 |
Hans-Christian von Dadelsen (born 4 December 1948) is a German composer and music writer. He is the son of the musicologist Georg von Dadelsen [1] and journalist Dorothee von Dadelsen.
|
Hans-Christian von Dadelsen (born 4 December 1948) is a German composer and music writer. He is the son of the musicologist Georg von Dadelsen [1] and journalist Dorothee von Dadelsen.
 | This section needs additional citations for verification .(February 2024) |
Born in Berlin, von Dadelsen spent his childhood in Tübingen and Hamburg, where he studied at the Hamburg Musikhochschule after graduating from high school. [2] He studied composition and music theory with Diether de la Motte and György Ligeti [3] as well as music education with Hermann Rauhe. At the Darmstadt Holiday Courses in 1972, in a lecture entitled 'Tendenzen zu einer neuartigen Tonalität' (Tendencies towards a New Tonality), he suggested a thorough turnaround of modernism, also pointing to "Pop Art" and new "Romanticism", thus also initiating a number of misunderstood and by many other composers taken up changes in the stylistics of the 1970s ("Neuromanticism"). As a composer, he himself took up influences from Pop Art and American stylistics at an early stage and distinguished himself above all in the field of polyrhythmic. Inventions and iridescent harmonic concepts.
From 1980 onwards Dadelsen gradually developed a consistently polyrhythmic style ("flexible beats") together with the composer Babette Koblenz. A series of works for orchestra, music theatre and chamber ensemble as well as conceptual solo works ("Rhythmische Studien") were created. As an author, Dadelsen has published numerous essays in the field of cultural philosophy as well as analyses and studies on rhythm theory and studies on the work of Bob Dylan, Steve Reich, György Ligeti and Wilhelm Killmayer. In 1986–94, he worked as a lecturer at the Darmstadt Summer Courses. In 1998–2004 followed the direction and conception of the Hamburg chamber music festival "P0P – Pur oder Plus"; In 1999 together with Manfred Reichert he led the conception and direction of the Karlsruhe Bob Dylan Festival "Beethoven listens to Bob Dylan". Among his awards are the Berliner Kunstpreis in the music category and the Villa Massimo (1979) as well as the scholarship of the Internationales Künstlerhaus Villa Concordia (1998) in Bamberg.
From 2007 until his retirement in 2014, von Dadelsen worked as a music teacher at the Hegau-Gymnasium Singen, where he also led the Big Band. [4] Von Dadelsen lived in Wendland in Clenze. [5]
Among his awards are the Berliner Kunstpreis in the music category and the Villa Massimo (1979) as well as the scholarship of the Internationales Künstlerhaus Villa Concordia (1998) in Bamberg.
Wilhelm Killmayer was a German composer of classical music, a conductor and an academic teacher of composition at the Hochschule für Musik und Theater München from 1973 to 1992. He composed symphonies and song cycles on poems by Friedrich Hölderlin, Joseph von Eichendorff, Georg Trakl and Peter Härtling, among others.
Johannes Wolfgang Zender was a German conductor and composer. He was the chief conductor of several opera houses, and his compositions, many of them vocal music, have been performed at international festivals.
Hans-Jürgen von Bose is a German composer.
Heinrich Josef Konietzny was a German musician, professor and composer.
Claus Kühnl is a German composer and teacher.
Rudi Spring is a German composer of classical music, pianist and academic. He is known for vocal compositions on texts by poets and his own, and for chamber music such as his three Chamber Symphonies.
Sandeep Bhagwati is a German composer of western classical music and an academic teacher.
Heinz Winbeck was a German composer, conductor and academic teacher. He is known for five large-scale symphonies, which he programmatically subtitled, such as "Tu Solus" and "De Profundis". As a composition teacher in Würzburg, he shaped a generation of students.
Nélida Béjar is a Spanish composer based in Germany. She studied Music at the Hochschule für Musik und Theater München and Composition with Wilfried Hiller at Richard Strauss Conservatory in Munich. In 2012 she received a PhD in Composition at Trinity College, Dublin, where she studied with Donnacha Dennehy.
Lutz Landwehr von Pragenau is a German composer of classical music.
Babette Koblenz is a German composer associated with Neue Einfachheit.
Konstantía Gourzí is a Greek composer and conductor. She is professor of ensemble conducting and new music at the University of Music and Performing Arts Munich.
Georg von Dadelsen was a German musicologist, who taught at the University of Hamburg and the University of Tübingen. He focused on Johann Sebastian Bach, his family and his environment, and the chronology of his works. As director of the Johann Sebastian Bach Institute in Göttingen, he influenced the Neue Bach-Ausgabe (NBA), the second complete edition of Bach's works.
Kai Rapsch is a German oboist, cor anglais player and entrepreneur.
Hans Jürgen Wenzel was a German conductor and composer. He was chairman of the Verband der Komponisten und Musikwissenschaftler der DDR and professor for musical composition at the Hochschule für Musik Carl Maria von Weber Dresden.
Wilfried Hiller is a German composer. He became known above all for his stage works for families, children and young people.
Dieter Dolezel is a German composer and electronic guitarist.
Alfred Koerppen was a German organist, music pedagogue, composer and academic teacher. He taught composition and music theory at the Hochschule für Musik und Theater Hannover from 1948 to 1991. His compositions focus on choral music with and without accompaniment, but he also wrote symphonies, chamber music and stage works.
Birke Jasmin Bertelsmeier is a German composer.
The Prize of the Christoph and Stephan Kaske Foundation is an annual award for promotion of new music. It was founded in 1988 by Karlheinz and Christiane Kaske in memory of their sons Christoph and Stephan. The Christoph and Stephan Kaske Foundation has its legal seat in Munich. The aim is to promote young, promising interpreters and composers in the field of new music. The award is endowed with € 10,000. The selection of the winner is made by a board of trustees. The prize is awarded in a ceremony at the Künstlerhaus am Lenbachplatz.
| International | |
|---|---|
| National | |
| Other | |
