This article includes a list of references, related reading or external links, but its sources remain unclear because it lacks inline citations .(July 2017) |
This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: Non-English words should be tagged with {{ lang }} for consistent formatting, screen readers, and automated spell checkers. In the citation of a work, use the language tag in Template:Citation, and give a translated title.(March 2019) |
This is a comprehensive list of compositions by Erkki Melartin.
The works have been listed systematically. Within each group there are first works with opus number and then the works with an EM code. All the works with opus number have been published, if not specified otherwise. Most of the works with code EM are unpublished, and only the publishing information has been given. All information is based on the newest work catalog (December 2016). The work catalog is based on the archival material and manuscripts in several Finnish libraries and music archives (The National Library, The Library of Sibelius Academy, The library and archive of Sibelius Museum in Turku, the music library of The Finnish Broadcasting Company etc.). In addition, all the relevant printed music publications have been used during the compiling work.
Rough translations in English have been provided for the opus titles, but not for the original literal works, unless in Finnish only.
For one voice and piano, if not specified otherwise.
Opus 122, No. 2 has been never used
Opus 122, No. 5 has been never used
Opuses 164 and 165 are all Finnish folk song arrangements - No attempt has been made to translate the original titles.
In addition several dramatic works by Melartin contain part for a reciter.
Cantatas and dramatic works with choir parts are listed under respective entries.
Only No. 6 printed during Melartin's life. Erkki Melartin Society has already edited and published nos 1, 3, 4 and 5 in PDF-format. [1]
For a large orchestra, unless otherwise stated.
All for violin and piano, unless otherwise stated.
Arrangements are listed here by the original composer. The several arrangements Melartin did of traditional and anonymous works are in the main list.
Leevi Antti Madetoja was a Finnish composer, music critic, conductor, and teacher of the late-Romantic and early-modern periods. He is widely recognized as one of the most significant Finnish contemporaries of Jean Sibelius, under whom he studied privately from 1908 to 1910.
Selim Gustaf Adolf Palmgren was a Finnish composer, pianist, and conductor. Palmgren was born in Pori, Finland, February 16, 1878. He studied at the Conservatory in Helsinki from 1895 to 1899, then continued his piano studies in Berlin with Ansorge, Berger and Busoni. He conducted choral and orchestral societies in his own country and made several very successful concert tours as a pianist in the principal cities of Finland and Scandinavia, appearing also as a visiting conductor. In 1921, he went to the United States, where he taught composition at the Eastman School of Music, later returning to Finland, where he died in Helsinki, aged 73. Palmgren was married to the opera singer Maikki Järnefelt.
Erkki Gustaf Melartin was a Finnish composer, conductor, and teacher of the late-Romantic and early-modern periods. Melartin is generally considered to be one of Finland's most significant national Romantic composers, although his music—then and now—largely has been overshadowed by that of his exact contemporary, Jean Sibelius, the country's most famous composer. The core of Melartin's oeuvre consists of a set of six (completed) symphonies, as well as is his opera, Aino, based on a story from the Kalevala, Finland's national epic, but nevertheless in the style of Richard Wagner.
Kullervo, Op. 7, is a five-movement symphonic work for soprano, baritone, male choir, and orchestra written from 1891–1892 by the Finnish composer Jean Sibelius. Movements I, II, and IV are instrumental, whereas III and V feature sung text from Runos XXXV–VI of the Kalevala, Finland's national epic. The piece tells the story of the tragic hero Kullervo, with each movement depicting an episode from his ill-fated life: first, an introduction that establishes the psychology of the titular character; second, a haunting "lullaby with variations" that portrays his unhappy childhood; third, a dramatic dialogue between soloists and chorus in which the hero unknowingly seduces his long-lost sister; fourth, a lively scherzo in which Kullervo seeks redemption on the battlefield; and fifth, a funereal choral finale in which he returns to the spot of his incestuous crime and, guilt-ridden, takes his life by falling on his sword.
Toivo Timoteus Kuula was a Finnish composer and conductor of the late-Romantic and early-modern periods, who emerged in the wake of Jean Sibelius, under whom he studied privately from 1906 to 1908. The core of Kuula's oeuvre are his many works for voice and orchestra, in particular the Stabat mater, The Sea-Bathing Maidens (1910), Son of a Slave (1910), and The Maiden and the Boyar's Son (1912). In addition he also composed two Ostrobothnian Suites for orchestra and left an unfinished symphony at the time of his murder in 1918 in a drunken quarrel.
Laura Valborg Aulin was a Swedish pianist and composer. Aulin's String Quartet in E minor, Op. 17 and String Quartet in F minor are the most important Swedish music compositions in that genre from the 1880s.
Alexander Abramovich Krein was a Soviet composer.
Ernest Walker was an Indian-born English composer and writer on music, as well as a pianist, organist and teacher.
Henryk Opieński was a Polish composer, violinist, teacher, administrator and musicologist. His writings on, and collected letters by, Frédéric Chopin, were considered of paramount importance in Chopin studies of the time.
Lucien Haudebert was a French composer who strongly identified with his Breton heritage.