Mauro Cardi (born July 22, 1955, in Rome, Italy) is an Italian composer.
Mauro Cardi (born July 22, 1955, in Rome, Italy) is an Italian composer.
Trained at the "Santa Cecilia" Conservatoire of Rome, under the guidance of Irma Ravinale, Gino Marinuzzi jr., Guido Turchi, he graduated in composition, instrumentation for wind orchestra and choral music. [1] In 1982, he received his first international recognition, winning the "Valentino Bucchi Prize" [2] [3] with Melos, for soprano and orchestra. Crucial was the encounter with Franco Donatoni, with which he furthered his education at the Accademia Nazionale di Santa Cecilia and the Accademia Musicale Chigiana of Siena. [1] [4] In 1984, he attended the Darmstädter Ferienkurse. [1] In the same year his composition Les Masques, Quattro Bagatelle for flute viola and guitar, was awarded the prestigious Gaudeamus Prize in Amsterdam. [5] [6] [7] [8] In 1987, he was selected to represent Italy at the International Rostrum of Composers by UNESCO. In 1988, he won the second prize at the International Competition Gian Francesco Malipiero with In Corde, for orchestra. [9] [1] He composed also several works commissioned by institutions and associations such as: RAI, Accademia Nazionale di Santa Cecilia, Biennale di Venezia, Ravenna Festival, Ville de Genève, Fondazione Malipiero, Centro Studi Armando Gentilucci, Maggio Musicale Fiorentino, Nuova Consonanza.
While his early works have been influenced by Donatoni, to which he devoted also an extensive analytical study, [10] Mauro Cardi soon developed his individual style, [11] [12] focusing his research on "musical forms moulded by timbre and sound intuitions, with unexpectedly expressive moments". [13] His poetics reflects his natural aptitude to contrapuntal writing and his fascination with logic and the symbolic value of numbers, attracted to the playful dimension involved in composing. [14] [15] [16]
He composed two radio operas commissioned by RAI: in 1994 Temperatura esterna on a text by Michele Mari and, in 1996, La mia puntualità fu un capolavoro on a text by Marco Lodoli. In 1995, on a commission by the Accademia Filarmonica Romana, he composed his first opera, Nessuna Coincidenza, one-act stage action with music. [13] In 1998 BMG Ricordi published the monographic CD Manao Tupupau, [11] containing his major works of the 1990th. From 2000 to 2008, on a commission of the 52nd Biennale di Venezia, he composed Oggetto d'amore, [17] a cycle of seven musical scenes on texts by Pasquale Panella, premiered in Venezia and published in CD format by RAI Trade in 2009, which concludes his long collaboration with Sonia Bergamasco [18] and the Freon Ensemble. In 2019 Mauro Cardi returns to musical theater with Il Diario di Eva, a semi-scenic opera for dancer / actress, soprano and ensemble, on a text freely taken from the homonymous story by Mark Twain (GAMO International Festival, Certosa di Firenze) and in 2021 he composed, on a libretto by Guido Barbieri, the one-act and six chapters opera Le ossa di Cartesio, for actor, three singers and large ensemble, commissioned by Opera InCanto, performed in Terni and Rome for Nuova Consonanza.
Since the 1990s, he has been involved in electroacoustic and computer music, collaborating with the electroacoustic music centres Agon in Milan, Centro Ricerche Musicali in Rome, Istituto Gramma in L'Aquila. In 1995 was chosen by IRCAM [19] for the international stage, in 1997 Manao Tupupao has been selected as a finalist at the 24th Electroacustique Music Competition of Bourges, and in 2009 Alba, for zarb and electronics, was chosen by the International Computer Music Conference of Belfast. In 2001, he joined the composers collective Edison Studio [19] in Rome, one of the most active centres for production of electroacoustic music in Italy, with which he experimented a collective composing practice. [20] [21] In 2008, Edison Studio published its first DVD, resulting from the collaboration with the video makers Latini and Di Domenico. In the following years it realized the live soundtracks for the silent movies: Gli ultimi giorni di Pompei (1913) by Eleuterio Rodolfi, Ricatto (Blackmail, 1929) by Alfred Hitchcock, Inferno (1911) [22] by Francesco Bertolini, Giuseppe de Liguoro e Adolfo Padovan (awarded the "Premio speciale AITS per il migliore suono anno 2011"‚ [23] by the Associazione Italiana Tecnici del Suono), Das Cabinet des Dr. Caligari [24] [25] (1919) by Robert Wiene. In 2011 and 2016 these two soundtracks have been published on DVD in 5.1 surround version by the Cineteca di Bologna in the "Il Cinema ritrovato" series. A study has been published on Edison Studio's works: "Il silent film e l'elettronica in relazione intermediale", edited by Marco Maria Gazzano. [26] With Edison Studio, Mauro Cardi participated in the International Computer Music Conference 2002 (Gothenburg) and 2003 (Singapore).
