Girl in a Chemise

Last updated
Girl in a Chemise
Girl in a Chemise by Picasso.jpg
Artist Pablo Picasso
Yearc.1905
Mediumoil on canvas
Dimensions72.7 cm× 60 cm(28.6 in× 24 in)
Location Tate

Girl in a Chemise (French: Jeune femme en chemise) is an oil-on-canvas painting created c. 1905 by Pablo Picasso. It is a portrait of a girl, whom experts believe to be Madeleine, Picasso's girlfriend during this period. Stylistically, the painting belongs to Picasso's Rose Period, although it is predominantly blue in tone. The painting is particularly remarkable for the presence of an earlier portrait of a young boy hidden beneath the surface, which Picasso transformed into the girl by making some subtle changes. The portrait has been housed in the collection of the Tate since 1933.

Contents

Background

Picasso painted Girl in a Chemise sometime around 1905, at a point when his artwork was going through a transitional phase. By 1904, he had settled in Paris following an ambition to discover new inspirations and develop his art. Since 1901, the young artist had been living in poverty and suffered from intense isolation. The years 1901 to 1904 are now known as his Blue Period, which was categorised by a dominant use of blue shades in his paintings and a preoccupation with the most impoverished and deprived social groups, such as beggars, drunks and prostitutes. By the spring of 1904, Picasso's artwork had taken a more optimistic tone, reflected in a more rosy palette and cheerful subject matter. This new period would later be known as his Rose Period. [1]

Description

Girl in a Chemise is the portrait of a girl wearing a white chemise. It is an oil painting on canvas measuring 72.7 cm x 60 cm and is signed and dated Picasso '05' on the lower left corner. The date of the painting remains unclear as Picasso's art dealer Daniel-Henry Kahnweiler disputed the date in a letter to the Tate Gallery in 1953. Art historians generally believe that it was begun in 1904 and was signed by Picasso earlier than when it was dated in 1905. [2]

The portrait is one of Picasso's earliest paintings upon settling in Paris in 1904. Although the painting is predominantly blue in tone, it belongs in style to his Rose Period. The transition between the two phases is evident in the warm tones of pink and brown that can be seen in the background. [3]

The identity of the subject has been a source of discussion. It has been suggested that the girl is a hybrid of several of Picasso's models. Kahnweiler dismissed speculation that the girl was Fernande Olivier, Picasso's partner who was living with him during this period. He said, "Picasso did not know Fernande Olivier when he painted this picture. The model was the woman with whom he was living then, before Fernande Olivier. I do not remember her name and I think it would be of no use mentioning it; Picasso, I am sure, would not like it". [2]

John Richardson, Picasso's biographer opined that the woman depicted in the painting was Madeleine, Picasso's former girlfriend. Art historians know little about her, except that she became pregnant and had an abortion. [4] Richardson remarked, "A new face in his work reveals that Picasso had found a new mistress. Madeleine she was called; all we know is that she was a model... she was pretty in a delicate, bird-like way (her nose and forehead formed a straight line). Madeleine's thick hair, loosely drawn back into a chignon, and her boyishly lean body recurs in a number of works done over the next six to nine months – works that mirror the blurring of the Blue into the Rose period". [5] Picasso's relationship with Madeleine overlapped with a new romantic interest in the form of Fernande Olivier, whom he met in August 1904. However, Richardson opined that, "it is Madeleine's skinny beauty that continues to haunt the work – at least until Spring 1905". [5]

Hidden painting

X-radiography has revealed an earlier painting of a young boy beneath the surface of the existing painting. The hidden painting depicts a young boy with a pleated white collar, short cropped hair, who may be wearing a skull cap. Researchers have considered the earlier painting to be an image of a saltimbanque, or travelling circus performer, dressed in a costume that is similar to a Pierrot. Experts believe that Picasso was portraying an urchin, rather than a fictional character, due to his appearance. Travelling circus groups were a popular form of entertainment during this period and a subject matter with which Picasso was familiar. The finished painting of the girl wearing a chemise is so thinly painted on top of the original image of the young boy, that it gives an androgynous aspect to the portrait. The date when Picasso changed the subject of the painting from a boy to a girl remains unknown. The Tate has particularly remarked on the "masterful way in which Picasso has transformed the male subject into a female portrait with a minimum of paint". The x-radiograph also revealed other hidden lines and shapes beneath the surface of the existing painting, which suggest that Picasso had reused the canvas after removing a previous work prior to painting the boy. [2]

Painting techniques

Further analysis of the painting has revealed Picasso's experimental painting techniques within the composition. He used oil paint to imitate the matte finish of gouache by working at the canvas to reveal varying tones in the painting. These variations of pigments are visible in the crevices of the painting on a microscopic scale. Varying tones can be detected beneath the black surface, including hints of blue, pink and brown. After creating the thin layer for the background, Picasso applied additional layers of thicker paint to the subject's face and figure. This was then scored with vertical lines to create a rough texture. [2]

