasso in the Analytical Cubism style. It was completed in the autumn of 1910 and depicts the prominent art dealer Daniel-Henry Kahnweiler, who played an important role in supporting Cubism. The painting is housed in the collection of the Art Institute of Chicago.

<span class="mw-page-title-main">Proto-Cubism</span> Phase in art history

Proto-Cubism is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and conditions, rather than from one isolated static event, trajectory, artist or discourse. With its roots stemming from at least the late 19th century, this period is characterized by a move towards the radical geometrization of form and a reduction or limitation of the color palette. It is essentially the first experimental and exploratory phase of an art movement that would become altogether more extreme, known from the spring of 1911 as Cubism.

In 1935, Spanish artist Pablo Picasso, 53, temporarily ceased painting, drawing, and sculpting in order to commit himself to writing poetry, having already been immersed in the literary sphere for years. Although he soon resumed work in his previous fields, Picasso continued in his literary endeavours and wrote hundreds of poems, concluding The Burial of the Count of Orgaz in 1959.

Head of a Young Woman is a 1906 oil painting by Pablo Picasso. It depicts the portrait of a young woman with long, dark hair. The painting dates from Picasso's Rose Period, during a trip that he made to the Catalan village of Gósol. It was owned by Spanish banker Jaime Botín until it was seized by the Spanish state in 2015. It is now housed at the Museo Nacional Centro de Arte Reina Sofía in Madrid.

<i>Young Girl with a Flower Basket</i> Painting by Pablo Picasso

Young Girl with a Flower Basket is a 1905 oil on canvas painting by Pablo Picasso from his Rose Period. The painting depicts a Parisian street girl, named "Linda", whose fate is unknown. It was painted at a key phase in Picasso's life, as he made the transition from an impoverished bohemian at the start of 1905 to a successful artist by the end of 1906. The painting is listed as one of the most expensive paintings, after achieving a price of $115 million when it was sold at Christie's on 8 May 2018. It is currently the fourth highest selling painting by Picasso.

<i>Famille dacrobates avec singe</i> Painting by Pablo Picasso

Famille d'acrobates avec singe is a 1905 painting by Pablo Picasso. It depicts a family of travelling circus performers during an intimate moment. The work was produced on cardboard using mixed media: gouache, watercolour, pastel and Indian ink. It is held by the Gothenburg Museum of Art in Gothenburg, Sweden. The work was painted at a key phase in Picasso's life, as he made the transition from an impoverished bohemian at the start of 1905 to a successful artist by the end of 1906.

<i>Girl on a Ball</i> 1905 painting by Pablo Picasso

Girl on a Ball or Young Acrobat on a Ball is a 1905 oil on canvas painting by Pablo Picasso, which he produced during his Rose Period. It depicts a group of travelling circus performers during a rehearsal, with a primary focus on two contrasting figures. It has been housed in the collection of the Pushkin Museum in Moscow since 1948.

<i>Portrait of Ambroise Vollard</i> (Picasso) Painting by Pablo Picasso

Portrait of Ambroise Vollard is an oil-on-canvas painting by Pablo Picasso, which he painted in 1910. It is now housed in the Pushkin Museum in Moscow. The painting is a representation of the influential art dealer Ambroise Vollard, who played an important role in Picasso's early career as an artist. It is painted in the style of Analytical Cubism, which Picasso pioneered.

<i>Le Repos</i> (Picasso) 1932 painting by Pablo Picasso

Le Repos is an oil-on-canvas painting created by Pablo Picasso in 1932. It depicts a portrait of Marie-Thérèse Walter, the artist's lover and muse, in a sleeping pose. The painting was produced in the midst of their relationship and is a demonstration of Picasso's love for his mistress. Le Repos was one of a series of sleeping portraits of Walter that Picasso created in 1932. On 14 May 2018, the painting achieved a value of $36.9 million when it was sold at Sotheby's auction.

References

  1. "Pablo Picasso (1881-1973)". Christies. 8 April 2018. Retrieved 2 December 2020.
  2. 1 2 Chalif, David J. (1 August 2006). "The Portrait of Gertrude Stein at 100". Neurosurgery. 59 (2): 410–21, discussion 410-21. doi:10.1227/01.NEU.0000222823.61317.3D. PMID   16883183. S2CID   34804886 . Retrieved 2 December 2020.
  3. 1 2 3 "Picasso Portrait of Gertrude Stein Goes On Exhibition At Museum of Modern Art" (PDF). The Museum of Modern Art. Retrieved 2 December 2020.
  4. Stein, Gertrude (1938). Picasso. London: B.T. Batsford, LTD. p. 8.
  5. "Gertrude Stein 1905-6". MET Museum. Retrieved 2 December 2020.
  6. Harris, Dr. Beth. "Pablo Picasso, Portrait of Gertrude Stein". Smart History. Retrieved 2 December 2020.
  7. Jones, Jonathan (May 21, 2015). "Was Picasso a misogynist?". The Guardian. Retrieved November 29, 2016.