Since 2021 Mauro Cardi has been on the executive committee of Nuova Consonanza from 1988, [27] of which he has been President from 1999 to 2001. Founding member of the "Scuola popolare di musica di Testaccio" (Rome), he has taught Composition at the Conservatories of L'Aquila and Florence and from 2021 at the Conservatory “Santa Cecilia” in Rome. He gives seminars and composition workshops in Italy and abroad. [19]
Mauro Cardi's compositions have been published by: Casa Ricordi, RAI Trade, Curci, Edipan, Ut Orpheus, Semar, Sconfinarte, Taukay; and have been recorded by the labels: Ricordi, RCA, BMG Ariola, Nuova Fonit Cetra, RAI Trade, Edipan, Adda Records, Happy New Ears, Il manifesto, CNI, Taukay.
Aldo Clementi was an Italian classical composer.
Lorenzo Ferrero is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language.
Roberto Carnevale is an Italian composer, pianist and conductor.
Tomás Marco Aragón is a Spanish composer and writer on music.
Fabio Cifariello Ciardi is an Italian composer of acoustic and electroacoustic music.
Robert Xavier Rodríguez is an American classical composer, best known for his eight operas and his works for children.
Giulio Castagnoli is an Italian composer.
Riccardo Piacentini is an Italian composer and pianist, professor of Composition at the Milan Conservatory.
Lucio Gregoretti is an Italian composer. He composed stage operas, symphonic and chamber music, electro-acoustic music, as well as incidental music for theatre plays, musical comedies, and film scores.
Adriano Guarnieri is an Italian composer of contemporary classical music.
Lucio Garau is an Italian composer of contemporary music and pianist.
Ivan Fedele is an Italian composer. He studied at the Milan Conservatory.
Luca Francesconi is an Italian composer. He studied at the Milan Conservatory, then with Karlheinz Stockhausen and Luciano Berio.
Edison Studio is a collective of composers and an electroacoustic music ensemble. It was founded in Rome in 1993 by the composers Mauro Cardi, Luigi Ceccarelli, Fabio Cifariello Ciardi e Alessandro Cipriani.
Luigi Ceccarelli is an Italian composer.
Jonatan Sersam is a Swedish composer and pianist. His music has been performed by Malmö Symfoniorkester, Helsingborgs Symfoniorkester, ensemble ICTUS, Schallfeld Ensemble, Ensemble Zeitfluss, Ensemble FontanaMix, Norrköpings Symfoniorkester, Swedish Wind Ensemble, Marco Fusi, Ruído Vermelho, Musica Vitae and the Kreutzer Quartet among others.
Alessandro Solbiati is an Italian composer of classical music, who has composed instrumental music for chamber ensembles and orchestra, art songs and operas. He received international commissions and awards, and many of his works are recorded. He is also an academic, teaching in Italy and France.
Fury is the 12th studio album by the Italian film music composer Stefano Lentini. It was released on November 16, 2018 through Coloora Records. It is an alternative-classic project with a symphonic prominence, prog-electronic and folk influences. The instrumental concept album finds its roots in the exploration of anger as an oft-neglected feeling and the search of its meaning. Fury is a journey through the universe of human emotions, symbolised by the stunning complexity of cosmos and its savage celestial bodies. The album was reviewed by Rolling Stone as “A journey into the dark side of the human mind”.
| International | |
|---|---|
| National | |