Transformation of the subject

The painting of the saltimbanque boy was transformed into the girl with some subtle changes, such as the elongation of the head and the addition of a chignon. The outline of the head and face was redefined by a line of ultramarine blue. Picasso made the neck longer and created a more feminine chin by rounding the shape and adding a deeper indentation below the mouth. The lips were also altered and coloured vermillion red. The feminine nature of the subject was enhanced by placing the blue background against complementary shades of brown. The nose of the girl was made sharper and more prominent and the ear was more defined. The eye was also shaped to appear more feminine. Picasso scraped areas of the paint near the nose and in the eyelid to reveal a blue layer, thus creating a more haunting atmosphere. The torso was created using a layer of dark underpaint, covered with thin layers of skin colour and pale blue, which was then overpainted with thick lines of white for the chemise. The washy blue background was created using Prussian blue and diluted black paint, which was then brushed over the scraped surface and then dripped with solvent or diluted paint to expose other colours beneath the surface. [2]

Provenance

The painting was bequeathed to the Tate by C. Frank Stoop in 1933. [3]

Significance and legacy

The Tate paper notes that Girl in a Chemise is a precursor to the great saltimbanque paintings that he created during his Rose Period. The paper also summarises the significance of the painting in Picasso's early life and career. [2]

Seen in the context of Picasso's career this painting is considered one of his early works, but the technical accomplishment and the creativity of the artist are fully evident by this period. His limited palette was masterfully deployed, his very physical engagement with the painting process evident in the scraping and scoring of the paint, the juxtaposition of opaque matte colours and washes of transparent colour combining to produce this small but significant painting at a key transitional moment in his career.

See also

Related Research Articles

<span class="mw-page-title-main">Oil painting</span> Process of painting with pigments that are bound with a medium of drying oil

Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.

<span class="mw-page-title-main">Pablo Picasso</span> Spanish painter and sculptor (1881–1973)

Pablo Ruiz Picasso was a Spanish painter, sculptor, printmaker, ceramicist and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.

<span class="mw-page-title-main">André Derain</span> French artist and co-founder of Fauvism with Henri Matisse (1880–1954)

André Derain was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.

<i>Garçon à la pipe</i> Painting by Pablo Picasso

Garçon à la Pipe is an oil on canvas painting by Pablo Picasso. It was painted in 1905 when Picasso was 24 years old, during his Rose Period, soon after he settled in the Montmartre area of Paris. The painting depicts a Parisian adolescent boy who holds a pipe in his left hand and wears a garland of flowers on his head, surrounded by two floral decorations. The subject was a local boy named "P’tit Louis" who died at a young age. The painting is listed as one of the most expensive paintings, after being sold at Sotheby's auction for $104 million on 5 May 2004. It is currently the fifth highest selling painting by Picasso.

<span class="mw-page-title-main">Picasso's Rose Period</span> Painting series by Pablo Picasso, 1904–07

The Rose Period comprises the works produced by Spanish painter Pablo Picasso between 1904 and 1906. It began when Picasso settled in Montmartre at the Bateau-Lavoir among bohemian poets and writers. Following his Blue Period – which depicted themes of poverty, loneliness, and despair in somber, blue tones – Picasso's Rose Period represents more pleasant themes of clowns, harlequins and carnival performers, depicted in cheerful vivid hues of red, orange, pink and earth tones.

<span class="mw-page-title-main">Picasso's Blue Period</span> Art produced by Pablo Picasso from 1901 to 1904

The Blue Period comprises the works produced by Spanish painter Pablo Picasso between 1901 and 1904. During this time, Picasso painted essentially monochromatic paintings in shades of blue and blue-green, only occasionally warmed by other colors. These sombre works, inspired by Spain and painted in Barcelona and Paris, are now some of his most popular works, although he had difficulty selling them at the time.

<i>The Old Guitarist</i> Painting by Pablo Picasso

The Old Guitarist is an oil painting by Pablo Picasso, which he created in late 1903 and early 1904. It depicts an elderly musician, a haggard man with threadbare clothing, who is hunched over his guitar while playing in the streets of Barcelona, Spain. It is on display at the Art Institute of Chicago as part of the Helen Birch Bartlett Memorial Collection.

<i>Femme aux Bras Croisés</i> Painting by Pablo Picasso

Femme aux Bras Croisés, is an oil on canvas painting by Pablo Picasso, which he created between 1901 and 1902 during his Blue Period. The subject of the painting is unknown, but she is considered to be an inmate of the Saint-Lazare hospital-prison in Paris. The painting is listed as one of the most expensive paintings after it achieved a price of $55 million at Christie's auction on 8 November 2000.

<i>Boy Leading a Horse</i> Painting by Pablo Picasso

Jeune garçon au cheval is an oil on canvas painting by Pablo Picasso. The painting is housed in the Museum of Modern Art in New York. It was painted in Picasso's Rose Period from 1905 to 1906, when he was still a struggling artist living in Paris. The painting is a study for a much larger composition that Picasso never completed.

