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Karlheinz Stockhausen was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance into serial composition, and for musical spatialization.
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Darmstädter Ferienkurse is a regular summer event of contemporary classical music in Darmstadt, Hesse, Germany. It was founded in 1946, under the name "Ferienkurse für Internationale Neue Musik Darmstadt", as a gathering with lectures and concerts over several summer weeks. Composers, performers, theorists and philosophers of contemporary music met first annually until 1970, and then biennially. The event was organised by the Kranichsteiner Musikinstitut, which was renamed Internationales Musikinstitut Darmstadt (IMD). It is regarded as a leading international forum of contemporary and experimental music with a focus on composition. The festival awards the Kranichsteiner Musikpreis for performers and young composers.
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New Simplicity was a stylistic tendency amongst some of the younger generation of German composers in the late 1970s and early 1980s, reacting against not only the European avant garde of the 1950s and 1960s, but also against the broader tendency toward objectivity found from the beginning of the twentieth century. Alternative terms sometimes used for this movement are "Inclusive Composition", "New Subjectivity", "New Inwardness", "New Romanticism", "New Sensuality", "New Expressivity", "New Classicism", and "New Tonality".
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The Studio for Electronic Music of the West German Radio was a facility of the Westdeutscher Rundfunk (WDR) in Cologne. It was the first of its kind in the world, and its history reflects the development of electronic music in the second half of the twentieth century.
Ensemble is a group-composition project devised by Karlheinz Stockhausen for the 1967 Darmstädter Ferienkurse. Twelve composers and twelve instrumentalists participated, and the resulting performance lasted four hours. It is not assigned a work number in Stockhausen's catalogue of works.
Musik für ein Haus is a group-composition project devised by Karlheinz Stockhausen for the 1968 Darmstädter Ferienkurse. Fourteen composers and twelve instrumentalists participated, with the resulting performance lasting four hours. It was not regarded by Stockhausen as a composition belonging solely to himself, and therefore was not assigned a number in his catalog of works.
References
- Custodis, Michael. 2004. Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945. Stuttgart: Franz Steiner Verlag. ISBN 3-515-08375-8.
- 1 2 3 "Composer Profiles: John McGuire". Kalvos & Damian: Chronicle of the NonPop Revolution (accessed 12 October 2016).
- ↑ Custodis 2004 , p. 142
Gross, Robert. 2014. "Oh, No! Not Another Minimalist! John McGuire". Newmusicbuff.wordpress.com (March 21) (accessed 12 October 2016). - ↑ Custodis 2004, p. 142.
- ↑ Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunk in Köln 1951–1986. Cologne-Rodenkirchen: P. J. Tonger Musikverlag. p. 108.
Custodis 2004 , pp. 160, 210. - ↑ Gann, Kyle. 2001. "Minimal Music, Maximal Impact" New Music Box, web magazine from the American Music Center (November 1).
- ↑ Kapko-Foretić, Zdenka. 1980. "Kölnska škola avangarde". Zvuk: Jugoslavenska muzička revija, 1980 no. 2:50–55. p. 50.
