List of musical instruments by Hornbostel–Sachs number: 321.312

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This is a list of instruments by Hornbostel-Sachs number, covering those instruments that are classified under 321.312 under that system. These instruments may be known as spike box lutes or spike guitars.

3 : Instruments in which sound is produced by one or more vibrating strings (chordophones, string instruments).
32 : Instruments in which the resonator and string bearer are physically united and can not be separated without destroying the instrument
321 : Instruments in which the strings run in a plane parallel to the sound table (lutes)
321.3 : Instruments in which the string bearer is a plain handle (handle lutes)
321.31 : Instruments in which the handle passes diametrically through or over the resonator (spike lutes)
321.312 : Instruments in which the resonator is in the form of a box (spike box lutes, spike guitars)

These instruments may be classified with a suffix, based on how the strings are caused to vibrate.

InstrumentTraditionHornbostel–Sachs classificationDescription
banjo (with resonator) [1] [2]
African American 321.312-5Four or five stringed instrument, plucked with a bare thumb and a forefinger covered by a metal thimble, traditionally with four or five strings,
gimbri
guinbri, guimbri, gimbri, ginibri
Gnawa music 321.312Rectangular box lute with leather tuning rings
gusle [3] [4] [5]
Serbia, Montenegro and elsewhere in the former Yugoslavia 321.312Stringed instrument, round, typically with one string bound at the top of the neck with a tuning peg
Serbian gusle
morin khuur
horse-head fiddle,
Mongolia, Tuva 321.312Two-stringed instrument, held between the legs, with a trapezoidal body and a horse's head typically carved on the upper edge of the pegbox
sanshin [6]
Ryukyus of Japan 321.312-6Three stringed banjo-like instrument, covered with snakeskin
sanxian
China 321.312Three-stringed fretless plucked instrument, with a box covered in snakeskin.

References

Notes

  1. Hill, Errol; James Vernon Hatch (2003). A History of African American Theatre. Don B. Wilmeth. Cambridge University Press. ISBN   0-521-62443-6.
  2. Bailey, Jay (January–March 1972). "Historical Origin and Stylistic Developments of the Five-String Banjo". Journal of American Folklore. 85 (335). American Folklore Society: 58–65. doi:10.2307/539129. JSTOR   539129.
  3. "'Spinning Out of Control': Rhetoric and Violent Conflict" (pdf). June 1, 2006. p. 4. Retrieved December 21, 2007.[ permanent dead link ]
  4. "Montenegrin Music". Visit Montenegro. Retrieved December 21, 2007.
  5. Lord, Albert B. (1936). "Homer and Huso I: The Singer's Rests in Greek and Southslavic Heroic Song". Transactions and Proceedings of the American Philological Association. 67. The Johns Hopkins University Press: 106–113. doi:10.2307/283230. JSTOR   283230.
  6. Tokita, Alison McQueen; David Hughes. "Context and Change in Japanese Music" (pdf). Retrieved December 17, 2007.