List of postminimalist composers

Last updated

Composers who are considered postminimalist include:

Related Research Articles

<span class="mw-page-title-main">Pulitzer Prize for Music</span> American award for musical works

The Pulitzer Prize for Music is one of seven Pulitzer Prizes awarded annually in Letters, Drama, and Music. It was first given in 1943. Joseph Pulitzer arranged for a music scholarship to be awarded each year, and this was eventually converted into a prize: "For a distinguished musical composition of significant dimension by an American that has had its first performance in the United States during the year."

Glitch is a genre of electronic music that emerged in the 1990s which is distinguished by the deliberate use of glitch-based audio media and other sonic artifacts.

Contemporary classical music, also called modern classical, is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism.

<span class="mw-page-title-main">Kyle Gann</span> Musical artist

Kyle Eugene Gann is an American composer, professor of music, critic, analyst, and musicologist who has worked primarily in the New York City area. As a music critic for The Village Voice and other publications, he has supported progressive music, including such "downtown" movements as postminimalism and totalism.

Michael Torke is an American composer who writes music influenced by jazz and minimalism.

<span class="mw-page-title-main">Downtown music</span>

Downtown music is a subdivision of American music, closely related to experimental music, which developed in downtown Manhattan in the 1960s.

Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non-representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.

<span class="mw-page-title-main">Neoclassicism (music)</span> Music genre

Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music.

Drone music, drone-based music, or simply drone, is a minimalist genre of music that emphasizes the use of sustained sounds, notes, or tone clusters called drones. It is typically characterized by lengthy compositions featuring relatively slight harmonic variations. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism". Music containing drones can be found in many regional traditions across Asia, Australia, and Europe, but the genre label is generally reserved for music originating with the Western classical tradition. Elements of drone music have been incorporated in diverse genres such as rock, ambient, and techno.

Totalism is a style of art music that arose in the 1980s and 1990s as a response to minimalism. It paralleled postminimalism but involved a younger generation of creators, born in the 1950s. This term, invented by writer and composer Kyle Gann, has not been adopted by contemporary musicology and generally still refers only to Gann's use of it in his writings.

The Albany Symphony Orchestra is a professional symphony orchestra based in Albany, New York.

<span class="mw-page-title-main">Robert Carl</span> American composer

Robert Carl is an American composer who currently resides in Hartford, Connecticut. He was chair of the composition program at the Hartt School, University of Hartford.

John McGuire is an American composer, pianist, organist, and music editor.

Philip Christian Darnton, also known as Baron von Schunck, was a British composer and writer.

<i>The Well-Tuned Piano</i> Musical work by La Monte Young

The Well-Tuned Piano is an ongoing, improvisatory, solo piano work by composer La Monte Young. Begun in 1964, Young has never considered the composition or performance "finished", and he has performed incarnations of it several times since its debut in 1974. The composition utilizes a piano tuned in just intonation.

<span class="mw-page-title-main">Laetitia Sonami</span> Musical artist

Laetitia Sonami, is a sound artist, performer, and composer of interactive electronic music who has been based in the San Francisco Bay area since 1978. She is known for her electronic compositions and performances with the ‘’Lady’s Glove’’, an instrument she developed for triggering and manipulating sound in live performance. Many of her compositions include live or sampled text. Sonami also creates sound installation work incorporating household objects embedded with mechanical and electronic components. Although some recordings of her works exist, Sonami generally eschews releasing recorded work.

Dennis Lee Johnson was a mathematician and minimal composer. He is the namesake of the Johnson homomorphism in the study of mapping class groups of surfaces.

Thunder Entered Her is a choral piece written by the English composer John Tavener in 1990. It was commissioned by the St Albans Chamber Choir and it is written for SATB chorus, handbells and pipe organ.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 Kyle Gann, "Minimal Music, Maximal Impact: Minimalism's Immediate Legacy: Postminimalism". New Music Box: The Web Magazine from the American Music Center (November 1, 2001) (accessed 4 February 2012).
  2. The Cambridge History of Twentieth-Century Music - Google Books (pg.539)
  3. The Cambridge History of Twentieth-Century Music - Google Books (pg.545)
  4. The Cambridge History of Twentieth-Century Music - Google Books (pg.544)
  5. RSNO/Danzmayr|Classical music|The Guardian
  6. 1 2 Helen Bauer, Young People's Guide to Classical Music (New York: Amadeus Press, 2009): p. 241. ISBN   9781574671810.
  7. British Music Collection: Simon Rackham
  8. Max Richter spring-cleans Vivaldi's The Four Seasons|The Guardian
  9. ArtTalk: Christine Southworth, composer , retrieved 2014-01-12
  10. Allmusic Biography: Michael Torke
  11. Musically At Home in the Land of Fountains and BBQ - Postclassic
  12. Allmusic Biography: Michael Vincent Waller