Post-rock is a subgenre of experimental rock characterized by the exploration of textures and timbres as well as non-rock styles, often with minimal or no vocals, placing less emphasis on conventional song structures or riffs than on atmosphere for musically evocative purposes. Post-rock artists can often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. The genre emerged within the indie and underground music scenes of the 1980s and 1990s, but as it abandoned rock conventions, it began to show less musical resemblance to conventional indie rock at the time. The first wave of post-rock derives inspiration from diverse sources including ambient, electronica, jazz, krautrock, psychedelia, dub, and minimalist classical, with these influences also being pivotal for the substyle of ambient pop.
Page Nye Hamilton is an American guitarist, singer, songwriter and record producer, mostly noted for his work with alternative metal band Helmet, which he founded. Most of his work has been in the hard rock and alternative metal styles, though he trained in jazz guitar and has substantial connections with avant-garde music and film soundtrack composition.
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition.
Noise rock is a noise-oriented style of experimental rock that spun off from punk rock in the 1980s. Drawing on movements such as minimalism, industrial music, and New York hardcore, artists indulge in extreme levels of distortion through the use of electric guitars and, less frequently, electronic instrumentation, either to provide percussive sounds or to contribute to the overall arrangement.
Avant-garde metal is a subgenre of heavy metal music loosely defined by use of experimentation and innovative, avant-garde elements, including non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques. Avant-garde metal is influenced by progressive rock and extreme metal, particularly death metal, and is closely related to progressive metal. Some local scenes include Los Angeles, the San Francisco Bay Area, Boston, and Seattle in the United States, Oslo in Norway, and Tokyo in Japan.
Dazzling Killmen was an American math rock band from the St. Louis, Missouri area. Formed in 1990, the group issued four singles and two full-lengths before officially ending in 1995, with a majority of it released through the independent label Skin Graft Records. Taking influence from hardcore punk and jazz music, the band has been noted by critics to have helped influence genres such as math rock and post-metal.
Band of Susans was an American alternative rock No Wave band formed in New York City in 1986 and active until 1996. It originally consisted of Robert Poss (guitar/vocals), Susan Stenger (bass/vocals), Ron Spitzer (drums), with Susan Lyall (guitar), Susan Tallman (guitar), and Alva Rogers (vocals). The band would undergo several permutations over the years, usually involving three guitarists. Poss, Stenger, and Spitzer were the band's core members throughout its duration. They originated in the New York No Wave noise rock scene, but due to their layered guitar sound were sometimes seen as the American counterparts to the UK shoegazing bands. Like Sonic Youth, they drew influence from noise music experimental composers for the electric guitar Rhys Chatham and Glenn Branca.
Boris is a Japanese band that draws variously from styles such as sludge metal, drone, noise, psychedelia, and minimalism. Formed in 1992 in Tokyo, the band is composed of drummer Atsuo, guitarist/bassist Takeshi, and guitarist/keyboardist Wata. All three members sing. Boris has released more than 20 studio albums on various labels around the world, as well as a variety of live albums, compilations, EPs, singles, and collaborative albums. They have collaborated with acts such as Sunn O))), Merzbow, Keiji Haino, and guitarist Michio Kurihara.
Today Is the Day is an American noise rock and experimental metal band that originally formed in Nashville, Tennessee. The band's diverse sound combines influences from areas such as noise music, avant-garde metal, grindcore, post-hardcore, and alternative rock among other genres. Most of the band's recordings make extensive use of dissonance and sampling, as well as unusual production techniques and psychedelic overtones. Lyrical themes include depression, warfare, violence, altered states of consciousness, and mental disorders.
Neurot Recordings is an American independent record label founded by members of avant-garde metal band Neurosis in 1999. Gradually expanding, it has showcased a variety of artists including a number of sludge metal, post-rock, and noise bands.
Post-metal is a music genre rooted in heavy metal but exploring approaches beyond metal conventions. It emerged in the 1990s with bands such as Neurosis and Godflesh, who transformed metal texture through experimental composition. In a way similar to the predecessor genres post-rock and post-hardcore, post-metal offsets the darkness and intensity of extreme metal with an emphasis on atmosphere, emotion, and even "revelation", developing an expansive but introspective sound variously imbued with elements of ambient, noise, psychedelic, progressive, and classical music, and often shoegaze and art rock. Songs are typically long, with loose and layered structures that discard the verse–chorus form in favor of crescendos and repeating themes. The sound centres on guitars and drums, while any vocals are often but not always screamed or growled and resemble an additional instrument.
Asahito Nanjo (南條麻人) is a Japanese underground musician, best known for his psychedelic rock groups High Rise, Mainliner and Musica Transonic, and the ethnic improvisation unit Toho Sara. He has been active on the Tokyo underground scene since the late seventies.
Avant-garde refers to a style in experimental work in art, music, culture, or politics.
Skullflower is a British noise rock band, formed in 1987 in London, England. Led by guitarist Matthew Bower, the band attained a cult following with a sound based on "sludgy, Black Sabbath-style riffs overlaid with feedback, fuzzed-out guitar noise, and throttling rhythms, all played at a high volume." Always an improvisational outfit, the band's music grew increasingly free-form over the course of their career, moving farther away from the rock music form.
Metal Machine Trio was a group founded in 2008 by Lou Reed, Ulrich Krieger and Sarth Calhoun. The group played free improvised music, touching on various genres from free rock, free jazz, minimal music, noise music, electronica, to ambient music. The group rehearsed to test ideas, but all performances were improvised.
Acidity is the fifth album by Indonesian avant-garde metal band Kekal. It was recorded in celebration of the band's tenth anniversary, and was an official reunion album for the band. It marked the return of guitarist Leo Setiawan to the band, and includes the vocal talents of founding member Newbabe. The album was released following the band's successful 2004 European mini-tour, and a promotional concert and release party was held for the album on 13 March 2005 in Indonesia. It was considered by many to be the band's strongest work to date, and is one of four albums available for free download from the band on its website.
No More Color is Swiss thrash metal band Coroner's third album, released in 1989.
Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with some of the genre's distinguishing characteristics being improvisational performances, avant-garde influences, odd instrumentation, opaque lyrics, unorthodox structures and rhythms, and an underlying rejection of commercial aspirations.