<i>The Actor</i> (painting) Painting by Pablo Picasso

The Actor is an oil-on-canvas painting by Spanish painter Pablo Picasso, created from 1904 to 1905. The painting dates from the artist's Rose Period. It is housed in the collection of the Metropolitan Museum of Art in New York City.

<span class="mw-page-title-main">Fernande Olivier</span> French painter (1881-1966)

Fernande Olivier was a French artist and model known primarily for having been the model and first muse of painter Pablo Picasso, and for her written accounts of her relationship with him. Picasso painted over 60 portraits of Olivier.

<i>Family of Saltimbanques</i> Painting by Pablo Picasso

Family of Saltimbanques is a 1905 oil on canvas painting by Pablo Picasso. The work depicts six saltimbanques, a kind of itinerant circus performer, in a desolate landscape. It is considered the masterpiece of Picasso's Rose Period, sometimes called his circus period. The painting is housed in the collection of the National Gallery of Art in Washington, D.C.

<i>The Blue Room</i> (Picasso) Painting by Pablo Picasso

The Blue Room is a 1901 oil on canvas painting by Pablo Picasso, which he painted during his Blue Period. It depicts a scene of a nude woman bending over in a bath tub. A hidden painting was revealed beneath the surface by x-ray images and infra-red scans, showing a portrait of a bearded man. The painting has been housed in The Phillips Collection, in Washington D.C. since 1927.

<i>Girl before a Mirror</i> Painting by Pablo Picasso

Girl before a Mirror(French: Jeune fille devant un miroir) is an oil on canvas painting by Pablo Picasso, which he created in 1932. The painting is a portrait of Picasso's mistress and muse, Marie-Thérèse Walter, who is depicted standing in front of a mirror looking at her reflection. It is housed in the collection of the Museum of Modern Art in New York City.

Woman Ironing is a 1904 oil painting by Pablo Picasso that was completed during the artist's Blue Period (1901—1904). This evocative image, painted in neutral tones of blue and gray, depicts an emaciated woman with hollowed eyes, sunken cheeks, and bent form, as she presses down on an iron with all her will. A recurrent subject matter for Picasso during this time is the desolation of social outsiders. This painting, as the rest of his works of the Blue Period, is inspired by his life in Spain but was painted in Paris.

<i>Portrait of Gertrude Stein</i> Painting by Pablo Picasso

Portrait of Gertrude Stein is an oil-on-canvas painting of the American writer and art collector Gertrude Stein by Pablo Picasso, which was begun in 1905 and finished the following year. The painting is housed in the Metropolitan Museum of Art in New York. It is considered one of the important works of Picasso's Rose Period. The portrait has historical significance, due to the subject's role in Picasso's early life as a struggling artist and eventual commercial success. It also represents a significant transitional step in the artist's move towards Cubism.

<i>Young Girl with a Flower Basket</i> Painting by Pablo Picasso

Young Girl with a Flower Basket is a 1905 oil on canvas painting by Pablo Picasso from his Rose Period. The painting depicts a Parisian street girl, named "Linda", whose fate is unknown. It was painted at a key phase in Picasso's life, as he made the transition from an impoverished bohemian at the start of 1905 to a successful artist by the end of 1906. The painting is listed as one of the most expensive paintings, after achieving a price of $115 million when it was sold at Christie's on 8 May 2018. It is currently the third highest selling painting by Picasso.

<i>Famille dacrobates avec singe</i> Painting by Pablo Picasso

Famille d'acrobates avec singe is a 1905 painting by Pablo Picasso. It depicts a family of travelling circus performers during an intimate moment. The work was produced on cardboard using mixed media: gouache, watercolour, pastel and Indian ink. It is held by the Gothenburg Museum of Art in Gothenburg, Sweden. The work was painted at a key phase in Picasso's life, as he made the transition from an impoverished bohemian at the start of 1905 to a successful artist by the end of 1906.

<i>Girl on a Ball</i> 1905 painting by Pablo Picasso

Girl on a Ball or Young Acrobat on a Ball is a 1905 oil on canvas painting by Pablo Picasso, which he produced during his Rose Period. It depicts a group of travelling circus performers during a rehearsal, with a primary focus on two contrasting figures. It has been housed in the collection of the Pushkin Museum in Moscow since 1948.

References

  1. "Exhibition Dedicated to Picasso's Blue and Rose Period Works to be Staged Next Year in Fondation Beyeler | Exhibitions | THE VALUE | Art News". TheValue.com. Retrieved 2021-01-15.
  2. 1 2 3 4 5 6 King, Annette. "Girl in a Chemise c.1905 by Pablo Picasso". Tate Papers. Retrieved 15 January 2021.
  3. 1 2 "Girl in a Chemise c.1905". Tate. Retrieved 15 January 2021.
  4. "See Works From Picasso's Tender Early Years as They Take Center Stage at the Fondation Beyeler". artnet News. 2019-02-26. Retrieved 2021-01-15.
  5. 1 2 Richardson, John (1992). A Life of Picasso, vol.1, 1886–1906. London. pp. 295–307.{{cite book}}: CS1 maint: location missing publisher (link)